EVERYTHING FOR DJ'S

Most Popular Christmas Songs 2011

2011-08-09T03:24:00.000-07:00

Whatever your musical taste there is no escaping Top Christmas songs 2011 at this time of year and with the countdown to the festive season well underway, PRS for Music has got in the spirit of things by compiling a list of the nation’s top ten most memorable and played Christmas tunes.

Topping the most memorable chart is Louis Armstrong’s cover of White Christmas, despite it only receiving sixth most airtime, PRS for Music explained. While leading the most played list is Mariah Carey’s chart-topping All I Want for Christmas is You, which ranks number ten in terms of memorability.

Completing the top ten were:

Do They Know it’s Christmas?
Last Christmas
I Wish It Could Be Christmas Everyday
Merry Christmas Everybody
Fairytale of New York
White Christmas by Bing Crosby
Walking In The Air
Let It Snow

Read more Most popular Christmas Songs

Top Ten New Songs August 2011

2011-07-27T04:38:00.000-07:00

Top 10 New Songs August 2011

Arе уοu looking fοr thе top 10 new songs august 2011 fοr уουr Ipod? Well, whаt I саn tеƖƖ уου here іѕ, іt іѕ depend οn whаt kind οf new songs august 2011 уου want tο listen. Thеrе аrе lots οf type οf music genres like top hip hop songs august 2011 hits ,top dance party hits ,top pop songs august 2011 ,rap hits ,club hits & many others аnԁ thе rіɡht song fοr thеm іѕ varies tοο. Now, I’m going tο mаkе a several suggestion fοr уοu here іn thе topic top 10 new songs August 2011. Sο іt іѕ up tο уοu whісh one іѕ suitable fοr уοu іn thе list οf top 10 songs august 2011.

1. Party Rock Anthem (feat. Lauren Bennett & GoonRock)-LMFAO
2. Last Friday Night (T.G.I.F.)-Katy Perry
3. Tonight Tonight-Hot Chelle Rae
4. How to Love-Lil Wayne
5. Give Me Everything (feat. Ne-Yo, Afrojack & Nayer)-Pitbull
6. Rolling In the Deep-ADELE
7. Good Life-OneRepublic
8. I Wanna Go-Britney Spears
9. Dirt Road Anthem-Jason Aldean
10 The Edge of Glory-Lady GaGa

Source Top 10 new songs 2011

Nеw Top Rap Songs 2011

2011-06-07T21:59:00.000-07:00

Top Rap songs 2011

Nеw Top Rap Songs 2011

If you want to know the Top Rap Songs 2011, we have compiled the list for уου. Thіѕ page is composed of the nеw Top Ten Songs of 2011

Top Rap Songs 2011 List

1 .Eminem & Royce Da 5′9″ – Fаѕt Lane
2 .Curren$y – #JetsGo
3 .Ludacris ft. Slaughterhouse & Claret Jai – F5 (Furiously Dаnɡеrουѕ)
4 .Wiz Khalifa – Thе Rасе
5 .Bіɡ K.R.I.T. ft. Bun B & Ludacris – Country Sh*t (Remix)
6 .Kendrick Lamar – HiiiPoWeR
7 .Tyga – Hypnotized
8 .Bіɡ Sean ft. Chris Brown – Mу Last
9 .Rick Ross ft. Lil Wayne – 9 Piece
10.Lil Wayne ft. Cory Gunz – 6 Foot 7 Foot
11.Ya Boy ft. Akon – Lock Down
12.Nicki Minaj – Dіԁ It οn’ Em
13.Game ft. Lil Wayne – Red Nation
14.Eminem ft. Slaughterhouse & Yelawolf – 2.0 Boys
15.Wax – Two Wheels
16.Beastie Boys ft. Santigold – Don’t Play Nο Game Thаt I Cаn’t Win
17.Kardinal Offishall ft. Pitbull, Lil’ Jon & Clinton Sparks – Smash Thе Club
18.Wiz Khalifa ft. Tοο Short – On Mу Level
19.Snoop Dogg ft. Wiz Khalifa – Thіѕ Weed Iz Mine
20.Mobb Deep ft. Nas – Dog Sh*t

Read More : Top rap songs of all time
It is very difficult to compile a list οf Nеw Top rap songs 2011 playlist as each one of us mау like something very different than the οthеr.

Top Love Songs 2011

2011-06-05T05:47:00.000-07:00

Top Lονе Songs 2011

Whаt happens when you listen to songs devoted to sadness, possessiveness, despair, regret, аnɡеr, bitterness, self-deprecation and neediness. Anѕwеr – Yου feel like shit!’ Iѕ this ɡοοԁ? I don’t think ѕο! Each generation has іt’s style of рοрυƖаr music and one thing that has remained constant is the Ɩονе song. Lονе songs are part of our culture.

List of Nеw Top Lονе Songs 2011 & AƖƖ Time

Thе year is almost over, mаrkіnɡ уеt another year of ɡrеаt and diverse music. Thе qυеѕtіοn іѕ, out of thousands and thousands of 2011 songs (аnԁ counting), which of them are the best in the Ɩονе category? Whісh of them peeked high in the billboard charts, made you think of that special someone every time you heard іt, and possibly made you sing-along with іtѕ enchanting lyrics and toe-tapping tune? Find out my top Ɩονе songs of 2011 and see if your pick made the list.

1. Devlin ft Labrinth – Lеt It Gο
2. Taylor Swift – Back to December
3. Rihanna – Whаt’s Mу Name? ft. Drake
4. Wynter Gordon – Dirty Talk
5. Katy Perry – Teenage Dream
6. Nelly – Jυѕt A Dream
7. Serge Devant – Addicted
8. Shontelle – Impossible
9. Eminem – Recovery
10.Eminem – Lονе Thе Way Yου Lie ft. Rihanna

Read More......
Top Love Songs 2011
New Songs 2011

Top Party Songs 2011

2011-06-01T01:38:00.000-07:00

Top Party Songs 2011
Sο уου’re looking for the best party song of 2011 for your upcoming dance party? Well, what I can tеƖƖ you here іѕ, it is depend on what kind of dance party you want to mаkе. Thеrе are lots of type of parties like wedding party ,hip hop dance party songs ,bridal party ,kids party ,birthday party ,rap dance party & many others and the right song for them is varies tοο. Now, I’m going to make a several suggestion for you here in the topic top party songs 2011. Sο it is up to you which one is suitable for you in the list of top party songs 2011.

List of Top Party Songs 2011

DJ Gοt Uѕ Falling in Lονе – Usher Feat. Pitbull
On the Floor – Jennifer Lopez
Shots – LMFAO Feat. Lil Jon
Look at Mе Now – Chris Brown Feat. Ludacris and Busta Rhymes
Tonight – Enrique Iglesias
Club Cаn’t Handle Mе – Flo Rida
Lονе the Way Yου Lie – Eminem Feat. Rihanna
Grenade – Bruno Mars
Stuttering – Fefe Dobson
Bottoms Up – Trey Songz Feat. Nicki Minaj
I Lіkе It – Enrique Iglesias
Call Mу Name (Original Club List) – Sultan & Ned Shepard feat. Nadia Ali
Take Over Control – Afrojack Feat. Eva Simons
United as One – Alex Sayz Feat. Sibel
Sexy Chick – David Guetta
Shut It Down – Pitbull
Waka Waka – Shakira

Read More Top Party Songs 2011
Top Party Songs of all time

Top House Music 2011 – Best House Hits

2011-05-31T23:27:00.000-07:00

New Top House Music 2011 – Best House Hits Songs

If you want to know the Top House Music 2011, we have compiled the list for you. This page is composed of the Top 20 house Songs of 2011 calculated today, May , 2011.

House music is a style of electronic music that originated in Chicago and New York in the early 1980s. New York too has played an integral part in the development of house music, which is considered a direct descendant of disco music. House music is characterized by a 4/4 beat, meaning there is a prominent kick drum every beat (or every quarter note of a bar). A drum machine or another electronic instrument usually creates the kick drum in house music. House music often has a continuous, repetitive synth bassline and uses a variety of electronic sounds and samples taken from other music genres including jazz, disco, blues and pop. House music generally falls between 118 and 135 beats per minute (BPM). There is some debate surrounding how ‘house’ music first received its name.

List New Top House Music 2011 – Best House Hits Songs

It is not yet the end of the year and yet the list of top house music & songs of 2011 seems inexhaustible. I am sure by the end of the year the list of top house music hits will certainly look different.

01 – Tiësto & Mark Knight feat. Dino – Beautiful World (Club Mix)
02 – Tonite Only – We Run The Nite (Original Mix)
03 – Solesystem – Onion
04 – Ruby & Tony feat. LoFi Sugar – You’ll Be Mine
05 – Ferry Corsten – Punk (Arty Rock N Rolla Mix)
06 – Ruben De Ronde – They Are Not You (Paul Rigel Remix)
07 – Nicky Romero – Solar (Original Mix)
08 – Transit Passengers – Escapade (Original Mix)
09 – Above & Beyond feat. Richard Bedford – Sun & Moon (Dennis Sheperd Remix)
10 – Chase Costello feat. Zosia – Open Your Heart (Corderoy Remix)
11 – Sergey Shemet – Where There (Fluctor Remix)
12 – Alex Kunnari – New Life
13 – Rex Mundi – Valley Of Dreams
14 – Jaden Merrick – Fixate (Bonn Lewis Remix)
15 – Andy Duguid feat. Leah – Miracle Moments (Zachary Zamarripa Remix)
16 – Garrido & Skehan – Miami At Midnight (Gary Afterlife Remix)
17 – Luigi Lusini – Breathless (Original Mix)
18 – Domestic Religion – Another Daydream (Original Mix)
19 – Light Source feat. DeanniQa – The House Of Gods (Kasa Remixoff Dancefloor Mix)
20 – P.A.F.F. – For Her (Grube & Hovsepian Remix)

Read More ;- new Greatest house music 2011

Thе Best DJ Headphones 2011 Fοr DJ’ing

2011-05-27T00:39:00.000-07:00

In best DJ headphones 2011 we will shortly review some of the best new headphones available for DJs.

Whаt Mаkеѕ Thе Best DJ Headphones Fοr DJ’ing?

It’s very іmрοrtаnt to point out here that above everything еƖѕе, headphone сhοісе is extremely subjective and down to personal preference. Thе headphones I Ɩονе, mау not necessarily be the best ones for уου. Hοwеνеr, there are a few things that all good headphones need to have in common.

Sοmе best selling DJ Headphones for DJ’s

Thе Pioneer HDJ 1000 is extremely durable best dj headphones, which is essential for a DJ. Thе possibility of them being dropped or thrown is very high. Thе HDJ 1000 has a сοοƖ futurist look and is extremely light. Anу DJ will еnјοу endless hours of listening due to the plush padding and light weight design. Thе folding housing and universal joints allows the DJ to fold these puppies away and be on the mονе in no time.

Read More :- Best DJ Headphones 2011

New Top Country Songs 2011 - greatest country music hits

2011-05-20T04:28:00.000-07:00

Fοr some days I have been researching on some of the top New country songs 2011 in the history of country music. Anԁ finally the list is up, and here it іѕ, for all you guys to have a look . Whаt would make it to your list of top 10 country songs 2011? Whether уου′re a country music fan, or a novice to the genre, this article will talk about the classic songs that made the сυt…

LіttƖе History of Country Music

Country music originated in 1920s, from the western and southern раrtѕ of the United States, and has a simple style of folk music which is usually played on stringed instruments. Thеrе are many categories to country music genre like alternative, Christian music, country rock, honky tonk, and western swing, it has become an international sensation. Country music has always had a hυɡе fan base, and the number is increasing rapidly. American country artists like Elvis Presley, Dolly Parton, Kenny Rogers, Willie Nelson, and many more have changed how country music is viewed by the masses. Out of all the best country songs of all time, I have to ѕау my favorite is Thеrе Goes Mу Everything by Elvis Presley. Ok friends now we talking about Top Country Songs 2011 and here is the list of top country songs 2011.

Top Country Songs 2011 List

Country music songs inspire υѕ, make us laugh, and sometimes сrу. Thіѕ genre has influenced millions of fans around the world and opened doors for new singers to present their talents. Thеѕе best all time Top country songs 2011 have become an integral part of our lives

Read More - Top Country songs 2011

First Dance Wedding Songs 2011 – Top Wedding Music

2011-05-18T23:28:00.000-07:00

It is a very difficult task to select the best first dance Greatest wedding songs. You can either opt for selecting a romantic song or song which is connected to your lives. There are many different varieties of popular songs that are available for first dance. This first dance music is when the couple took to the dance floor and danced for the first time as husband and wife. You are eagerly waiting for this special moment in your life and are a bit tensed about your dancing ability. Hence it is necessary to select the best first dance wedding songs love songs to make it the most memorable event in your life. Majority of the couples opt for classic romantic wedding dance music songs.

Top First Dance Wedding Songs 2011 List

Choosing a song to use for the bride and groom’s first dance is an important task. You’ll want to make sure that the Top first Dance wedding songs you pick suits both of Your interests and style. If you have no clue what to pick ( Greatest Top First Dance Top Wedding Reception Songs ) for the first dance, here is a Greatest first Dance songs list for wedding Reception, to look at at some popular hip songs, as well as some great classics that many couples have used for their first dance at wedding. One source says that the most popular greatest Top first wedding dance songs of 2011 being used at the moment are:

Read More .. Top dance songs 2011
Top wedding reception and first dance songs 2011

Top Pop Songs of 2011

2011-05-02T02:31:00.000-07:00

Thіѕ genre of music has within itself such flavor, that it is еnјοуеԁ by mοѕt. Of course there are other genres of music like rock, reggae, club music , house music ,top ten rap songs classical and instrumental, but no form enjoys as much popularity as pop. Pop songs carry with them catchy tunes, lyrics that appeal to the basic instinct, and soulful music. AƖƖ in аƖƖ, a sure shot entertaining formula. Anԁ it is this that gains these songs so much popularity.

Nеw Top Pop Songs 2011 List – Pop Hits

Youngsters always know what music is at the top of the charts like top pop songs 2011, but older folk mау fall behind. Mау this list of top pop songs 2011 hits settle any arguments in your house over who was number 1 whеn, or who was in the charts whеn. Sο friends ,here is list of top pop songs 2011 or top pop hits of 2011 at the time of written this article

Read More - top pop songs of 2011

Top Hits 2011 - club ,house ,trance ,techno and hip hop

2011-04-28T02:52:00.000-07:00

Sο Mу Friends ,уου’re looking for the top hits of 2011 for your upcoming dance parties? Well, what I can tеƖƖ you here іѕ, it is depend on what kind of top hit 2011 you want to listen. Thеrе are lots of type of music genres like wedding hits ,hip hop hits , dance party hits ,rap hits ,club hits & many others and the right song for them is varies tοο. Now, I’m going to make a several suggestion for you here in the topic top hits 2011. Sο it is up to you which one is suitable for you in the list of top hits music of 2011.

Read More - top hits music songs of 2011

Top Country Songs 2011

2011-04-07T02:48:00.000-07:00

If уου′re a country music fan, then it won’t come as a surprise that it holds іtѕ οwn amongst the more aggressive forms of music that have evolved over the years, and now rule the roost as рοрυƖаr. Fοr a recent convert, what differentiates country and allows it іtѕ οwn place on a pedestal is the ѕtοrу like quality of each song – the lyrics are trυе, and the music speaks to your soul. Whether іt’s a foot stomping number that brings to mind barn dances, cowboy boots and Stetson’s, or a soul stirring ѕtοrу of a long lost Ɩονе, thеrе′s nothing quite like country to get you listening, really listening. Top Country Songs 2011 list are always controversial, and mine below, will be nothing short, I’m sure, but these are my picks for the top 10 country songs. Take a look at the list of the best country songs 2011 below – and Ɩеt the disagreeing bеɡіn.

Read more - Top country songs 2011

Top Club Songs 2011 list

2011-02-20T04:36:00.000-08:00

Top club songs 2011

Music has nowadays become an essential part of socializing, especially for the youngsters who like to spend their weekends dancing,top drinking songs and mingling. Whether it is a private party music or a disc, music plays an important role in setting the mood of the people present there. Playing the right kind of songs at a get together or a club can make people enjoy and have fun together. So, if you are planning a party at your place and are searching for the Top club songs that you can play, then you have landed on the right page. Below is a list of top club songs 2011, followed by top club rap songs of this year.

If you want to know the New Top club Songs 2011, we have compiled the list for you. This page is composed of the new Top club Songs of 2011 calculated today. This list of new top club music 2011 is calculated everyday based on the number of sales of each of the top club songs. It is not yet the end of the year and yet the list of new top club songs of 2011 seems inexhaustible. I am sure by the end of the year the list will certainly look different.

Read More... New top songs 2011 music hits

Thе year of 2010 is еnԁеԁ and once again ѕtаrt a new resolution for year 2011. Wе has selected the Latest best top club songs 2011. Best club songs selected for our readers and music that played by DJ’s in nightclubs around the world.Hey AƖƖ Thеѕе Arе Mу Personal Top 10 club songs 2011!! Please Subscribe to this blog for more update on this list of best club song 2011!! Anԁ Mοѕt Importantly!!! Enјοу the music !! Keep In Mind Thеrе WіƖƖ Bе More best club music Comin Out Sο Subscribe QUICK!!!

Read More...........top club music hits 2011

300 Acapella mp3 songs download free

2010-09-22T00:38:00.000-07:00

Hello friend just meet our new blog For latest updates. Because we moved to new address.....

http://djshelpline.com/acapella-more-than-300-acapellas-for-djs-download-free/

Audio/Mp3 to Wav Converter Software

2010-09-15T03:32:00.000-07:00

Audio to mp3 or wav Converter software Free Download

This Audio converter is originally Developed by NCH software and completely Free to use. It is called "SWITCH AUDIO CONVERTER" by its developer.

This aoudio converter convert audio files from many different formats into mp3, wav or wma.
Additionally you can convert your sound files into the formats you need to compress for storage, create ringtones, add to a presentation, listen on your portable device and much more. In fact, the possibilities are endless using this powerful audio converter.

You Can Use It To:-

-Convert audio to mp3 or wav for your iPod, PSP or phone
-Convert wav to mp3 files to save hard drive space
-Convert mp3 to amr to use as a ringtone
-Convert audio files not supported by other software, and
-Extract audio sound bites from video files

Features

convert many audio files at once
Import and convert a playlist (m3u and pls)
Extract audio file from selected Video files
Extract and convert audio from DVDs
Quick Convert options
Multiple file formats output at once
Access online database to add song information
Option to listen to tracks prior to conversion
Automatically normalize output audio file
Supports both constant or variable bit rates
WAV encoder supports a range of sample rates
Works as a command line plugin for automation with software to convert or compress audio files

Supported Audio File Formats

wav, mp3, wma, mp2, m4a, ogg, avi, mid, flac, mov, amr, aac, mpga, dct, au, aif/aiff, raw, dvf, vox, cda, gsm, dss, sri, shn, dss, msv, wmv,and more
More info :- HERE
Link To Download:- HERE

Using MP3 Editing Software How to remove Vocals

2010-09-07T07:43:00.000-07:00

Learn how to remove vocals from song using mp3 editing software

Are you someone that wants to remove vocals from music with an easy to use program to editing mp3 and music ? There's a lot of Vocal remover software out there but before you choose any one of them, you'll want to make sure that it is easy to use Has good support. If you ever have problems with your software, the last thing you want is to be stuck in the dark. Be sure that the software vendor will on hand to answer any of your questions regarding the program to remove vocals. Also check that the software is compatible with your operating system.

In this video tutorial you will show how to remove vocals from a song/track/music using the free MP3 editing software called Audacity.It is a perfect music editor program It’s for deleting the voice of the singer but not the reverse – you can’t keep vocals and delete the sound from music instruments.

Click Here to check out the good Music editor Software and find out how you can make a lot of good quality Karaoke song using a technique to get you in the zone. Once you get in the zone you will be on good of your game.

Perfect for karaoke music and sound editing. Works only with stereo tracks, not with mono.

Free Vocal Remover Software - GLS! download

2010-09-05T10:18:00.000-07:00

remove vocals from song using this free tool/ vocal remover software

Tonebytes has introduced GLS! - a free virtual effect plug-in for Windows which lets you remove vocals from songs.......
It is a free sound, audio, wav editor software for editing, processing and recording sounds, wav and mp3 files. GLS has all the features to edit audio (cut, copy, paste, etc.) produce music loops, analyze, record, batch convert.

GLS! is well suited for music with good stereo separation and a dry vocal, slightly worse for a wet vocal, and not suitable for mono tracks. However wet vocals can also be slightly muted by narrowing the stereo before processing.

I have not had the chance to test it, as I am on a (superior) Mac, but it's worth a try if you're on Widows because it's free! It works on the principle of "central channel subtraction" where singer's voice is usually located. Apparently, the plug-in is also able to preserve bass and drums, which are often located in the centre of the stereo space and may suffer along with the voice.

Tone bytes says: "Do not expect magic. GLS! will remove not only the voice: some other musical instruments or sounds may also disappear or become corrupt, and the song loses stereo." Well, what did we expect, really!
Other vocal remover software Programme Wavosor HERE

Please Comment if You using this one.....

Wavosaur - Free audio editing software download

2010-09-03T04:46:00.000-07:00

Remove Vocals from song using this free tool

Wavosor is a free sound, audio, wav editor software for editing, processing and recording sounds, wav & mp3 files. Wavosaur has all the features to edit audio (cut, copy, paste, etc.) produce music loops, analyze, record, batch convert.Wavosaur supports VST plugins, ASIO driver, multichannel wav files, real time effect processing.The program has no installer and doesn't write in the registry. Use it as a free mp3 editor, for mastering, sound design. The Wavosaur freeware audio editor works on Windows 98, Windows XP and Windows Vista.

How to remove vocals here

Features

General:-
Multiple Document Interface for working with many files in one session
All classic editing functions : cut, copy, paste, paste mix, paste replace/insert, paste to new file, trim/crop, delete, undo.
Many processing options: mute, channel convert (stereo->mono, mono->stereo), insert silence, change volume, normalize level, fade in/out, invert/flip, undo.
Accurate waveform representation, fast zoom in/out, clean easy to use interface Right mouse to scroll/display context menu. Skinable editor look.

Advance:-
Resample, bit-depth convert (8,16,24,32 bits), pitch shift, vocal removal, DC offset removing, auto-trim, silence remover, interpolate, auto detect region, crossfade loop, exporting multiple wav file from regions.
Wavosaur can import, save and edit loop points & markers informations in wav files. Snap to zero-crossing.
Batch processing : apply process/effect/VST effects to an entire folder.
Export files as text for using in software such as Matlab, Excel or PSpice.

Download Here

How to Remove Vocals from Songs

2010-09-03T01:04:00.000-07:00

In this tutorial i will teach you HOW TO REMOVE vocals from a music track

Figuring out how to remove vocals from songs is not as hard it was 10 years ago. This is because there are vocal removal software you can buy from the internet. It eliminates the need to approach an expensive studio for a minus one, instrumental version, or karaoke version of your favorite songs.

To know how to remove vocals from songs is not as important as knowing which voice remover software to buy. Of course, you may have seen the free software that claim to be able to do this, but these software are severely limited and unable to deliver the goods most of the time.

To find that good software, don’t just look for one based on the price or sale discount you may come across because again, this may be a great deal or a lemon that needs to be pushed to get sold.

Look for a voice removal software that has low priced song downloads, free updates, ease of installation and use, and after sales service. You need to be happy with your purchase from the get go, and this covers everything from the purchase, delivery/download, use and troubleshooting.

Technically, in simple terms, the software will separate the tracks or channels, find the lead vocal, create a little miracle and produce an instrumental version of the song you want to try singing. Naturally, it’s much more complicated than that, but as long as it works and someone is online to help all along the way, then you really don’t need to know the technical details.

To help you maximize the quality of your new karaoke song, you could even consider changing the tempo to suit your style. You can also pick your microphone based on one that can be boosted to 10 khz so that the sound quality of your voice is crystal clear. Don’t rely too much on producing a breathy vocals because this can be harsh on your vocal chords and not always a suitable fit to a song.

Once you know how to remove vocals from songs, you will be able to sing rock and roll, classics, ballads, disco, new wave, and even maybe rap. You will have unlimited resources if you choose the download the right software.

Finally, realize that the software is not a miracle to a vocals to instrumentation process. There will be slight quality issue such as the faint sound of the original voice, but if you plan to sing over the song and the singer, then you’re in good company and need not worry. If you do plan to just play the song as an instrumental, then you might want to look instead for the original instrumental version.

Free Download

How to use Headphone with Virtual dj - Motherboard setting

2010-09-02T09:50:00.000-07:00

Well mine is 4.1 Audio Output n haven't tried with 5.1.. still let's try...!!

Plug in Ur speakers in the Green port and ur Headphones into the Blue port...

NOW go to ur Control Panel>Sound And Audio Devices and Change ur speaker settings to Quadraphonic Speakers or 4 Speaker Mode...

NOW check the Volume Control And Set the Volume to Full for all the objects like Front, Rear etc...

NOW that u r done wit this launch VDJ. Navigate to Config >Sound Setup>Outputs -Set them to 'Headphones'

next under the same tab i.e Sound Set Up go to 'Soundcards' and set them as '4.1 Card'

Lastly, set 'Output Channels' as "Master : Front Output / Headphones Rear Output"

Press "OK".......

I believe u would get the desired result after this....

Let me know if u do face any probs while doing this under this topic itself...

Loads Of Love N Music..!!

5.1 Channel Mother Board Settings..

Well , i will definitely share the procedure.

Procedure --
If u r having the 5.1 channel motherboard, then firstly you have to make the audio Output settings of the PC to 4 speaker or 4.1 channel ( in Realtek it shows -- 4CH Speakers ).

After that you have put the headphone lead in secondary audio output in your motherboard ( it would be Green or Black Pin Slot ) and the Speaker in the Main Slot ( Green One )

Now u need to do the Setting in Virtual DJ Soft...

In Virtual DJ.--- Go to the settings and

Set the "Output" to Headphones..
Sound Card to 4.1 Card..
Output Channels to Master : Front / Headphone : Rear

Now u r ready rock the world with Virtual Dj by mixing the Songs with the Help of Headphone and the others to rock on the Floor........

Cheers to all the members of Virtual DJ

Virtual DJ Rocks................

How to Use Fruity Filter in FL Studio

2010-09-02T03:24:00.000-07:00

This tutorial is going to breakdown the basics of using an audio filter in FL Studio along with some tips and trick you can use in your Fruity Loops music projects.

Basically an audio filter is just as the name says; it filters out audio either above or below a certain frequency--called the cutoff frequency. The two we'll learn about in this tutorial are the "low-pass" & "high-pass" filters. A low pass filter allows all the audio below the cutoff frequency through or to "pass", things such as kick drums, bass guitar, and other low end instruments; likewise, a high-pass filter will let all the high frequency audio through; for example, cymbals, high ringing synths, ect... In this lesson we will be working with the Fruity Filter. The best way to learn this is just to open up FL Studio and tweak around with the settings on the filter.

So, start Fruity Loops and either lay down a basic beat or load up a project or one of the demo songs. Try to use something that has a full range of sounds, including kick drums, bass guitar or synth, snare, cymbals, hi-hats, maybe some guitar or samples.

Now pull up the Mixer (either by selecting it in "View" at the top nav-bar, or pressing F9) and select the Master channel in the Mixer. Over in the right hand side in an effects slot, click the little down arrow choose "Select" and stick in a Fruity Filter.

In Fruity Filter you will see 6 controls (Cutoff freq, Resonance, Low Pass, Band Pass, High Pass, and x2). Our main focus here will be on the Cutoff Freq, Low Pass, and High Pass knobs. Start by turning all of them all the way down to the left, now if you press play in Fruity Loops you will probably hear nothing, as the filter is filtering out everything and not allowing any audio to pass through.

First turn up the Low Pass knob all the way, this basically turns it on. Now slowly start to bring up the Cutoff Freq knob. And you should now start hearing the audio come through mainly the low end things like kick drums, bass, ect. As you can see when you turn on a low pass filter everything under the cutoff frequency comes through while blocking everything above that cutoff. This is great for pulling bass-lines out of a song or sample. Also you can use this as a cool frequency based fade in or out effect on your music tracks. Just start either full off or full on and slowly twist the cutoff knob from one extreme to the other.

The High Pass does the same thing, but it only allows sounds higher or above the cutoff freq to pass through. Turn the low pass all the way down and bring the high pass all the way up. Now as you bring the Cutoff freq up you will hear the bass tones drop out and only the high end stuff such as cymbals will be coming through. High pass can be used for many things including giving your tracks that lo-fi played through a radio or tiny phone speaker sound.

You could also automate these filters while recording in Fruity Loops for some great WahWah type of effects. If you turn the x 2 knob On and the Resonance up you will get even more pronounced filter effects on your audio. Now that you know the basics experiment with these filters on your own projects and you'll soon master them and have another weapon in your Fl Studio arsenal. And just about every VST or hardware based filter will have these same control, so you will be able to jump right in and start filtering your music projects.

How to scratch with vdj ( virtual dj )

2010-09-01T03:44:00.000-07:00

its pretty easy dude just rt click on the turntable and then drag it in to n fro motion ...

and if u r not so good at scratching (i don't scratch as i mix electronic music) then u can use Effects

My Formula 4 Scratching On VDJ..

First of all, Scratching needs a good vocal loop, den a few tweaks with the High, Mid and Low's...

Secondly, While scratching two things take place:

1.Scratching the disc- Which can be done by clicking on the rotating disk and then moving the mouse to nd fro..

2. Cutting(Manually) -Well dis is tough in VDJ. Noways, tweak the Crossfader Keyboard Shortcuts:
Go to Config menu & Keyboard Shortcuts. On da list u will see 'Page Up" nd "Page Down" commands. Click on them and set their Values as "+3000" and "-3000". Save the Settings.

NOW Get a nice vocal loop, adjust its High Mid Lows, and then use the mouse and the Page Up and Page down keys to scratch nd cut...

It surely isn't going to give results as a turntable gives but u Scratch Freaks out der can have a try...!!!

Recommendations and Comments Welcome..

How to Play Different Kinds of Popular Music

2010-09-01T03:34:00.000-07:00

When playing different kinds of popular music, the most important is to know what is popular with the audience on the place you are playing. Go to the place you are going to play and hang out there some nites before your gig. Get some impressions, ask the owner…..

On top of this there are a number of “rules” when pub & club dj-ing:
- Play every song between 2.0 - 2.5 minutes. If you play songs longer people will find it boring. If you play songs too short people will become irritated. Of course, a mistake in the 'short' direction is not that bad.
- Minimum 4 songs of the same style in a row (or the style change gets too confusing)
- Always play two slows. After the first not everybody has the girl/the boy he/she wants. After a slow, kick in a beat again. No point in messing around with a 'good' build-up. Some (lonely) people are waiting to dance, and the people slowing will leave the floor anyway when you switch to a non-slow.
- In the beginning of the night choose your end style of music. After 3:00, 4:00 o'clock people often go home when you switch style, so stay to the same style after that.
- Don't try to beatmix when you don't have the skills. Nothing is more irritating than two non matching songs over each other with the bass drums interleaved and a DJ trying to fix that live. Use fade out, echo out or microphone skills if you don’t beatmix. You are still a dj, technique is not everything. Music and giving the crowd a party is the most important part!

Also, if you are not comfortable with beatmix, but can do some, then do just that. Beatmix those songs that u can, and leave the others for other transitions. Even when you try to beatmix in the beginning, there can be times beats drift to far apart, or you are out of luck ;) If you ever happen to be in such a situation (which will occur) just cut one of both songs. The audience will be happy if you do that. When you cut one of both songs you will be disappointed, just remember that it was too late for a subtle mix anyhow. So better luck next time :)

- At every moment have a list of the three/four/five next songs you will play, this should ensure continuity. If people ask something, don't switch immediately, put them at the end of your list, and eventually adapt your list. Trusts people's opinion only when they are not to drunk. Otherwise neglect them…. Lol :)

- Don't play songs that will kill the “atmosphere”. Like, don’t play a slow song in the middle of the gig, people go home after the song, or leave… And don’t play a techno song, even if its your favourite, if the theme for the nite is hiphop and visa versa… Knowing what an audience likes is as important as knowing what the audience absolutely dislikes.

* Playing One Style Whole Night
Essentially, it is much easier to play the same style (Techno, House, Acid, and so on) whole night than playing different styles. Of course, you have to know the style before you even think of playing. E.g: don't play Salsa if you don't know crap about it.

- Build your music tempo up, instead of playing it down. Start at one “lower” bpm, and sort your database by bpm’s – and build up from there. If it’s a long gig, you can reach peaks many times by going up to a certain high bpm level, and then build it down again (don’t go to far down, will kill the atmosphere and expectations of the crowd) Build up again after a little while…

-Tempo breaks are long ambient passages, often found in trance, house etc. This is a nice are to beatmix, or fade song out if u cant beatmix…
- If you are playing techno-style whole night you might want to surprise your audience by slowly removing the bass drum and afterwards kicking it in again. Removing the bass drum slowly and kicking it in is better than boosting the bass drum because most installations cut the mid and high frequencies when you boost the bass too much (hardware limiter).
- If you are playing techno-style, you can build your own build-up using the equalizer. Set the frequency low, cut everything out at the right moment and start changing the frequency. Be sure to kick in the complete sound at the right moment. (This can be tricky :)
- you can also do the trick above only with the bass eq for the right moments, and kick bass back in at the right moments.

Diffrent Styles of Scratching

2010-09-01T03:30:00.000-07:00

Diff Styles of Scratching... in brief...
Sounds that are frequently scratched include but are not limited to drum beats, horn stabs, spoken word samples, and lines from other songs.

Any sound recorded to vinyl can be used, and CD players providing a turntable-like interface allow DJs to scratch not only material that was never released on vinyl, but also field recordings and samples from television and movies that have been burned to CD-R.

Some DJs and anonymous collectors release 12-inch singles called ScratchTools or battle records that include trademark, novel or hard-to-find scratch fodder.

1.) BABY Scratch:-

The simplest scratch form, and the basis for all other scratch forms, the baby scratch is performed with the scratching hand only (the crossfader is not used). The scratching hand slowly moves the record back and forth. Moving the record "slowly" is important for this scratch form, otherwise it becomes a scribble scratch.

2.) RELEASE:-

The release, sometimes called "cutting" and even "sampling", is a simple scratch made by releasing the record from the beginning of a particular sound.
The fader is open at the beginning of the release and then is closed while the record is pulled back to the beginning of the sound (when doing this quickly, an extremely gentle push is necessary at the beginning of the release).
Also known as a "Stab" this is the physical method of repeating a sound, cue buttons on mixers eliminate the need but are seen as using less skill amongst purists. However, just about all turntablists - rather than battle DJs - use cue buttons to perform.

3.) TEAR Scratch:-

Like the baby scratch, the tear is performed "without" the crossfader.
The tear consists of a simple
........"forward-back-back" or "forward-forward-back"........ motion,
effectively breaking the sound into "triplets", where the baby scratch breaks it into duplets.
The term "tear scratch" can also refer to a simpler, slower version of the chirp.
For example: the fader is cut in, the record is dragged forwards, the fader is cut out then back in again as the record is dragged backwards. The fader is then cut out and the pattern continues.

4.) SCRIBBLE Scratch:-

The scribble scratch is performed "without" the crossfader, and is performed by tensing the forearm muscles of the scratching hand and rapidly jiggling the record back and forth in minute movements.

5.) Chirp Scratch:-

The chirp scratch involves "fading" the sound "in and out" with the crossfader hand while the scratching hand performs a baby scratch. When performed quickly, this creates a distinctive "chirping" noise.

6.) TRANSFORM Scratch:-

The transform scratch was first popularized by its appearance in the title sequence for the cartoon "The Transformers". It starts with the crossfader closed, and involves moving the record with the scratching hand while periodically "tapping" the crossfader open and immediately closing it again.

7.) FLARE Scratch:-

The flare scratch was popularized by "DJ Q-bert", but was invented by "DJ Flare".
It begins with the "crossfader open", and involves moving the record while closing the fader one or more times to cut the sound out. This produces an extra sound for each fader "click"; one click = two sounds; two clicks = three sounds; etc.
The flare allows a DJ to scratch continuously with less hand fatigue than transforming as the fader hand can briefly rest during continuous scratching.
The flare can be combined with the crab for an extremely rapid continuous series of scratches.

8.) CRAB Scratch:-

The crab scratch consists of moving the record while quickly tapping the crossfader open with each finger of the crossfader hand.
In this method, the thumb acts as a spring, immediately pushing the crossfader closed after each tap. In this way, DJs are able to perform transforms or flares much faster than they could by manipulating the crossfader with the whole hand.
A precursor to the crab scratch was the twiddle scratch, where the first and middle finger tap the crossfader in rapid succession. the inventor - DJ.DISK

9.) ORBIT Scratch:-

An orbit scratch, invented by DJ DISK, describes any scratch, most commonly the flare, which is done forward and immediately backwards along the record's surface.
Thus, an orbit scratch can be carried on indefinitely.

10.) TWEAK Scratch:-

The tweak scratch, invented by DJ Mix Master Mike(From San Francisco), is performed with the turntable's motor off.
The record platter is set in motion manually, then "tweaked" faster and slower to create a songlike scratch.
This scratch form is best performed with long, sustained sounds.

11.) LAZY Tap:-

A technique developed by DJ Mazzadius on "normal belt drive" turntables before he bought his own setup, this is an almost cheating alternative to using the cross fader.
It involves the DJ tapping the record with one finger, usually from the edge of the record.
This has to be done carefully and well to prevent taps from coming across as bass frequencies.
It creates the echo style sound that very quick cross fader movements provide but it is distinctive because instead of turning off the volume it halts the playback and can be combined with other scratches to sound like more than the DJ is actually performing.

How To apply Skin Virtual DJ

2010-09-01T03:16:00.000-07:00

First of all, always remember you don't need to be a genius to begin to skin.

Choose your favorite skin in the skin download section. Take an easy skin, with less buttons or functions in order to make sure you understand the way it works.

OK Unzip the skin file.
Unzip directly in the skin folder this way the skin will appear in VDJ with it's filename only (easier to rapidly check the results of the modifications). This way you won't need to rezip and move files these operations take many mouse clicks and time.

Open the BMP file

When Paint appears, make sure you can see the status line or click on the view menu then check for the status bar.

Status Bar in PaintShop Pro.

The .bmp file contains all the graphics needed in your skin. You can use any bitmap editor (from Paint to Photoshop) to modify or create it. The bitmap will usually have a width of 1024, and a height of more than 768. In the first 768 rows you'll find the background used for your skin. The next rows are used to store additional graphics, like pushed or selected buttons.

OK. Let's move your mouse around in the pic, and see in the status bar (right) the coordinates of the point you focus. You can focus very precisely when zooming on a part of the pic. Try to draw a selection box : the status line tells you the width and the height of the box. Okay now you can find the line 768 (depending on the skin resolution) in the pic. Below this limit, the skin user won't see anything. Look around, you can see there are all the highlighted and animated stuff, lightening visual parts, moving sliders and so on.

Open the XML file
For xml editing you can use Open XML Editor (free)

What is it? The xml script will tell to VDJ all the skin's picture informations, such as the position of the different buttons, where the highighted buttons are, where the browser will be, and so on. WOW there are MANY numbers here! These are the coordinates you saw in paint. You will use paint to get the pos and width of the buttons, then report them in the xml file, and again, and again in order to get the skin working. All the objects in the skin have name coordinates and even some special fields that you have to know. This is very important, the more you learn about the skin engine, the better the skin is. To help you to learn the different elements, Atomix Production wrote a skin development knowledge base Learn all the page and you'll become a skillful skinner! It can sound like a joke but it's true.

OK, Take one button, let's say play. Go to paint and try to move the play button to another location. Save the file, but don't quit paint. Now go to the script and find the line named button action="play_stutter".

Change the button's ordinates according to the Paint status bar. Save it all and test the skin in Virtual DJ to verify your work.

You'll see that verifying is a hard part of the job (I verify maybe each minute the work, except for very long processes. Just modifying a skin will let you know how hard the work is, and how long the process can be. It's not that hard just reporting thousands of numbers into a text file.

Creating an entire new skin
Creating a skin is not that hard, in practice but on the other hand it requieres specific skills. The hard work won't come from the xml script but from the picture part. It will take a long time to elaborate a great bmp file with all buttons (activated or not), with all the features of VDJ. To be beautiful even a small animation part can take hours! Even days! You will have to 'imagine' all the parts of the skin and 'manage' the space allowed. Be consciousness about those things.

What does a skin need in order to go in VDJ?

Must have the 'skin' header & footer
Must have the VDJ logo.

At this point your skin is valuable for VDJ. The following parts are needed to navigate :

A 'browser' element
Minimize, maximize, close buttons
A 'settings' button (NOT NEEDED TO GET STARTED, BUT NEEDED TO CHANGE THE SKIN AGAIN!)

In order to have your skin published

It must the VirtualDJ Logo not an image on the bitmap.
The Xml version must refer to 3 or above otherwise it will not be published.
Reference to VirtualDJ website must be found somewhere on the Bitmap.
There must NOT be any personal email address or web links in either the XML or BMP (you may include your name though)

VDJ Skin - How to Resize Virtual DJ Skins

2010-09-01T03:07:00.000-07:00

So what does it do? It re sizes your Virtual DJ skins.

Download VDJSkinResizer Here

Here is a little tutorial with default options to resize a VDJ Skin File.
After, you can experiment yourself the advanced options to enhance the result.

At the end of the file you can find some other info's that may be useful to tweak the software.

Unzip a skin

Take a zip skin file (by default they are in C:\Program Files\VirtualDJ\Skins).
Uncompressed it (open the folder in windows explorer, copy the files and paste them in the skins folder.
Open VDJ Skin Resizer. Click on the OK button on the Message Box.

Resize the XML config file

In Input File, enter the path of the xml file extracted from the zip. You can do it by clicking on the "..." button to find the file.
After opened the XML file, it should automatically fill the Input Size. If this is not the case, open the XML file with Notepad or another text editor, and look at the very first line, there should be "width" and "height" values. You must then enter them in the Input Size boxes (first for width, second for height).
Now enter the desired Output Size (it should automatically fill with your desktop resolution). Like before, first box is for width, and second for height.
Enter the desired Output File, for this you can click the "..." button, the program will then automatically propose a file name based on the Input File, but with "-resized-WIDTHxHEIGHT", so you don't have to type anything.

Resize the Image skin file

Now click on the "Image" panel at the upper part of the window to show the Image resize parameters.
In Input File, enter the path of the image file extracted from the zip. You can do it by clicking on the "..." button to find the file. The Input Size fields will automatically be filled by the size of the input image, but if this is not a valid image then it won't show anything. But you still can try to resize the image.
The Output Size should be automatically refreshed proportionally to the size of the input image. Now you can enter the desired size.

Tip: You should try to put the same width as for the XML file, to have the same size.
Now enter the desired Output File. You can click on the "..." button, and the program will automatically propose you a filename based on the input image name.

Tip: Try to put the same name as for the XML file, but changing the ".xml" extension to ".bmp", else the final skin won't work.

Run the job

Now go to "Execute" pannel, and click the button named "Let's go!".
Wait until the process is finished

If you have done all the steps carefully, you shouldn't get any error. If this is not the case, then redo the tutorial since the beginning, including unzipping skin file.

Preparing the skin for VirtualDJ

If the resize process is finished, you can then close VDJSkinResizer.
Now, you can compress the skin (windows compression) or test it uncompressed.
Make sure the finished files are in the VirtualDJ skins folder (by default: C:Program FilesVirtualDJSkins).

Load the new skin in VirtualDJ

Launch VirtualDJ
Click on the "Config", "Set" or "?" button to access VirtualDJ Options. Usually this button is on the upper-right, middle-right, or at the bottom-left, but it can be at another place if you use a different skin than default one.
Go in Skin pannel.
Select your skin in the list. The name should be either: "YourZipName:YourSkinName" or "YourSkinName" (for uncompressed)

If everything worked as expected, the skin should be loaded and ready to be used.
Enjoy ! =)

Final Note: You can note that some pixels and animations may be mis-aligned. You can correct these problems manually.

Computer DJing--All you wanted to know!

2010-09-01T00:22:00.000-07:00

Well its a known fact that a computer DJ is the one who mixes or rather makes digital music on his laptop or a desktop
Often the MIDI controllers and also the required Interfaces are employed to bring about the physical controls similar to those of record decks, but its the softwares that play a major role here in Computer Djing.
Here I list some of the famous computer DJ soft wares and yeah not to mention I tried some of them!

Ableton Live

Ableton Live is a professional loop-based software music sequencer for Mac OS and Windows by Ableton. The latest major release of Live, Version 7, was released in November 2007. Unlike other software sequencers, Live is designed around the notion of being as much an instrument for live performances as a tool for composing and arranging. It is also often used for precision mixing of tracks by DJs.

Official Website

Virtual DJ/Numark Cue

With effects, samples, and transitions that rival vinyl turntablisms, Virtual DJ lets anyone produce polished MP3 mixes.
At the top of the graphically-intense interface, song-structure visualizations show the beats as the music plays. Two simulated turntables play the currently- loaded tracks. Windows below the turntables show samples, effects, music search, recording, program options, and an Explorer-style interface for loading music. You’ll need to download an MP3 encoder if you don’t want to record files in WAV format.
Virtual DJ not only can create audio collages, but it now also can make montages of video clips. The stylish interface and high number of features score points, but learning how to use the program is a hit-or-miss proposition. Fortunately, the program offers a thorough user guide. Virtual DJ is well worth a look both for aspiring mixers and newbies.

Official Website

Sony ACID pro

Sony ACID Pro is a professional digital audio workstation (DAW) software program, originally published by Sonic Foundry, now developed and sold by Sony Creative Software.
With Acid Pro 6 (released in Q3-2006), Sony introduced a full digital audio workstation which also includes MIDI and multitrack audio recording with full support for ASIO, VST, and VSTI audio, plugins, and music synthesizer standards.
ACID Pro uses Acid Loops (meaning they contain tempo and key information for proper pitch transposition) painted out across the screen to create music tracks. Acidized loop sample CDs are available from Sony, as well as third party companies.
As with most sophisticated software packages, ACID is not a single software product but defines a family of products spanning a significant range of features. In a related-marketing effort, Sony has continued to support ACIDplanet, a content web site originally launched by Sonic Foundry which is aimed at current ACID users, prospective ACID users and the general public. It describes itself as “the Internet’s premier site for music, video and unique artists”.

Official Website

Traktor DJ Studio

Serious DJs, look no further–Traktor DJ Studio busts out a power-packed array of tools, surpassing the abilities of traditional DJ equipment. This versatile application gives you everything you need for live and in-studio mixing and remixing, complete with automatic beat synchronization, one-touch looping, a solid track-search function, interactive graphic waveform displays, and smooth cross fades at the click of a button.
Best of all, Traktor DJ Studio has an intuitive interface, closely resembling a real-world mixing board, that makes it easy to set and save multiple loops and cue points in a track. Our main complaint is that some of the cooler features only run (or run smoothly) on high-end machines, and you might not want to risk taking your nice laptop to a gig. Its price and performance mark Traktor DJ Studio for professional use.

Official Website

eJAY

Coming to eJAY-the one that I love the most, all I can admit is that its the best music/game software ever produced! The bright and colorful interface that it carries and not to mention the advanced features such as loops, reverb, bass synthesizing and drum loop sample editors, equalizers and many more make this one of the most preferred softwares and especially by the newbies. This one is just like arranging a jigsaw puzzle, it has many builtin sound notes, all you ned to do is pick and place them accordingly so that it sounds good on ear–now isnt that simple! Try it out and iam sure u’ll just fall in love instantly. Since the original Dance eJay, there have been many releases catering to different music genres and users, including techno and hip-hop as well as a PlayStation 2 edition

Official Website

Tweak your PC for DJ'ing & Audio Production

2010-09-01T00:18:00.000-07:00

If you are a serious pro, or just plain rich, you may well have a dedicated PC/Laptop for all your audio stuff. This for sure would be the ideal solution, but hey, for most of us it's a luxury we just cant afford.
So, what can we do then to make sure we get the most out of our PC when it comes to running our favorite DAW or DJing software? Below are some tips that can go a long way to improving things. A warning however, do some of these AT YOUR OWN RISK.
And please, if you ever meddle with stuff like the registry, do make a back up first!

Make a new account

Creating a new user account is pretty straight forward in most versions of windows. Navigate to the control panel and open the “user accounts” option in either XP or Vista and create yourself a “DJ” User account. This will help distinguish your DJ rig from the space where you visit DJTechTools.

Create a Hardware Profile

Copy your current hardware profile rename it to “DJ Only” and while you’re running the new profile reduce as many devices as possible, turning off everything from the CD-Rom to the Wireless card. Reduce those DPC latencies. You can check what helps your latency with the DPC Latency Checker. Additionally in the new hardware profile/account you can reduce the amount of services running. Navigate to #run > services.msc and you can eliminate any unnecessary services (like network services). This will help assure that the maximum amount of resources is dedicated to your software. REMEMBER: Hardware profiles are chosen at start-up! So you will have to reboot if you want to switch!

Performance

Be sure set your computer to focus on background services. This may seem counter intuitive, but experience has shown that you will see less audio dropouts and raised MIDI performance in this case.

Eliminate rogue software

Once you are in your newly modified DJ account you can start customizing even further. Run msconfig and eliminate any non-essential processes starting up. The extremely geek literate may want to use Microsoft’s autoruns.exe to take it to the next level running only your DJ software and csrss.exe.

Kiss Explorer.exe Goodbye!

Finally for the ultra hardcore we have the tweak to end all tweaks. Making your chosen software into the new Windows shell for your DJ account! Remember, edit the registry at your own risk, and don’t blame me if your laptop blows up in your face.

Open the registry by going to START -> Run and then typing “regedit” and clicking “OK”.
Navigate to ”HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Windows NT\CurrentVersion\IniFileMapping\system.ini\boot”
Find the String named Shell and change its value from: “SYS:Microsoft\Windows NT\CurrentVersion\Winlogon” to: “USR:Software\Microsoft\Windows NT\CurrentVersion\Winlogon”.

This tells Windows to look in the User key for the shell rather than the Machine key. If you don’t set this Windows becomes confused and Windows will see both Traktor/Serato and Explorer as your shell.

Next, go to “HKEY_CURRENT_USER\Software\Microsoft\Windows NT\CurrentVersion\Winlogon”. (Be sure you’re logged into your newly made DJ account!!!)
Either find or create a string named “Shell” with a value containing your Software’s EXE (for example, “C:\program files\Rane\Serato\Serato.exe”). This sets Serato as your username’s shell.

At this point your DJ Software is set up as your shell. In order to continue using Explorer as your file manager you must complete these steps:

Navigate to “HKEY_CURRENT_USER\Software\Microsoft\Windows\CurrentVersion\Explorer” and create a DWORD with the name DesktopProcess and a value of 1.
Navigate to “HKEY_CURRENT_USER\Software\Microsoft\Windows\CurrentVersion\Explorer\Advanced” and, again, create a DWORD with the name DesktopProcess and a value of 1.

And that’s it! Tear up the dancefloor with your new LEAN DJ account!

What is Turntablism? - Definition & History

2010-08-29T03:22:00.000-07:00

Turntablism is the art of manipulating sounds and creating music using phonograph turntables and an audio mixer. The term was created in 1994 by DJ Supreme to describe the difference between a DJ who just plays records, and one who actually performs, by touching and moving the records to manipulate sound. The word was never meant to be the actual title of the art form. It was regularly stated as an example, while explaining the need for a new word to describe a newly emerging and totally unique instrumental artform. The intention was for the original creators of the artform to confer, and decide on a title. While the idea of the need for a new word spread, some DJs just began to use the example word "turntablist" before the originators had a chance to proclaim an actual title.

DJ Babu has defined a turntablist as "One who has the ability to improvise on a phonograph turntable. One who uses the turntable in the spirit of a musical instrument;" while the Battlesounds documentary film suggests a definition of :"A musician, a hip-hop disc jockey who in a live/spontaneous situation can manipulate or restructure an existing phonograph recording (in combination with an audio mixer) to produce or express a new composition that is unrecognisable from its original ingredients."

Turntablist DJs use turntable techniques like scratching or beat juggling in the composition of original musical works. Turntablism is generally focused more on turntable technique and less on mixing. Some turntablists seek to have themselves recognized as legitimate musicians capable of interacting and improvising with other performers.

The history of the turntable being used as a musical instrument has its roots dating back to the 1940s and 1950s when musique concrète and other experimental composers (such as John Cage and Pierre Schaeffer), used them in a manner similar to that of today's producers and DJs, by essentially sampling and creating music that was entirely produced by the turntable.

Even earlier, Edgard Varèse experimented with turntables in 1930, though he never formally produced any works using them. This school of thought and practice is not directly linked to the current definition of hip hop-related turntablism, though it has had an influence on modern experimental sound artists such as Christian Marclay, Otomo Yoshihide, Philip Jeck and Janek Schaefer. These artists are the direct descendants of people like John Cage and Pierre Schaeffer and are often credited as a variant to the modern turntablist DJ and producer.

Turntablism as a modern art form and musical practice has its roots within hip hop and Hip Hop culture of the early 1970s. It stems from one of the culture's "four pillars" - DJing (see "four elements," Hip Hop Culture). Scratching was already widely spread within Hip Hop by DJs and producers by the time turntablists started to appear.

Kool DJ Herc, Afrika Bambaataa and Grandmaster Flash are widely credited for having cemented the now established role of DJ as Hip Hop's foremost instrumentalist (and historically the genre's only instrumentalist). Kool Herc's invention of break-beat deejaying is generally regarded as the foundational development in Hip Hop history, as it gave rise to all other elements of the genre. His influence on the of concept of "DJ as turntablist" is equally profound. To understand the significance of this achievement, it is important to first define the "break." Briefly, the "break" of a song is a musical fragment only seconds in length, which typically takes the form of an "interlude" in which all or most of the music stops except for the percussion. The break is roughly equivalent to the song's "climax," as it is meant to be the most exciting part of a song before returning once more to its finale (usually a return to the main chorus). In addition to raising the audience's adrenaline level, the percussion-heavy nature of the break makes it the most danceable as well, if only for seconds at a time. Kool Herc introduces the break-beat technique as a way of extending the break indefinitely. This is done by buying two of the same record and switching from one to the other on the DJ mixer: e.g., as record A plays, the DJ quickly backtracks to the same break on record B, which will again take the place of A at a specific moment in which the audience will not notice that the DJ has switched records.

Kool Herc's revolutionary technique set the course for the development of turntablism as an art form in significant ways. Most important, however, he develops a new form of deejaying that does not consist of playing and mixing records one after the other (incidentally, the type of DJ that specializes in mixing is well-respected for his own set of unique skills, but this is still deejaying in the traditional sense). Rather, Kool Herc originates the idea of creating a sequence for his own purposes, introducing the idea tof the DJ as the "feature" of parties, whose performance on any given night would be examined critically by the crowd.

However it was Grand Wizard Theodore, an apprentice of Flash, who accidentally isolated the single most important technique in turntablism: scratching. He put his hand on a record one day, to silence the music on the turntable while his mother was calling out to him and thus accidentally discovered the sound of scratching by moving the record back and forth under the stylus. Though Theodore discovered scratching, it was Flash who helped push the early concept and showcase it to the public, in his live shows and on recordings.

DJ Grand Mixer DXT is also credited with furthering the concept of scratching by practicing the rhythmic scratching of a record on one or more (usually two) turntables abd using different velocities to alter the pitch of the note or sound on the recording (Alberts 2002). DXT appeared ( as DST ) on Herbie Hancock's hit song "Rockit."

Together these early pioneers cemented the fundamental practice that would later become one of the pillars of the emerging turntablist artform. Scratching would during the 1980s become a staple of hip hop music, being used by producers and DJs on records and in live shows. By the end of the 1980s it was very common to hear scratching on a record, generally as part of the chorus of a track or within its production. On stage the DJ would provide the music for the MCs to rhyme to, scratching records during the performance and showcasing his skills alongside the verbal skills of the MC. The most well known example of this 'equation' of MCs and DJ is probably Run DMC who were composed of two MCs and one DJ. The DJ, Jam Master Jay (RIP), was an integral part of the group and his scratching an integral part of their productions and performances.

The appearance of turntablists and the birth of Turntablism was prompted by one major factor - the disappearance of the DJ in hip hop groups, on records and in live shows at the turn of the 1990s. This disappearance has been widely documented in books and documentaries (such as Black Noise and Scratch The Movie), and was linked to the increased use of DAT tapes and other studio techniques that would ultimately push the DJ further away from the original hip hop equation of the MC as the vocalist and the DJ as the music provider alongside the producer. This push and disappearance of the DJ meant that the practices of the DJ, such as scratching, went back underground and were cultivated and built upon by a generation of people who grew up with hip hop, DJs and scratching. By the mid-90s the disappearance of the DJ in hip hop had created a sub-culture which would come to be known as Turntablism and which focused entirely on the DJ utilising his turntables and a mixer to manipulate sounds and create music. By pushing the practice of DJing away, hip hop created the grounds for this sub-culture to be birthed and evolve.

The origin of the terms Turntablist and Turntablism are widely contested and argued about, though over the years some facts have been established by various documentaries (Battlesounds, Scratch The Movie), books (DJ Culture), conferences (Skratchcon 2000) and interviews in online and printed magazines. These facts are that the origins of the words most likely lay with practitioners on the US West Coast, centered around the San Francisco Bay Area. Some claim that DJ Disk, a member of the Invisibl Skratch Piklz, was the first to coin the term, others claim that DJ Babu, a member of the Beat Junkies, was responsible for coining and spreading the term Turntablist after inscribing it on his mixtapes and passing them around. Additional claims credit DJ Supreme, a UK DJ and producer for the group Hijack, though the claims that the terms were birthed in the Bay Area are the most widely acknowledged and established ones. The truth most likely lies somewhere in between all these facts.

In an interview with the Spin Science online resource in 2005, DJ Babu added the following comments about the birth and spread of the term:

Spin Science: First thing was about your role in the spread of the word turntablist. I'm sure you must have spoken on it many times, but I was wondering if you could give us some details about how it all came about, as you're widely credited for birthing the term in a way. DJ Babu: Well I humbly accept the position I've now been given for this whole thing, but I want to stress that I was just part of a whole load of DJs who really made this whole thing happen. People like DST are in a way those who really deserve the credit for it all because they gave the bug to scratch to our whole generation, he started it by being part of the Herbie Hancock band and doing his thing on 'Rockit'. Without him and the other pioneers, probably none of us would have got into this thing. After that well... It was around 95, I was heavily into the whole battling thing, working on the tables constantly, mastering new techniques and scratches, and all the while working in a gas station and spending my spare time concentrating on all these things. One day I made this mixtape called 'Comprehension', and on there was a track called 'Turntablism' which featured Melo-D and D-Styles. And this is part of where this whole thing about turntablist came from. This was a time where all these new techniques were coming out, like flares and stuff, and there were probably 20 people or so, in around California between Frisco and LA, who knew about these. So we worked on them, talked about it and kicked about the ideas that these techniques and new ways of scratching gave us. And what I would do is write 'Babu the Turntablist' on tapes I was making at the time, and somehow it got out a bit, the media got hold of it and it blew into this whole thing we now know. But it was really nothing to start with. We'd all talk about these new scratches and how they really started to allow us to use the turntable in a more musical way, how it allowed us to do more musical compositions, tracks, etc. and then we'd think about how people who play the piano are pianists, and so we thought "we're turntablists in a way, because we play the turntable like these people do the piano or any other instrument". Beyond that, it was just me writing 'Babu the Turntablist', because it was something I did to make my tapes stand out. I'd just get my marker pen out and write it on there.

So by the mid to late 1990s the terms Turntablism and Turntablist had become established and accepted as defining the practice, and practitioner, of using turntables and a mixer to create or manipulate sounds and music. This could be done by scratching a record or manipulating the rhythms on the record either by drumming, looping or beat juggling.

The decade of the 1990s is also important in shaping the Turntablist artform and culture as it saw the emergence of pioneering artists (D-Styles, Q-Bert, A-Trak, Ricci Rucker, Mike Boo, Tony Vegas, Prime Cuts) and crews (Invisibl Skratch Piklz, Bullet Proof Scratch Hamsters, Beat Junkies, The Allies, The Scratch Perverts, X-Ecutioners), record labels (Bomb Hip Hop, Asphodel, Tableturns), DJ Battles (DMC, ITF) and the evolution of scratching and other turntablist practices.

More sophisticated methods of scratching were developed during that decade, with crews and individual DJs concentrating on the manipulation of the record in time with the manipulation of the cross fader on the mixer to create new rhythms and sonic artefacts with a variety of sounds. The evolution of scratching from a fairly simple sound and simple rhythmic cadences to more complicated sounds and more intricate rhythmical patterns allowed the practitioners to further evolve what could be done with scratching musically. These new ways of scratching were all given names, from flare to crab or orbit, and spread as DJs taught each other, practiced together or just showed off their new techniques to other DJs.

Alongside the evolution of scratching, which deserves an article in itself, other practices such as drumming (or scratch drumming) and beat juggling were also evolved significantly during the 1990s.

Beat Juggling was invented, or discovered if you will, by Steve Dee, a member of the X-Men (later renamed X-Ecutioners) crew. Beat Juggling essentially involves the manipulation of two identical or different drum patterns on two different turntables via the mixer to create a new pattern. A simple example would be for example to use two copies of the same drum pattern to evolve the pattern by doubling the snares, syncopating the drum kick, adding rhythm and variation to the existing pattern. From this concept, which Steve Dee showcased in the early 90s at DJ battles, Beat Juggling evolved throughout the decade to the point where by the end of it, it had become an intricate technique to create entirely new 'beats' and rhythms out of existing, pre-recorded ones. These were now not just limited to using drum patterns, but could also consist of other sounds - the ultimate aim being to create a new rhythm out of the pre-recorded existing ones. While Beat Juggling is not as popular as scratching, due to the more demanding rhythmical knowledge it requires, it has proved popular within DJ Battles and in certain compositional situations.

One of the earliest academic studies of the turntable (White 1996) argued for its designation as a legitimate electronic musical instrument -- a manual analog sampler -- and described turntable techniques such as backspinning, cutting, scratching and blending as basic to the repertoire of the virtuoso hip hop DJ. White demonstrated that the proficient hip hop DJ must possess many of the same skills required by trained musicians, including a keen sense of timing, sharply-developed hand-eye coordination, technical competence and creativity with his material.

By the year 2000 Turntablism and turntablists had become widely publicised and accepted in the mainstream and within hip hop as valid artists. Through this recognition came further evolution.

This evolution took many shapes and forms: some continued to concentrate on the foundations of the artform and its original links to Hip Hop culture, some became producers utilising the skills they'd learnt as turntablists and incorporating those into their productions, some concentrated more on the DJing aspect of the artform by combining turntablist skills with the trademark skills of club DJs, while others explored alternative routes in utilising the turntable as an instrument or production tool solely for the purpose of making music - either by using solely the turntable or by incorporating it into the production process alongside tools such as drum machines, samplers, computer software, and so on.

In the 1990s, turntablism achieved new levels of attention. Dedicated DJs had gradually refined the practice, and it expanded on its own, apart from the MCs who had largely neglected DJing as rap developed.

New DJs/turntablists/crews like DJ Craze, Roc Raida, DJ Focus, DJ Q-Bert, Gunkhole, DJ Woody, A-Trak, Noisy Stylus, D-Styles, Birdy Nam Nam and Kid Koala owe a distinct debt to Old School DJs like DJ Kool Herc, Grand Wizard Theodore, Grandmaster Flash, DJ Jazzy Jeff, DJ Cash Money, Afrika Bambaataa and DJs of the golden age of hip hop, who originally developed many of the concepts and techniques that evolved into modern turntablism.

Within the realm of hip hop, notable modern turntablists are the cinematic DJ Shadow, who influenced Diplo and RJD2, among others, and the experimental DJ Spooky, whose Optometry albums showed that the turntablist can perfectly fit within the classic jazz setting.

Jurassic 5 members Cut Chemist (who left the group in 2005 to concentrate on his solo career) and DJ Nu-Mark, Kid Koala, and Mix Master Mike, who collaborated with the Beastie Boys on 1998's Hello Nasty and To The 5 Boroughs in 2004 and was also a founding member the Invisibl Skratch Piklz, are also known as virtuoso of the turntables.

Like many other musical instrumentalists, turntablists compete to see who can develop the fastest, most innovative and most creative approaches to their instrument. The selection of a champion comes from the culmination of battles between turntablists.

Battling involves each turntablist performing a routine (A combination of various technical scratches, beat juggles, and other elements, including body tricks) within a limited time period, after which the routine is judged by a panel of experts. The winner is selected based upon score. These organized competitions evolved from actual old school "battles" where DJs challenged each other at parties, and the "judge" was usually the audience, who would indicate their collective will by cheering louder for the DJ they thought performed better. Often, the winner kept the loser's equipment and/or records.

from wikipedia.org

How to Scratch or Be a Turntablist the basics of turntablism

2010-08-29T02:22:00.000-07:00

Here's an introduction to the basics of turntablism, or how to manipulate records or CDs and a crossfader in order to create music. This guide is not for absolute beginners.

Steps
Learn your music theory. Many DJs - even professional DJs - have no knowledge of music theory. Begin your education now. A turntablist is a percussionist, which means you need to have a good understanding of rhythm. You will be practicing scratching to music and then eventually making music using records. When you are scratching to a beat, you are scratching out a rhythm. If you have a complete understanding of rhythm, you can develop your skills to recreate these rhythms properly.

Learn about rhythm: most hip hop and dance music is in 4/4. That means for each bar of music there are 4 beats. Each beat can be subdivided in only a finite amount of ways. Count these out loud while you listen to music. Each beat will be place between [brackets]:
[1] [2] [3] [4]
[1 and] [2 and] [3 and] [4 and]
[1 trip let] [2 trip let] [3 trip let] [4 trip let]
[1 e and a] [2 e and a] [3 e and a] [4 e and a]
[i trip let and trip let] [2 trip let and trip let] [3 trip let and trip let] [ 4 trip let and trip let]
These are quarter notes, 8th notes, 8th note triplets, 16th notes, and 16th note triplets, respectively. Learn how to count these to the beats of songs you already like. You will have to increase the speed of your counting as you progress. Remember that triplets are just playing 3 notes in the time it usually takes to play two. Once you have mastered these subdivisions you will have to throw in rests to really have an understanding of the complexities of rhythym. Just remember that there are a finite way in which each beat can be subdivided. A good way to introduce youself to beats is to play the snare drum. You can go to the Vic Firth website listed below to get a feel for how each of these subdivsions and how the subdivisions that include rests, that were not written out here, sound. Once you can sing these rhythms or at least some of them out loud, you can start using these as a foundation for the scratches you develop.

Find a mixer that has a curve adjustment. This means that the crossfader does not have to be exactly in the middle before the sound is fully crossed over into the new channel. You dont absolutely have to have one of these mixers, but they make mixing a lot easier later on when you start doing advanced techniques.

Find a slipmat to put between the turntable's table and the record. This allows the record to spin freely. (Most turntables come with a rubber disc that keeps the record in place and you don't want it.) You want to be able to put a finger or your hand on the record and stop the record from moving without stopping the whole platter from moving. If you have a cheaper set of turntables you may need to cut additional pieces of plastic, wax or parchment paper (plastic carrier bags from the supermarket works really well) in circles that fit under the slipmat in order to reduce the fricion enough so that the platter does not stop when the record is stopped. You can buy a product called "majic carpets" that will help reduce friction. If you want to use your own slipmats or have a problem with stoppage or you can pick up a product called "butter rugs" and just use those as your permanent slipmat. You may still need to reduce the friction further but it depends on your taste and equipment.

Pick up some scratch records. You can use a cappella records or records that you already have and try and find a sample to use, but most DJs normally end up picking up a few scratch records to use in practice and battles. Most scratch records have a series of samples and then a beat and then some more samples and a different beat and so on. Dont just buy any record you find online, it's best to listen to the records to make sure they have something on it that is usable in your practice/performance. There are records that are unskippable which basically means that they repeat the samples in a way that if your needle skips (as it will) you will remain on the sounds you are trying to use. If you don't have an unskippable record, then try and wear in the record a little by finding the samples that you like and then pushing the record back and forth to get the needle and the groove groovin, baby.

Find a sample or sound on your record to practice scratching on. Longer sounds are the best.

Put the needle on the record and let it play until right before the sound.

Take a marker or sticker and put it somewhere on the record so you will have a visual cue to where the sample starts. It does not have to be on the vinyl itself. You can put it on the paper and when you get better you can worry about marking up your records with stickers that actually go on the vinyl itself in order to allow you to just place the needle on the paper and have the sounds cued up.

Start with no fader movement; just the hand on the record. When doing these scratches, first do them to a slower beat and then get faster and faster as you go along. When you are able to do them at a good speed, try and vary the rythyms by throwing in rests to the beats you develop.
Allow the sample to play at normal speed forward.

Stop the record with your hand or finger after the sound finishes playing and then slowly bring the record backwards at close to the same speed as it played forward. Pretend that you just hit reverse on your turntable and try to mimic the sound it would make.

Put on another song and do this to the beat.

Keep your hand on the record and slowly push the record forward; do it backward at the same speed. Then do this to the music.

Push the record forward over the sample instead of allowing the sound to play at regular speed or slowing it down. You will get a high pitched sound. Do the same for the reverse, pull it back at a similar speed. Then, do this to music. This is known as the baby scratch.

Tips
Rent/buy qbert's Do It Yourself Skratching Volumes 1 and 2
Rent/buy DJ Shortee's DJ 101 and DJ 102
Search for DJ performances on the internet
Go to the DMC website and see past winners of the yearly competition for the best DJs.
Protect your ears so you don't go deaf later on.
Don't use drugs or drink.

Warnings
Protect your ears! Wear earphones or earplugs if you have to play with the volume turned up.

from wikihow.com

Scratch Control Skin download for Virtual DJ

2010-08-26T03:44:00.000-07:00

Download scratch control,denon dn-s 1000, dn-s 3500 skins for virtual dj

Hello again, many of you have asked me for Virtual DJ Scratch Control Skin, not been easy, but it finally succeeded and in various resolutions, I can not understand why it is so difficult to locate certain Skins…I have also added a pair of DENON Skins, the DN-S1000 and DN-S3500, I have tried to change the resolution with the Skin-Resizer, but in the end the result is always the same, I think error in one or other line to load in Virtual DJ, I leave with you the link to the program if any of you are encouraged to try and hope that if I go get the new Skins to be able to make them available to everyone.

Download Virtual DJ Scratch Control (1280×1024, 1280×800, 1024×768)

Download Denon DN-S3500 (1280×800)

Download Denon DN-S1000 (1024×768)

Setting Up a Basic Home Recording Studio

2010-08-25T02:05:00.000-07:00

If you're looking to set up a simple home recording studio, you might be surprised to learn how easy it is. With a few hundred bucks and some time, anyone can assemble a studio that can make quality demos and recordings using their computer.

First, you'll need to buy a decent sound card for your computer. Any higher-end SoundBlaster card should be sufficient, and really any good sound card with a line in jack will do. Check online for reviews of the sound cards you're looking at; I have a Sound Blaster X-Fi, but that's a bit too expensive for many home users. A sound card around the $50 range should be adequate.

You'll also need a mixer, as this will help bring the signal of the microphone(s) to your computer. Check out Musician's Friend or a similar website to find good prices; you'll want one with a good ability to monitor sound levels, and you'll probably want to have the capacity to use phantom power. Most mics also use XLR connections, so make sure the mixer you're buying has at least one or two.

Of course, no recording rig is ready without a decent microphone. You can find some pretty decent mics for cheap; try the Behringer B-10 or the classic mainstay, the Shure SM-57. Microphones different in ability, so again, read up on whatever you're buying.

Once you've got all the materials, plug the output of your mixer into the line in jack of your computer and put the recording level at a point where your mixer's 0dB setting matches the 0dB setting on your audio recording program (I always recommend Adobe Audition for beginners; it has a trial, and a host of great features). Once you've got all the levels checked, place your mics and begin recording.

Many home computer setups will have a low buzz if the monitor is flat screen; to get around this, try adjusting the brightness setting on your monitor. If worse comes to work, you may have to unplug the monitor every time you record! Usually, though, the monitor settings can be changed to combat the problem.

Your home computer recording rig is set up; it's time to record some music. Be sure to add a bit of reverb to flesh out your sound, but don't add too many effects. Remember that reverb, echo, and other effects should be used as seasoning to increase the power of your over all recording.

These are just some basic guidelines to setting up a very basic home recording rig. Feel free to experiment until you've got the set up that meets your needs.

Pioneer Skins mega pack for Virtual DJ

2010-08-25T01:31:00.000-07:00

Download free pioneer cdj skin for virtual dj

I forgot who ordered these skins VirtualDJ to djing. and apologize because I just got it from a friend. I accidentally post here so that we can take it.

How to install the skin?
double-click the file name,skin automatically entered into the software Virtual DJ. Now you can mixing the song as you like.

About some skins

Denon S-3500 suggestion

Support to vdj v4.2 - v6.0.8
Suport audio and video
design for internal mixer
Enable CUE PHONE
Enable PITCH BEND
Very Easy to use and suitable for beginer

Pioner dvj 1000 pioner

support intenal mixer or external mixer
having CUE MIX PHONE
support video and audio
having Magic beatlock of function
Pitch bend use keyboard shortcut

Total control skin v.1.1 1280x800

Enable CUE PHONE
Pitch Bend use keyboard shortcut
Enable Sync
suport audio and video

Scratch v6.0 variation

Designed for scratch
Variation to all the screen resulotion
very good to scratching
enable keylock
Cue phone / cue mix (1024 x 800 ) but need hardware for equalizer

Numark NS7

Enable pitch bend
Cue Phone
Not support for video
Color at equalizer are not clear
Suitable to internal mixer

mff vj 4.4 1280x800

Support for audio video
scratching
Cue phone
Click bank
Multyeffect of function
having 2 panel
Pitch bend use keyboard to activating

V-mix station sv variation v4.2

Support to vdj v4.2 - v5.2
Suport audio and video
design for internal mixer
Enable CUE PHONE
Enable PITCH BEND
Very Easy to use and suitable for beginer

Dn-hc 4500

screen resolution 1440 x 800
easy to use
Many DJ use
need the hardware for Level volume.

Cdj 1000 mk3 v4.0 variation

support for vdj v.4.3 - v.5.2
Enable Magic beat lock (auto equal beat)
To internal mixer need keyboard shortcut for activating Cue phone
many dj use it.
Easy wav display
Pitch Bend use keyboard shortcut
Stop : Right click or S

Cdj 800 variation

Support audio video file
Pitch Bend use keyboard shortcut
Easy wav display
Cue mix use shortcut
Stop : Right click or S

Hercules skin --
This skin for hardware hercules dj console remix

Contains 31 skins, has the following skins in the package:

• BCD 2000
• Denon DN-S3500
• Denon 3500 Suggestion
• Denon DN-S5000
• DJ Console
• Numark + DN-X120
• Numark NS7
• Numark Total Control 1.2
• Oldschool + DJ MIXER BCD
• Pioneer CDJ 100s
• Pioneer CDJ 200s + Mixer Editado
• Pioneer CDJ 200s + Mixer Numark DM-1050
• Pioneer CDJ 200s + Mixer Pioneer DJM-400
• Pioneer CDJ 400s + Mixer Numark DMX-09
• Pioneer CDJ 400s + Mixer Pioneer DJM-700
• Pioneer CDJ 400s + Mixer Pioneer DJM-909
• Pioneer CDJ 400s Flamengo + Mixer Pioneer DJM-700
• Pioneer CDJ 400s vs. Pioneer CDJ 200s
• Pioneer CDJ 700s
• Pioneer CDJ 700s COLOUR
• Pioneer CDJ 800 + Mixer DJM 800
• Pioneer CDJ 1000 MK2
• Pioneer DVJ 1000 + Mixer DJM-909
• Pioneer DVJ 1000 MK3 + SVM 1000
• Pionner CDJ 400s + Mixer DJM-400
• Pionner CDJ 1000 MK3 + Mixer DJM-700
• Pionner CDJ 1000 MK3 + Mixer Pioneer DJM-300
• Pionner CDJ 1000 MK3 + Mixer Pioneer DJM-800
• Pionner CDJ 2000 + Mixer DJM-800
• Technics SL-DZ 1200
• Tecnichs SL-1210 M-5G v1.1 + Mixer Pioneer DJM-800

SIZE :- 46.30 mb

Download :- HERE

Mega Effects pack for Virtual DJ

2010-08-25T00:46:00.000-07:00

Download virtual dj effects free

This product contains more than 80 very high quality, royalty-free music and sound effect.All effects have been professionally mastered and are provided in form of high-quality WAV-files.

Contains 80 effects, has the following effect in the package:

• 16-band Equaliser
• 32-band Equaliser
• Auto-Cut
• Backspin
• Balance
• Bandi
• BBK
• Beat Break
• BeatBox
• BeatGrid
• BOOMERANG
• Brake
• Classic Phaser
• Cue Loop
• Cut
• Cutoff
• Daft Funk
• DFV Flanger
• Distortion
• Djos Delay
• Djos Special Flanger
• DjosDelay2
• Echo
• EchoOut
• Fade
• FadeOut
• Filter
• Filters
• Flanger TexZK's
• Flanger
• FlippinDouble
• FlippinDoubles
• Forward Reverse
• Fruity blood overdrive
• Funny flanger v2
• Headphone
• Inverse RIAA 1.0
• Inverter TexZK's
• Isolator
• karaoke
• Karlette
• KeyChanger
• Keyshift
• LFO att v2
• LFO bmh v2
• LFO bmh
• LFO
• Liquid
• LoopBack
• LoopOut flanged
• LoopOut v2.01
• LoopOut
• Matrix v1.1
• Mda Combo
• Metal
• Mic CTRL v1.2
• Microphone control
• Minion
• Mr.Green
• Multi Flanger
• NoBeatFX
• NorthPole
• On Fly Sampler
• OverLoop
• Pan flanger
• Pan LFO
• Pan Frequency Band
• Pan v2
• Pass TexZK
• Phase Shifter
• Polarity
• Reverse
• ShakerBeat
• Slide Loop
• SpecialBalance
• Spectrum
• Subbass
• TK Filter v2
• TTS v2
• Vinyl
• Vocals+
• XFade

Size :- 7.6 mb

Download :- here

Video effects here

How to create a " Wobble Bass"

2010-08-24T06:59:00.000-07:00

Learn how to create a wobble bass in production dj'ing

A lot of people it seem's online are having a hard time achieving a nice & nasty "Wobbling" bass for there productions.

This sound of the wobble has become popular with recent styles of music such as Dubstep & Drum & Bass, Hopefully with this tutorial we will get you shaking some nasty bottom end "wubs" in no time.

I find myself that the best way to build yourself a nasty wobble bass is from the ground up.
Don't worry about presets, What we are going to make here is far better and also created by yourself, So it opens a lot more doors for creativity in your own productions.

My own personal favorite weapon of choice for creating a bass shaking wobble is Native Instruments Massive.

For me this is the ultimate resource for not only creating huge bass but also ripping lead lines.
(Probably why it's called massive).

Start of in your D.A.W of choice (digital audio workstation).
I use Ableton Live personally.

Next up you are going to need some oscilations to give sound to your synth.
In the top right section go to OSC1, Make sure you click on the left so that it is green or "active".
Now choose your self a wave, I will be using a saw wave in this tutorial.
Now drop the pitch down to - 24. (Each number counts as a semi-tone).
Now mess around with the WT position knob to get yourself a fatish tone.

Next up we want more bass, This just isnt heavy enough.
Active osc2 so that its enabled.
Choose yourself a nice smooth square wave, This will add way more bottom end.
Once again, Mess with the WT control until you get a sound you like.
Also, Drop the Octaves once again to minus 24.
(Make sure you have AMP turned up or you will not hear it).

Next up we are going to add a filter to the sound, To remove frequencies and boost a few others.
Go the filter called "Daft".
Now you have selected this filter, You will notice a large change in the sound.
Mess around with the cutoff & resonance until you find a sound you like, I find the resonance adds a nice smooth level to the square wave, Cut off dirty's the sound up a bit.

When you have yourself a sound you like, Its time to start making some wobbles!
Go to the green section called "LFO", Click on the words LFO and then next to it is an arrowed crosshair, Drag the crosshair into the filter section in the empty square underneath the cutoff
as shown in the picture below.

Now you should start hearing your first wobbles, Move the crossfader curve up to the top to make sure the sound is not split.
Also on your left you have the "Rate" of your LFO, This controls the speed of your wobbles.
This can be assigned to a midi controller or automated by hand in your DAW.

Another option is you can go to the "sync" button and choose the rate of your LFO to be syncronized to your track.

You now have a perfectly good usable bass, Obviously this isn't as hugely fat as you want it yet,
But with a combination of distortions, Compressions and automation you can turn this sound you have made into something massive.

I'll be talking about FX you can use on this sound and production tips in later blogs.

Enjoy!

My tips for Software Djing

2010-08-24T02:56:00.000-07:00

Some tips for digital djing with laptop or pc

* Always buy and use a dedicated pc / laptop purely for Dj use, do not be tempted to use the family pc or run other applications on the machine you use to DJ from, and do not allow this machine to connect to the internet. On a pre-used machine, also start from scratch with a format and fresh install of the operating system.

* Use a good quality soundcard, even if you need to upgrade or buy an external USB one

* Always rip the music direct from an original CD at 192kbps quality or higher. 320kbps is advised for higher quality pa systems and is near cd quality. 192kbps is okay for smaller systems used by the Mobile DJ.

* Don't be too concerned about buying the latest top of the range PC to run from. Most Dj Software will happily run from basic P3 600mhz machines, but do check out the minimum requirements on the software authors website.

* Read reviews on the various software packages available. Stick to the features that you will use, since you can always upgrade extras later. Take advantage of the free trials of DJ Software which are available and use the time to find the best software to suit you

* If you choose a full sized PC make sure that it is professionally flightcased - pc's are not designed to be carried around.

* Select a high capacity 100gb - 200gb hard drive from a reputable manufacturer. Where practical and legal always back up your data

* Fit your machine with at least 1GB of memory(RAM), and ideally 2GB.

* Check out the legal aspect of converting original music to MP3 and whether a licence is required to operate such a system.

Beatmatching Basics - For Beginners

2010-08-24T02:17:00.000-07:00

You must have seen in the clubs and in parties that Djs don’t let you leave the dance floor by playing one after the other a set of great track without a break have you ever wondered what they do?, How they do this? So let’s learn it here.

Beatmatching is a technique of pitch shifting or time stretching a track to match the tempo to the other track. Beatmatching is used by DJ’s, to play continuous sequence of tracks one after the other just to make people stick to the dance floor at the end of the track. This technique is achieved by combining equalization, attention to phrasing and a collection of tracks to make a single mix.
Most of the DJs use this technique to mix, as it’s a most common way to mix a song but all depends on you how you use this technique in your mixing.

Beatmatching consist of following steps:

1. While a record is playing, beatmatch a new record to it, using headphones for monitoring. Use gain (or trim) control on the mixer to match the levels of the two records.

2. Restart and slip-cue the new record at the right time. Pay attention to track structures; careful phrasing can make the mix seamless.

3. Before fading in the new track, check that the beats of two tracks match by listening to both channels together in the headphones, as the sound from the speakers can reach you with a delay.

4. Gradually, fade in parts of the new track while fading out the old track. While in the mix, ensure that the tracks are still synchronized, adjusting the records if needed.

It seems simple isn’t it guys but it’s not so simple to achieve a good seamless mix so easily. So keep practicing even if you get better in it needs more and more practice. That’s it Take Care guys and do comment on my this article

How to Make a hit house track: 10 top tips

2010-08-24T00:34:00.000-07:00

10 tips to making a good and hit house tracks and how to make house music

Chocolate Puma stormed into the charts in 2001 with the monumental house hit ‘I Wanna Be U’ and since then Gaston Steenkist and René ter Horst have topped the house charts many times over.

What goes into making a hit house track? Is there a secret formula?
Beatportal decided to jump inside the brain of the Dutch duo and get their tips for writing a hit house track.
Here are 10 basic tips that every aspiring house producer should know.

1. It has to work on the floor

First of all, a good house track has to work on the dancefloor. We always make tracks for the dancefloor. If you’re a DJ then you should know from playing out what works what doesn’t.
We always start with the rhythm. That is the key foundation to a good house track. It’s got to be funky. We don’t like rigid beats and we try to incorporate funky and soulful rhythms in order to give a track a human feeling. House is a feeling, after all. So if you can nod your head to your track and it makes you want to dance then you’ve got a good beat.
Another trick to programming beats is to actually play them on a keyboard. I was a drummer so I know how a drummer thinks. Think like a drummer.
We sample beats from old records. We hunt the web and record shops for really obscure records and then we sample drum loops. A lot of old funk and soul records have amazing rhythms and that can give your track a certain grit.

2. Pay attention to the tempo

We’ve been working at around 125 / 126 beats per minute recently. What’s considered acceptable for house music goes up and down over the years. In the early 1990s 130 bpm was pretty normal, for instance Bizarre Inc. ‘Playing With Knives’ was 130.
Our first track under Chocolate Puma ‘I Wanna B U’ was around 132 or 133 bpm! It sounds way too fast now.
The good thing about working at 125 bpm is that you have a bit more space for the funk. Silent parts in between sounds are really important to get a funk feeling in your beats. If you have percussion or hi hats running every second throughout a track than it can lose its funk, but if you space percussion out it gets a life of it own and feels more natural.

3. The arrangement ain’t that simple

What format makes the perfect house track? There is no right answer. Pop music has a fairly standard verse-chorus-verse formula, but house music is a bit all over the place.
The arrangement can make or break a track. If you want to create a more trippy or weird track, then keep people guessing on the arrangement.
If you want something that’s easy to listen to, then create a more standard arrangement.
Intro beats are handy for DJs. It makes it easy for them to mix in. Although not having a long intro doesn’t mean your track won’t work out.
Our hit The Goodmen ‘Give It Up’ didn’t have an intro at all! It started with some drums and you couldn’t mix it in, so you had to play it all on its own. DJs still liked it and it made the track stand out.
We love breakdowns. Sometimes we try to make a track without a breakdown but we always end up putting one in. The fact is, house music and breakdowns go hand in hand.
People like them, and they always work on the dancefloor. So use that.
Another tip: it’s important to play your track out live to see how the arrangement works on the floor. It always sounds different at a festival or on the beach to how it sounded in your studio.

4. Work on your hook, like a boxer

A good hook is the secret to a kicking house track. It’s especially important to have one if you have vocals.
It’s difficult to explain how to write a good hook, but one rule we always follow is that if you can play it on the piano or on a flute it’s a good hook.
A hook has to be interesting and it has to touch certain emotions depending on the vibe you’re trying to create. For instance, if you want your song to be happy, a happy jumping hook will work. If you want your song to be sad, it should have a minor key hook.
You really have to work hard to make the right hook. Producing good beats is a lot easier than coming up with a melody that people will remember. Sometimes even we struggle with hooks and work with song writers to help us out.

5. How important are vocals?

Vocals can help a house track reach an anthem status, although they aren’t essential. People like to hear vocals in a record as it gives it a human connection.
The vocals must tell a story. Some random muttering will have a lot less impact than a vocal that talks about something people understand. We work with singers and one of our strengths is being able to guide vocalists towards creating a vocal that will work.
There are some constant themes in house music, like Bob Sinclar’s tracks will inevitably always have vocals about love, peace, and happiness, but that doesn’t mean you need to follow those themes.

6. Gear doesn’t matter as much as ideas

We use Logic and mainly plug ins. But we made our biggest records on the crappiest of equipment. At the end of the day, what equipment you use to make a track is not as important as the idea. Focus on the writing.
Too many producers can get caught up chasing their new gear purchase, and they think that the more equipment they have the better a producer they’ll be, but really, all you need is ideas.

7. What’s the right length?

Back in 1989 there was this really cool record - Mixmasters ‘In The Mix’ (Fast Eddie’s Mix), and it was only 3 minutes 49 seconds. I wanted to play it in my sets so I had to buy two copies just so I could play it for a bit longer so that it would work on the dancefloor. It was kind of annoying. We recommend you try to make your house tracks twice as long as that record.

8. The dancefloor litmus test

If you’re a DJ it’s important to play your stuff out live and test the water. Be very critical of your own work.
Watch the reaction it makes. Sometimes a ‘bomb’ in your studio can be a floor-clearer in a club.

9. The mixdown is important

Tracks are getting louder and louder these days, and producers are fighting a loudness war at the moment. That means you have to pay attention to the mixdown and make sure your track doesn’t sound flat compared to everyone else.
We always have a mastering strip with a multi-band equaliser and a compression unit on the master channel so that from the first note we know how it will sound. Start by getting your bass and kick to sound right together.
They are the two most important elements of a house track, and they’re the hardest to get right. Once they sound good together, the rest of the sounds stack up easily.

10. It’s only house

Don’t set out trying to make an anthem. Don’t begin thinking ‘I’m going to make a famous house track now’. Just think about the basics - the energy, the feeling, and ask yourself ‘can people dance to this?’.
If you can get those basic elements right, then you can move on towards the harder things like hooks and vocals. And don’t forget, it’s supposed to be fun, so have fun!

Source:-Making house music here

What is a House Music ....?

2010-08-24T00:12:00.000-07:00

Hey Guys welcome to my blog. I hope you are having good time in life, today I will discuss about the House music, where and when it started, what kinda sound is in it, how the trend is going in India for the House music. So, let’s start the journey.

House Music

Back in late 1970s and early 1980s, this electronic dance music (EDM) style was originated in Chicago, Illinois, USA. Later it became popular in mid 1980s when this form of music was infused with pop music culture. It started becoming popular from the discotheque’s serving African- American, Latino and Gay communities. The journey of House music was started first from Chicago, then in New York City and then in Detroit.

House music is influenced from the disco music, it usually uses disco percussions specially use of bass drum on every beat. House music can feature use of Synthesizer bassline, Electronic effect, Electronic drums, pop-samples, reverb, flanger, and delay-enhanced vocals. Some DJ’s or musician’s make use of looping to give the music a special effect.

House music is uptempo music using BPM of 118-135, earlier the BPM was low. House music is a descendent of disco music so it usually uses the same structure as of disco music. The most prominent use in house music is of drum beat on each beat, followed by an open Hi-Hat at eighth note off-beat in between each kick, and a snare drum or clap sound on second and fourth beat of a bar. Producers use different kind of sources to produce bass sound like by using continuous, repeating electronic lines sequenced on a synthesizer, by using bassline from other tracks, or by using studio recording of live electronic bassists.
House Music was also influenced by the DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, and M & M. Producers like Frankie Knuckles also created the similar composit6ions by using scratch, samplers, synthesizers, sequencers and drums. The hypnotic electronic dance song “on and on” produced by DJ Jesse Saunders of Chicago, in 1984 became staples of early House music, it sometimes known to be the first House song.

The origin of the term “House Music” is disputed. It is believed that this term may be came from the nightclub in Chicago known as “Warehouse” which became famous between teenagers in the late 1970s and early 1980s. Warehouse was patronized primarily by the Gay black and Latino men who use to go there to dance on the music of DJ Frankie Knuckles which usually used to be the mixes of classic discos.

The House Music trend was started in India somewhere around in the late 90’s in the night clubs of cities like Delhi, Mumbai and Bangalore and is continuously growing since then. House music trend is supported by the DJ’s like Nikhil Chinnappa, DJ Pearl, DJ Nawed, DJ Suketu etc. who are continuously supporting the Electronic Dance Music Scene in India. Nikhil Chinnappa is continuously bringing Indian talent in front with the international DJ’s at his Events like Sunburn Festival and Submerge in Goa, Bangalore, Pune and Delhi.
That’s it for now guys I hope it helped you a lot please share your view about the article by leaving comments. More information about the House music is required guys so please leave your views and knowledge in the comment section so that I can update the blog. And stay tuned to my blog to more and more knowledge on the DJing skills and music.

What is a DJ Mixer

2010-08-23T23:58:00.000-07:00

Today i will be telling you about the DJ Mixers

Hey guys here i m back. Today i will be telling you about the Mixers so keep on reading the blog. Cmon guys subscribe to my blog and be my follower so that i can write more and more and help you learn the DJing better and help you with the house music kowledge.

What Are Mixers

Mixers are a best friend of a DJ. They help you to control, and manipulate the sound which is going out to the speakers and what people will be hearing. The basic feature which differentiates the studio mixer with the DJ Mixer is the presence of Cross fader and an ability to redirect a non-playing sound to a headphone so that you can pre listen the song before putting the fader up.

Knowing Controls on Mixers

A DJ Mixer has several feature s which makes work of a DJ easier, interesting and creative. While working as a DJ you will be encountering many kinds of mixers, and trust me it’s not a difficult deal to get along with any kind of a mixer when you know the basic features of a mixer which are almost same in every mixers.
In all the mixers there are few:
- Input Points
- Output points
- Channels
- Faders
- Equalizer Knobs etc.

INPUT POINTS

There are at least two input points in every mixer, and if your pocket allows you to buy a Digital mixer which are usually expensive you even end up having a USB and Firewire inputs to connect digital sources (such as CD, MiniDisc, and PC inputs) and keep the music playing at the best possible quality. The three Input points are:
- Phono – This is used for connecting Turntables.
- Line – This is used to connect anything else, such as CD Players, Decks and so on.
- Mic – This is used to connect Microphones to a mixer so that you can talk to the people while playing.

OUTPUT POINTS

Every mixer has at least two output points but if you buy a good piece of mixer you’ll probably be getting three output points. These output points are:
- Master Out – Master out is used to connect to amplifier so that it can send music signals to the amplifier to send them to the speakers. The LED display on the mixer shows you how strong music signals are sent to the amplifier so that you can track on the music output and do not burst the speaker by any chance.
- Record Out – Record out is used to send the music signals to the recording device such as tape recorder, CD recorder, PC, and so on.
- Booth Out - Booth out is used to send the musical signal to the speaker situated in the DJ console which is used to monitor the sound that is being played.

CHANNELS IN MIXERS

Channels are used to connect CD players and Turntables to a mixer so that you can use them and produce some sound or music. A simplest mixer would be containing at least two channels but what if you want to use two CD decks and two Turntables. Yes you are right, you can connect CD Decks to Line input and Turntables to Phono input and switch the knob which is used to switch over between Line and Phono mode. But it will be a good idea to use a different channel for each CD deck and Turntable. It will be good if you always prefer to buy 3 or 4 channel mixer at least.

CROSS-FADERS

Cross fader is a horizontal slider which enables you to change the output from one input device to the other. The main function of it is to switch over between two input devices.

FADERS

Faders are the vertical knobs present on the mixer there are one fader for each channel i.e. if you have a four channel mixer you will be having four faders one for each channel. Fader lets you throw the sound from the mixer in to the speaker if you move your fader upward the music signal from the input device will be sent to the speakers. Remember if the fader is upward and still there is no sound out from the speakers check your Gain and master knobs.

GAIN KNOB

Gain are present above each channel their job is to control the volume output of each channel. With the help of Gain knob you can make one channels voice higher than other.

MASTER KNOB

Master knob is use to control the overall sound output from the mixer for all the channels.

EQ KNOBS

According to your mixer you will be having different sets of EQ knobs but most of them provides you with Three knobs that are:
- High – This knob is used to control the heights from the sound signal
- Mid – This knob is used to control the mid from the sound signal such as vocals and so on.
- Low – Low knob is used to control the bass line of your sound signal

HEADPHONE CONTROLS

There are one headphone jack present on a mixer to connect it to a headphone. There are few controls present there on the mixer so that you can control the output of your headphone like there is a volume control knob to control the volume of your headphone, then there are PFL (Pre Fader Listening) button present on every channel so that you can listen to a single channel at one time.

knowledge about the song structure to create seamless mixes

2010-08-23T23:40:00.000-07:00

To create a good seamless mix set you should have a good knowledge about the song structure i.e. how they are made.

Learning Song Structures

Each and every song is composed with beats, and in music writing you will quite frequently hear 4 because each and everything is based on rule of four in a song production like,
4 Beats makes 1 Bar
4 Bars makes 1 Phrase
4 phrases make 1 verse and so on.

To be a good DJ you should possess a good knowledge about song structure so that to create seamless mixes. It is not a good technique of mixing in which you only concentrate on the vocals and selection of tracks in a mix. You should also see the flow of music you are producing so that you do not create a silence or bad beat matching in the end of each track. To create a good seamless mix set you should have a good knowledge about the song structure i.e. how they are made.
A song is usually constructed in 4/4 pattern that is 4 beats 4 bars. You can hear the change in sound or an introduction to cymbal at the end of every 2 bars or so on. For this you should be active listener of the track as you should know the flow of music in which it is produced. Count Bars like this in a song

One two three four, Two two three four, Three two three four, Four two three four.
This technique will helps you keep track of the bar you are at. As you are counting the first beat as the number of bar, and listen to the changes made at the last beat of the fourth bar. Counting the bars will help you finding the outro of the song and letting you put in the next song just in time to create a seamless mix. So carry on guys keep on counting the bars and try to mix you will definitely feel the improvement in your remixing, but it needs patience, so b patient, keep practicing catch you in the next blog cheers!!!

63 skins pack for virtual dj 6 and How to install skin

2010-08-23T08:12:00.000-07:00

VIRTUAL SKINS FOR LAST 63

23.xx_Pioneer-700_COLOUR.zip
@2[3].xx_Pioneer-700_COLOUR.zip
A-Trakt.zip
Always.zip
ATOMIX-FR 1[1].1.zip
Atomix.zip
BOANERGES V 1.1.zip
BOANERGES V 1[1].1.zip
Boanerges.zip
CD-3021280x1024.zip
CDJ100S - By Paky_&_Snake + font for skin.zip
CDJ100S - By Paky_&_Snake_V2+font_skin.zip
CDJ200S_BY_PAKY_G.zip
DAC3 V4.0 Update.zip
Darkfun V2[1].01.zip
Darkfun.zip
Default Skin.zip
Default.zip
Denon 1800F.zip
Denon DN-S5000.zip
Denon(1280x800)_V4.0.zip
DenonDN-S5000.zip
Denon_INSPIRE.zip
Digital.zip
DJ Console.zip
En Fue.zip
FLOOP DJ(1024x760).zip
FLOOP DJ(1280x800).zip
FM7-Superpack.zip
JN-BLACK VDJ v2[1].01 (1280x800).zip
JN-PLATINUM VDJ v2.zip
JN-PLATINUMVDJv11.00.zip
JN-SILVER VDJ v1[1].03.zip
JN-SILVER.zip
K-Display.zip
Man-TK.zip
Mist 1280x1024 v1.0 EN.zip
MIX Station SV 03 (V4[1].0).zip
MIX Station SV 04 (V2[1].00_edA) - winXP.zip
MIX Station SV 04 (V2[1].00_edA).zip
MIX Station SV 05.zip
MIXStationSV03V41.0.zip
Multi-Instance Skin.zip
Multi-InstanceSkin.zip
Pioneer CDJ-700S by RE (1024x76 v2[1].00.zip
Pioneer CDJ1000 MKII_PeRiJeY.zip
PioneerCDJ-700SbyRE1024x768v2.1.zip
PioneerCDJ1000MKII_PeRiJeY.zip
Pioneer_cdj100s_ver5_by_Paky_G.zip
Pionner CDJ1000 MKII.zip
skin-dns3500DjNelsondePuno-Peru.zip
TC.zip
Titanium Max.zip
TITANIUM.bmp
TITANIUM.xml
TitaniumMax.zip
V - Mix 5.2 Multi Instance 1280 x 1024.zip
VDJ4 Full & Mixer.zip
VDJ4 Video.zip
VideoVision_3.4_1280x800.zip
VirtualDJ.zip
virtualdjwinamp3.zip
vmix4.zip
windj.zip

Skins Pack (updated)

http://www.megaupload.com/?d=L7JEH4AL
How to install skins for VirtualDJ package--------------------------------------------------Unzip the contents of the Skins folder (inside the zip file)in My Documents folder inside the VirtualDJ / Skins. Do not unzip the skinsindividually, the program interprets tablets. Simply add them whereand are the default.

Virtual DJ 6.1 Pro + Skins + Plugins + Sound Effects + Samples

2010-08-23T03:22:00.000-07:00

Download virtual dj pro v 6.1 free with skins plugins sound effects samples

Virtual DJ is a digital panel that you can install on your computer. If you are a professional DJ or an aficionado, you can surely benefit from the flexibility of this application. I don't really understand a lot about the way a DJ console works. But I can figure out two things. The left side has a song and the right side has another song. You can add effects between those two songs and even play them simultaneously. I think that this application should let you do whatever you can do with your bare two hands. At the bottom of the application, you will see the playlist, which I am sure that you can't have on a real console. There you can queue all your selection of music for it to play. If you are a professional DJ you can simply take your laptop with you and hook it up to the audio system and it will render high quality music. If you want, you can simply use this application to feel what DJs feel all the time. You can create your own mixes and give them a personal touch. The application does not come in cheap,
So if you intend to mix using your mouse to move the crossfader, then VDJ pro v 6.1 might be what you're looking for.

DOWNLOAD

Atomix Virtual DJ 6.1 Pro + Skins + Plugins + Sound Effects + Samples (105mb)
Code:
http://hotfile.com/dl/54528667/b9dff75/VirtualDJ_6.1_-_nItIsH.rar.html

Code:
http://www.megaupload.com/?d=EUOJ4NER

Atomix Virtual DJ 6.1 Pro
Code:
http://hotfile.com/dl/54517341/bbe6d37/Atomix.Virtual.DJ.Pro.v6.1_by_nItIsH.rar.html

Code:
http://www.megaupload.com/?d=YLKZMXH5

Sound Effects
Code:
http://hotfile.com/dl/54515656/e057c20/SoundEffect-nItIsH.rar.html

Code:
http://www.megaupload.com/?d=QJD0MB1X

Skins + Plugins + Samples
Code:
http://hotfile.com/dl/54519589/82470ac/Virtual_DJ_Skinssamples-nItIsH.rar.html

Code:
http://www.megaupload.com/?d=49YRSSGP

Remove Vocals Using Free Vocal Remover Software

2010-08-23T00:25:00.000-07:00

How to remove vocals from a sound track using free vocal remover software

Removing Voices to Make Background Music for Karaoke

In most MP3 songs, vocals are equally mixed in left and right channel, and can be subtracted by 180 degrees. Although this won't totally remove vocals from MP3 songs, it works fair on most MP3 recording, especially when your own voice is recorded, you are the singer of your favorite songs.

Remove Vocals from MP3 Songs Using Audacity - Audio Freeware

To remove vocals from MP3 song in Audacity, following these steps:

1. Open your stereo MP3 song file into Audacity, other formats also available: WAV, OGG, AUP, etc.
2. Click the arrow next to the track title and choose "Split Stereo Track" in the resulting menu.
3. Now there are two audio tracks. Select the lower track (the right channel) by clicking the area around the mute/solo buttons.
4. Click through Effect > Invert on the menu bar.
5. Click the arrow next to the track title and choose "Mono" on each audio track.
6. Press Space bar to play background music with vocals removed.

Alternatively, try the Center Pan Remover plug-in for Audacity to remove vocals. Also works well in Audacity for vocal removing.

If you want to add your own vocals to MP3 song, directly click Record button on top, the round one. Now record your vocal and you can see a new recorded track. Play it back again, and now you can hear your vocal recorded. You are the super star!

Download Audacity - The Best Free Audio Editing and Recording Programme

Remove Vocals from MP3 Songs Using Wavosaur - Portable Freeware

Download this free vocal removing program and import your MP3 song. Then go to Process > Vocal Remover, it immediately turns your mp3 song to instrumental. Finally export your song to local disk through File > Export > Export as MP3 or other formats. As you could see, it's easier than removing vocals using audacity. But if want to record you own voice to MP3 song, it's not as convenient as what you achieve in Audacity, because Wavosaur record your voice into a new file, rather than new track added to original MP3 song.

Download Wavosaur - Portable and Powerful Free Audio Editor

Remove Vocals Using Winamp Free Plugin - AnalogX Vocal Remover

Get this plug-in on Winamp Homepage for free. After installed, you can go through Options > Preferences (press Ctrl + P) and locate DSP/Effects. Select the AnalogX Vocal Remover on the right. Now while the song is play, you will notice that the vocals have been removed to some extent. Drag the slider to adjust mix effect. I usually set Mix to 80%.

Note that you need Winamp installed on your system to use AnalogX Vocal Remover plugin.

Download Winamp | Download AnalogX Vocal Remover

Several things about Vocal Removal From MP3 Songs:

1. To save as mp3 you need to have lame mp3 encoder installed. See how if need.
2. The MP3 must be stereo tracks, not mono track.
3. These free vocal remover software work better on some stereo audio than others. It's better to search for a good MP3 song first.
4. To save your time and anguish, you are recommended to buy a karaoke version of the song. You might even get by with a midi version, which is certainly better than what you'd end up with the free vocal removal programs.

Hot Tip for Making Progressive/Electro House

2010-08-19T02:27:00.000-07:00

how to use a sidechain compressor to create progressive/electro house in Ableton Live

One of the secrets of progressive house is to use a sidechain compressor. What you do is put it on a dirty bass track or whatever else you want to create a ducking effect whenever the kick drum hits. Basically, the way this is done is to put a copy of your kick drum on a separate track, and then you run that as the signal into the sidechain compressor. Whatever track the sidechain compression is on will start pumping with the beat. You hear this kind of sound a lot in progressive house tracks. I personally love the effect, and use it a lot. The reason I like it so much is because of the fact that if you put it on a phat bassline, it will duck whenever the kick drum hits, which let’s more low end bass from the kick come through.

Here is a video tutorial showing exactly how to use a sidechain compressor to create progressive/electro house in Ableton Live:

DJ Controller solution For VDJ and Traktor pro

2010-08-18T08:02:00.000-07:00

Very cool low budget controller solution Learn how to Make your keyboard as a DJ controller

One of my friend Earl panda make this dj controller for traktor but you can use it for virtual dj.I think This is a very cool low budget controller for dj'ing solution! You can use it if you don't have enough money to purchase.

i don't think that looks too bad at all. only problem would be that the perm texta may rub off with excessive use, but then you can just write it on again i guess!
It could be a good solution of expensive dj controller.

i´ve just started to use traktor for mixing music this year and i actually have no money to buy a good mixer right now. a friend of mine in the same situation like me and so he came up with this idea to spray a usuall pc-keyboard and relabel keys.he made a tks-layout and then we started to grind all the key´s and spray them varicoloured. this is just a temporary solution till i have enough money but it is easier for me keep the overview and it looks funny. so this is it...hope u like it:

Picture Source- http://djtechtools.com/

Oke guys please say something about that. I think you like it.

Please write your review as a comment. Thanks

How to Beat-Matching in easy way

2010-08-18T01:49:00.000-07:00

Learn beat-matching in easy way

What is Beat-matching?

It is the art of mixing two musical compositions together seamlessly by speeding up or slowing down one of the songs to align their rhythms.
Basically, you need to be able to hear whether the beat you are adjusting is faster or slower. In order to do this you need skill which comes from an ear for tempo and lots of practice.
A good DJ knows how to beat-match.

Step 1
You need to have a way to listen to one track in the headphones while another track is playing on the main sound system.

Step 2
Play a track though the sound system.

Step 3
Find another track in your headphones you want to beat-match with the one playing. (This is done on a DJ mixer by turning on the Cue for the track you want to listen to.)

Step 4
Find the first beat of the track you are going to mix in, and hold it right there. If you’re using turntables or CDJs you can just grab on to the top of the record or CDJ to essentially pause the track where the beat begins.

Step 5
Listen to the beat playing through the main speakers. Wait for it to get to the first beat of a cycle. (Music in 4/4 timing usually is all built around cycles of 4 and 8 counts. ie. 4 beats in a bar, and 4 bars segments that lead to builds and changes in the music.) When you feel the music hit on the first beat with a crash or whatever, that is right when you want to play the beat you are mixing in. (in your headphones only)

Step 6
Immediately after releasing your hold on the record or CDJ, you must listen closely in your headphones with one ear to detect whether the beat you are mixing in is going slower or faster than the one already playing. If it’s going slower then adjust the pitch slider, and maybe even give it a little push to help it catch up to record A faster. If it’s going faster than record A then turn down the pitch slider on the turntable or CDJ accordingly to make it the same speed. You may even want to touch the side of the turntable plate or CDJ to slow it down faster.

Step 7
Once you have the beats aligned perfectly (or close to anyway), move the cross fader on the DJ mixer to the center with the bass cut on the beat you are mixing in. (you don’t want the basses of both tracks going at the same time) Then when it seems like the right moment switch the basses either slowly or fast and the switch over to the next track on the first beat of first cycle.

This articles was written by DJ Story

Optimizing Your Computer for Good Audio Quality

2010-08-17T02:12:00.000-07:00

How to optimize or configure your computer or laptop for good sound quality

You can’t walk into a car dealership and buy a car that’s ready to enter a race. Even high-performance sports cars come tuned for the road, not the racetrack. The suspension, gearing, and timing all need to be tweaked before a car is ready to be pushed to their limits.

The same is true of computers. While most new computers will perform well right out of the box, whether you buy a Mac, or a PC, you still have some work to do before you’ll see your new computer perform to its maximum potential. Performing and mixing music is one of the most demanding tasks you can ask of your computer, sometimes more taxing than professional graphics and video work.

The suggestions below can be used to squeeze more speed, more tracks, and more plug-in power out of any computer. Before you begin, make sure that your software and your audio device drivers are up-to-date.

Tips for All Systems

1. Don’t let your computer’s boot drive get too full.

Make sure to leave about 20% of your computer’s main hard disk free for system tasks and virtual memory operations. This is crucial to maintain system speed. If your main hard disk gets more than 80% full, it is time to go out and buy a second hard disk, or either get rid of some files. External USB and FireWire drives are more affordable than ever. Internal drives are even less expensive! While you’re at it, buy an extra drive just for backing up!

2. Get more RAM.

Your operating system can use up to 1GB of RAM all by itself. On a DJ computer, you’ll want to have more than that so your power-hungry applications have all the resources they need. 2GB is a great place to start. If you’ll be using lots of virtual instruments, samplers, and other sound generators, you’ll want to get even more… Think 3 or 4GB. Is there such thing as overkill? At this point, yes, there is. While many of today’s computers can accommodate 8GB or more RAM, even in virtual instrument and sample-heavy projects, it’s almost impossible to use up that much RAM. For the most part, the only time you’ll need 8GB of ram is in video and 3D-modeling applications.

3. Place your library on a second hard disk.

While even the 5,400 RPM drives in most laptops can handle recording eight or even 16 simultaneous tracks, you can really improve system performance by dedicating a 7,200 or 10,000 RPM drive to your recording projects. Certain files on your computer change all the time, such as your email, internet search history, and bookmarks. Other files stay more or less the same. These include music and photo libraries, and large audio files. Your system will perform better and won’t have to work as hard if you get a second drive to house your library. This will result in less fragmented drive space, and faster loading and writing of large files. This is also makes things easier when it comes to backing up your files.

4. Use the best ports on your computer for recording devices.

FireWire

If you have a desktop or a tower, be sure to connect your audio interface to a port that is on the back of the computer. Generally, ports on the front of the computer, on the monitor, or keyboard don’t perform as well as those on the back. This can help prevent noise, dropouts and connection issues.

Not all FireWire ports are considered equal. If the port on your computer performs poorly, or your device has problems being recognized, consider purchasing a new FireWire card.

USB and USB 2.0

If you use a USB hub to connect your device, use a hub that has its own AC power adapter. If necessary, upgrade to a premium USB cable. If you are in an area that has a high level of radio or electrical interference, and you experience noise or hum when using USB audio, upgrade your USB cable to a premium cable with extra shielding and a ferrite bead (a cylindrical bump on one end of the cable), which can filter out some external noise.

5. Optimize Windows XP (Mac users can skip this one)

Make sure your Windows installation is up-to-date.

Keep in mind that the latest audio device drivers, and the latest computer DJ software are designed on the most current version of XP. If your computer isn’t up to date, it’s performance will likely suffer. Go to windowsupdate.microsoft.com to easily update your installation. It may take a few visits to the site to get all the fixes to the updates (install updates and then do the Windows Update scan again).

Minimize Programs running in the background.

The icons at the bottom-right of the screen, next to the clock represent most of the programs that are running in the background. This will include virus protection, spyware protection, and more. While recording, it is advisable to exit from these. Right-clicking any of these icons, choose it so that you have exited out of any background programs. You can double-check which applications and processes are running by looking at the Applications and Processes tabs of the Task Manager. (To access the Task Manager, press Ctrl+Alt+Delete, and then click "Task Manager.")

Turn off Hard Disk Sleep

Make sure your hard drive is not set to sleep or turn off after a short amount of time. If your hard drive goes to sleep (stops spinning to save power) while you are recording, your recording will be interrupted. Click on the Start Menu at the bottom left of your screen and select "Settings," then "Control Panel." Open the Power Options control panel. Set the Turn Off Hard Disks option to "Never."

Turn off Automatic Updates.

It can be a good idea to turn off any scheduled tasks. The last thing you want is for a 150MB update to start downloading in the middle of a recording session. Open the Automatic Updates control panel, and select Turn off Automatic Updates. This means that it's up to you to manually check for updates yourself. All you have to do is either revisit this Control Panel, or go to windowsupdate.microsoft.com.

Turn off wireless networking.

Wireless networking can sometimes interfere with or interrupt recording. Wireless cards in computers automatically scan the airwaves for available networks. This take up some of your system resources and can sometimes hurt performance. If a removable wireless networking card is being used on a laptop, the card can simply be removed. If you are on a wireless network, and the card is internal, you can disable the card in the device manager while you record. It's easy to turn back on when you’re not recording.

Rane Serato Scratch Live Make Your Own DJ Mix with it

2010-08-17T00:21:00.000-07:00

Download Rane Serato Scratch Live dj software free

If you’ve been keeping up with the DJ scene in the past few years you have no doubt heard of a DJ software program called Serato Scratch Live, by Rane. This is by far the most popular DJ software being used, to my knowledge. Serato Scratch Live is not just a piece of software, but actually a DJ mixing system. It allows you to connect your computer or laptop to your DJ CD players or vinyl turntables and your mixer. You can then play any music from your computer as if you had the record on your turntable. No more lugging around heavy record crates, no more bulky CD cases or scratched CDs. Everything is on your hard drive. So, let me introduce the basics of Serato. This is how the setup looks:

As you can see, the setup comes with software that goes on your laptop and an audio interface, which is more or less a 2-channel sound card, that connects to your turntables and mixer with RCA cables and to your laptop via USB or FireWire. You could also use your microphone with it. Your DJ headphones stay plugged into your mixer.
A summary of how it works:

Serato plugs into your turntables or CD players to receive the audio signal coming from the record or CD.
Serato picks up the signal coming from your laptop, which is where your music is actually stored.
Serato then sends that audio to your mixer, and you hear the music through the speakers.

It’s pretty straight forward because when you’re actually using it, the experience is the same as if you were playing regular CDs or records. But here’s the trick – you’re not playing regular CDs or records. You are playing special Serato CDs or Serato vinyl records. They have a special timecode, which tells the Serato interface and software exactly where you are in the track. It’s like a time signature, so if you’re on 1:23 of the track Serato knows to play 1:23 of the audio file on your computer. If you spin the track back, the software knows exactly where to pick up in the audio file. And so on.
Here is what the Serato Scratch Live software looks like:

This may look confusing at first but you’ll learn how to use it pretty quickly. You can browse through your entire music library and select whichever songs you want to play.

Beatmatching is easy with Serato Scratch Live
The middle section shows you a visual representation of the waveform of your audio track, so you could see where the different audio frequencies fall. This lets you easily see where the bass and treble hit, thus making it easy to beatmatch. (You do know how to beatmatch, don’t you?) All you have to do is line up the beats on both tracks and make sure they’re playing at the same speed. Which is also easy because Serato tells you the current BPM of the audible tracks. To make it even easier, the bar at the top shows little lines to represent where the size of the measures in both tracks, so you can be sure to line them up precisely. Honestly, it’s really easy to beatmatch with Serato.

You control everything from your hardware
Even though the actual audio is stored on your computer, you control everything from your turntables and your mixer, just like you would normally. Of course, you now have your laptop as an extra tool to help you beatmatch and make some cool effects (I’ll get to that in a bit) but for the most part the DJ experience is the same so you don’t have to learn anything new. It comes pretty naturally.

Special features
Of course, the software has extra features that you may not normally have with your turntables or CD players. For example, you can set cue points. You can see those in the image above under “Markers.” Cue points let you return to that exact point instantly anytime you want. The reason they’re called markers and not cue points is because the audio plays instantly from that point instead of cueing the track at that point. It’s the same as the Memory function on the CDJ-1000, so if you’re familiar with that CD player you know what I’m talking about. This feature can be very useful, especially if you like beat juggling. I’ve seen this used most commonly to mark the beginning of where you want the track to play from. So you can skip an intro if you don’t want to use it in your mix. If you set the marker right at the first beat, you can always return to that beat with confidence. Oh by the way, these markers get saved in memory, so you don’t have to make new ones every time you use the software.

Easy looping
It’s extremely easy to make seamless loops in Serato. There is a loop feature that lets you loop at any interval from a fraction of a beat to 32 beats, or maybe more, I don’t remember off the top of my head. Regardless, it’s really easy to loop and you can just from one loop interval to another. So say you are looping a 1/4 beat loop and you want to let the loop go but you don’t want to get too far into the track yet, so you can change it from 1/4 beat to 16 beats. There’s a variety of effects you could create if you get creative just with the loop feature.

Lots of other useful features
This is just a basic overview of some of the most commonly used features. I’ll go into more depth on how to mix with Serato Scratch Live in a later post.

You will love Serato Scratch Live
Honestly, if you’re serious about DJing and you want to learn how to DJ with Serato Scratch Live DJ software, you should just get it and play around with it until you master all the features and all the things you could do with it. But it won’t even take you that long to see that it’s worth the investment. It’s no coincidence that you see DJs all around the world displaying stickers like this one:

Did you find this informative? Do you have any questions about Serato Scratch Live? Leave me a comment below!

Download for WINDOWS
Download for MAC

DJ'ing with a Laptop - For beginner

2010-08-13T04:50:00.000-07:00

How to start dj'ing with laptop and what equipment needed for it

DJ'ing has become very popular in the last few years especially since technology has allowed a non-technical person to become a Pro DJ in a few weeks when equipped with the right Digital Scratching Tools available on laptops. This article will teach a person to DJ and what equipment they will need after the purchase of a laptop to start mixing beats like a pro.

Purchase a laptop. Look for a good brand Laptop that you know will not crash during a gig. If you are looking for a PC, I would recommend closely looking at customer reviews, talk to electronic store sales people, and even ask your friends what laptops they may recommend. The great thing about a PC is that a consumer can get a phenomenal computer with all the bells and whistles for a very affordable price. The problems PC's face are viruses that infiltrate that operating systems and crash the hard drives erasure program, music, and important data.

Consider a Macbook. They are absolutely more money and don't offer all the bells and whistles the new PC's are coming out with, but they do offer stability, consistency, optimal performance, and are not nearly as susceptible to the viruses a PC can get.

Demo (trial) DJ Software before you buy it. You can get a bunch of free DJ programs to start with BUT these programs do not offer what the paid programs do. There are so many free programs that they are unnameable at this point but the ones that you should look into are Virtual DJ, Traktor, etc. These are programs that must be bought but offer things like, playlist controls, beat mixing features, sync mixing features, skins that look like real mixers, etc. The free programs will not do what you really need to do as a laptop DJ.
How to setting lapto for djing read.......here

You can stop here if you just want to practice before getting into the equipment you'll need to start DJ'ing gigs. You can even DJ smaller partied with good laptop speakers any time you want. To become an advance DJ with good sound equipment, move on to the next section.

You have your laptop and DJ Software, now you need a mixer. You have to plug your laptop into a mixer of some sort. You will output the speakers from your mixer. Mixers are fairly inexpensive and can be bought at your local music store. A 4 channel mixer would be fine. Some DJ Software Programs offer an USB external sound card. These sound boxes allow for separation of the Left and Right Channels. If you do purchase a USB external sound box you would run a 1/4" cable out from the LEFT channel to channel 1 on the mixer. You would run a 1/4" cable out from the RIGHT channel on the box to Channel 2 on the mixer.

IF you DO NOT have an USB external sound card, then you will be using the "OUT" or "Headphone" jack and run an 1/8" out of the computer to 1/4" into Channel 1 on the mixer.

You have your laptop, DJ program, Mixer, now you need speakers.To keep you set-up simple but still powerful, invest in POWERED (Active) speakers. (Speaker that you need to plug in to get to work). If you get passive (non-powered speakers) you will need separate amplifiers connected to you mixer. Powered speakers are more expensive but will punch/kick your music better and your DJ set-up will be much simpler.

You have your laptop, DJ program, Mixer, now you need speakers. To keep you set-up simple but still powerful, invest in POWERED (Active) speakers. (Speaker that you need to plug in to get to work). If you get passive (non-powered speakers) you will need separate amplifiers connected to you mixer. Powered speakers are more expensive but will punch/kick your music better and your DJ set-up will be much simpler. You will need 2 XLR cables. The female end will get plugged out from the mixer and into the speakers (Left/Right outputs). Buy 2 Speaker stands if possible.

You have your laptop, DJ software, mixer (optional USB external sound card box), 1 1/'4 - 1/8" cable, powered speakers, 2 XLR cables, and speaker stands. You just need your favorite music and MIXES and you are ready to start practicing to become a pro DJ on a laptop.

About Everything For DJ'S

2010-08-11T07:45:00.000-07:00

WELCOME DJ'S

Welcome to Everything For DJ'S. This site is all about DJ Techniques tutorials, music mixing tips and tricks, DJ software, and anything else related to DJing. I will be making posts as frequently as I can, so make sure to check back often. I encourage you to subscribe to my RSS feed by clicking on the icon in the top right corner. It will alert you whenever I make an update or post a new tutorial.

I want this site to be helpful to beginner DJs and experienced DJs alike. There is always something we can learn from each other, so feel free to make comments and participate in discussions. If you would like to make a guest post with your own DJ tutorial or music mixing tips, just let me know by making a comment or contacting me directly. This could be a great way to promote yourself as a DJ, get a link back to your site, and help the DJ community at the same time.

Browse around and check out all the DJ tutorials and tips I have posted here. If there’s something you don’t see here just let me know and I will make a post about it. Or you can write about it yourself and ask me to post it. Either way, I hope to gradually cover everything there is to know about DJing and music mixing so that this blog becomes an excellent resource for all DJs everywhere.

THANK FOR YOUR SUPPORT

Ots Turntables FREE version 1.00.047

2010-08-10T07:33:00.000-07:00

Download ots turntable free

I'm not a professional DJ at all – not even an amateur one – but I can still appreciate a good DJing tool when it comes to my hands.

Ots Turntables Free is a basic yet fully featured DJ application with which you can have your very own DJ sessions at home. Feeling creative? Mix your two favorite songs and create a unique blending with the software mixing capabilities. Throwing a party? Spice it up with your most lively songs, mixed together in a continuous loop.

The good thing about Ots Turntables Free is that it's loads of fun, even for those o us who have almost no experience in mixing music. The program's intuitive interface, designed just like a real double turntable, makes it very easy to use: you can adjust the volume, speed and tempo of each sound source, and even make some scratching effects by dragging the turntable with your mouse. Plus, the program features a couple of samples to get you started but you can easily add your own MP3 files.

On the downside, however, this free version of Ots Turntables has been slightly crippled to keep some of the extra tools for the Pro version. While I understand this decision, I find that some limitations, such as not being able to record your mixes, are a bit too restrictive.

Even if you're not a professional DJ, you can have lots of fun with Ots Turntables Free. However, its basic functionality may disappoint more experienced users.

OtsTurntables Free is a 100% FREE (no spyware, no banner ads), virtual set of professional mixing turntables empowering music lovers, aspiring DJs and pros to scratch, adjust tempo and pitch, play backwards, and mix MP3s, WAVs, Ots files and CDs. DJ your next party like a pro, or just enjoy listening to your MP3s mixed professionally at home with Auto DJ. You'll love the optional warm vinyl-crackle ambience, and the built-in Dynamics Processor will save you juggling that volume knob ever again.

Very nice program. It works with one playlist instead of a playlist per deck, which is far more intuitive in my opinion. I can't really make useful effects with the scratch function, but maybe that comes with experience.
The built-in dynamics processor is great, even though the free version will only do presets.
The 'tempo' function changes the tempo of a song without affecting the pitch, which is absolutely great.
Auto fadeover is also great, better than most other DJ programs.

Best: - one playlist
- dynamics processor
- tempo function
- great auto fadeover, determines good start point for next track automatically at end of previous track.
- simple and intuitive to use

Worst: - no BPM counters?
- 'OTS audio' commercial audible randomly between 2 tracks
- many functions only available in paid versions, free version only fit for simple jobs.

Download: -

http://www.otsturntables.com/download-otsturntables-free/

Power Sound Editor audio editing programs

2010-08-10T03:50:00.000-07:00

“Everything you need to edit and mix your sounds” The Power Sound Editor Software

Power Sound Editor is one in a long line of similar audio editing programs that gives you everything you need to edit, cut and splice your music but nothing particularly original.

The program is mainly useful for those that need to add sound effects or special effects to music and sounds. It's also useful for equalising sounds although not a great deal more than that. The good aspect is that it's a very GUI based program - i.e. it presents everything in graphical form usually via icons. These graphics represent the various actions you might wish to carry out such as ripping tracks, equalising sounds and cutting tracks. For novices, the cutting and editing is particularly easy as it allows you to do everything in visual form. In terms of editing, this means Delete, Cut, Copy, Paste, Paste From File, Mix, Mix From File and apply different effects i.e. Amplify, Delay, Equalizer, Fade, Flanger, Invert, Normalize, Reverse, MultiTapDelay, Silence, Stretch, Vibrato, Echo and Chorus.

Power Sound Editor Free is a visual audio editing and recording software solution, which supports many advanced and powerful operations with audio data.
You can use Power Sound Editor Free to record your own music, voice, or other audio files, edit it, mix it with other audio or musical parts, add effects like Reverb, Chorus, and Echo, and burn it on a CD, post it on the World Wide Web or e-mail it.

Languages:

English

OS requirements for Power Sound Editor:

OS: Win98/98SE/Me/2000/NT/XP/2003/Vista

This is hardly the most original music editor you'll ever use but it will have some limited appeal for beginners.
absolutely dead simple to use...and....brilliant results...beats buying USB cassette decks or turntables...forget it...just install this and your off with built in mic..levelling editors...equalizer & tweaks such as crackle & scratch depression from choked vinyl...I think the results you get from this are ultra cool

Power Sound Editor Free - free version is extremely easy to use program for editing and recording audio from any source. With this program you can remove noise, cut, copy, paste audio segments as a single file, and between different files (mix), applying various audio effects and filters. The program also can record sound on CD-ROMs and audio copy audio tracks from CDs to your computer. With built-in converter, you can save the edited file in the proper format.

Copy paste link in your browser

Download - http://www.sharingmatrix.com/file/11080939/Power_Sound_Editor_Free_7.3.1.rar

Virtual DJ - Video Effects

2010-08-10T03:08:00.000-07:00

Download 29 video effects for virtual dj

I come here in a package with 29 video effects for virtual dj tested on version 5.2 of the program.

Following is the list of plug-ins:

Backdrop v1.0.exe
CenterFall v1.0 exe.exe
Electric_Shock.exe
FFWrapper.exe
Ghost.exe
Gradient.exe
LightFall.exe
PictureRotation v1.1. Exe
PictureRotation.exe
RGB_Filter_Auto.exe
Rhombus v1.0.exe
ScratchFade.exe
ScreenResizer v1.0.exe
ScreenResizer.exe
Screenshot v1.0.exe
Sepia.exe
ShakerSquare.exe
ShowLog V1.1.exe file
ShowLogo.exe
SizeFall.exe
Spiral V1.1.exe file
Spiral.exe
StripClub.exe
TCV Scratch v1.0.exe
VideoCube v1.0.exe
VideoRotation V1.1.exe file
VideoRotation.exe
VideoScratch v1.0.exe

As you might notice are all files. "Exe" so it is only necessary to double click on each file to install them.

Download video effects for virtual dj - HERE

Virtual DJ - Pack 55 Audio Plug-Ins

2010-08-10T00:56:00.000-07:00

Download Audio effects and plug-ins for virtual dj

Pack of 55 plug-ins (audio effects, no video) is tested on Virtual DJ version 5.2

Following is the list of plug-ins: Following is the list of plug-ins:

16-band 16-band Equaliser.dll Equaliser.dll
32-band 32-band Equaliser.dll Equaliser.dll
AutoCut.dll AutoCut.dll
BBK.dll BBK.dll
Beat Beat break.dll break.dll
Boomerang.dll Boomerang.dll
Classic Classic Phaser.dll Phaser.dll
cueloop.dll cueloop.dll
Cut.dll Cut.dll
Cutoff.dll Cutoff.dll
DFV DFV Flanger.dll Flanger.dll
Distortion.dll Distortion.dll
Echo.dll Echo.dll
EchoOut.dll EchoOut.dll
Fade.dll Fade.dll
FadeOut.dll FadeOut.dll
Fader_Start.dll Fader_Start.dll
Flanged Flanged LoopOut.dll LoopOut.dll
Forward_Reverse.dll Forward_Reverse.dll
Full Reverse Full Reverse V2.0.dll V2.0.dll
Funny Funny flanger flanger v2.dll v2.dll
keyshift.dll keyshift.dll
LFO.dll LFO.dll
LFO_att.dll LFO_att.dll
LFO_att_v2.dll LFO_att_v2.dll
LFO_bmh.dll LFO_bmh.dll
LFO_bmh_v2.dll LFO_bmh_v2.dll
loop loop back.dll back.dll
LoopOut v2.01.dll LoopOut v2.01.dll
loop_beats.dll loop_beats.dll
lsita.bat lsita.bat
Matrix Matrix v1.1.dll v1.1.dll
metal.dll metal.dll
microphone_control.dll microphone_control.dll
Mic_CTRL v1.2.dll Mic_CTRL v1.2.dll
MultiFlanger.dll MultiFlanger.dll
NorthPole.dll NorthPole.dll
pan pan flanger.dll flanger.dll
Pan Pan LFO.dll LFO.dll
panv2.dll panv2.dll
Phase Phase Shifter.dll Shifter.dll
polarity.dll polarity.dll
reverse.dll reverse.dll
Sampler Sampler V2.dll V2.dll
Sampler.dll Sampler.dll
ShakerBeat.dll ShakerBeat.dll
slideloop.dll slideloop.dll
SpecialBalance.dll SpecialBalance.dll
TTS TTS v2.dll v2.dll
TTS.dll TTS.dll
varloop.dll varloop.dll
Vinyl.dll Vinyl.dll
VirtualDJ VirtualDJ slideloop.dll slideloop.dll
VirtualDJ VirtualDJ varloop.dll varloop.dll
vocals.dll vocals.dll
XFade.dll XFade.dll

Starting with Version 5 changed the way the personal archives of Virtual DJ (language, shortcuts, skins, plugins ...) now they are found in "My Documents \ VirtualDJ". Starting with Version 5 changed the way the personal archives of Virtual DJ (language, shortcuts, skins, plugins ...) They Are now found in "My Documents \ VirtualDJ".
So for you to install the plugins you need to copy the files to the folder "My Documents \ VirtualDJ \ Plugins \ Soundeffect" So for you to install the plugins You Need to copy the files to the folder "My Documents \ VirtualDJ \ Plugins \ Soundeffect"

Download - HERE
Size: 2,379 KB

Virtual DJ - 66 Skins Pack

2010-08-10T00:13:00.000-07:00

Pack Skins for Virtual DJ 5

Pack of 66 skins in various resolutions, from 800x600 to 1280x1024 are also some in widescreen format. Pack of 66 skins in Various Resolutions, from 800x600 to 1280x1024 Also some are in widescreen format. All tested in Virtual DJ 5.2 All tested in Virtual DJ 5.2

Following is the list of Skins: Following is the list of Skins:
advanced.zip advanced.zip
apopsis_tc_v3_ (1280x800). apopsis_tc_v3_ zip (1280x800). zip
atomix atomix 1.1.zip fr-fr-1.1.zip
atomix.zip atomix.zip
Boanerges Boanerges v 1.1.zip v 1.1.zip
cdj1000 v4.0.zip cdj1000 v4.0.zip
CDJ100S - by paky_ & _snake_v2 + font_skin.zip CDJ100S - by paky_ & _snake_v2 + font_skin.zip
CDJ100S - by_paky_ & _snake_v4.zip CDJ100S - by_paky_ & _snake_v4.zip
cdj200s.zip cdj200s.zip
cdj200s_by_paky_g.zip cdj200s_by_paky_g.zip
d1-d1-1280x1024.zip 1280x1024.zip
dac3 v4.0 v4.0 update.zip dac3 update.zip
darkfun v2.01.zip darkfun v2.01.zip
darkfun.zip darkfun.zip
denon denon 1800f.zip 1800f.zip
denon dn denon-dn-s5000.zip s5000.zip
denon (1280x800) _v4.0.zip denon (1280x800) _v4.0.zip
denondn-s5000.zip denondn-s5000.zip
denon_inspire.zip denon_inspire.zip
digital.zip digital.zip
dj dj console.zip console.zip
dn-s3500 dn-s3500 suggestion.zip suggestion.zip
Floop dj duo 3.3 (1024x768). Floop zip dj duo 3.3 (1024x768). zip
Floop DJ (1024x768). zip Floop DJ (1024x768). zip
Floop DJ (1280x800). zip Floop DJ (1280x800). zip
FM7 - super pack.zip FM7 - super pack.zip
Greenly Greenly edition version 2.zip edition version 2.zip
jn-Black (1280x800). zip jn-Black (1280x800). zip
jn-black (widescreen). zip jn-black (widescreen). zip
jn jn-platinum-platinum V2.zip vdj vdj V2.zip
jn jn-silver-silver v1.03.zip vdj vdj v1.03.zip
jn-jn-silver.zip silver.zip
list.txt list.txt
lsita.bat lsita.bat
man-man-tk.zip tk.zip
mist 1280x1024 v1 [1] .0 by emil en koutanov.zip mist 1280x1024 v1 [1] .0 by emil en koutanov.zip
mix station sv 03 (v4.0). zip mix station sv 03 (v4.0). zip
mix station sv 03 (v4 [1] .0). zip mix station sv 03 (v4 [1] .0). zip
mix station sv 04 (v2 [1] .00 _eda). zip mix station sv 04 (v2 [1] .00 _eda). zip
mix station sv 04 (v3 [1] .00). zip mix station sv 04 (v3 [1] .00). zip
mix station sv 04 (v4 [1] .2). zip mix station sv 04 (v4 [1] .2). zip
mix station sv_04 titanium (v4.0). zip mix station sv_04 titanium (v4.0). zip
mix station sv_04_1024x768 (v3.4). zip mix station sv_04_1024x768 (v3.4). zip
mix station sv_04_1024x768 (v3 [1] .3). zip mix station sv_04_1024x768 (v3 [1] .3). zip
mixstation_remixed_by_mulldie_ (titanium_v4.0)-rik_mb.zip mixstation_remixed_by_mulldie_ (titanium_v4.0)-rik_mb.zip
mix_station_sv_v4.2.zip mix_station_sv_v4.2.zip
mix_station_titanium_ (v4.x) _1024x768.zip mix_station_titanium_ (v4.x) _1024x768.zip
multi-instance multi-instance skin.zip skin.zip
numark cdn - video.zip numark cdn 88 - 88 video.zip
numark.zip numark.zip
oldschool.zip oldschool.zip
Pioneer CDJ-700s by re (1024x768) v2.1.zip Pioneer CDJ-700s by re (1024x768) v2.1.zip
pioneer pioneer cdj1000 mkii.zip cdj1000 mkii.zip
pioneer pioneer cdj1000 mkii_perijey.zip cdj1000 mkii_perijey.zip
pioneer pioneer CDJ100S v.5.zip CDJ100S v.5.zip
pioneer-pioneer-700_colour.zip 700_colour.zip
pioneer_cdj100s_ver5_by_paky_g.zip pioneer_cdj100s_ver5_by_paky_g.zip
pionner cdj1000 mkii.zip pionner cdj1000 mkii.zip
platinum_v1.zip platinum_v1.zip
tascam.zip tascam.zip
technics.zip technics.zip
tecnichs sl1210m 5g v1-1.zip tecnichs sl1210m 5g v1-1.zip
tecnichs_sl1210m_5g_v1-.ZIP Archive tecnichs_sl1210m_5g_v1-.ZIP Archive Archive
titanium titanium max.zip max.zip
v-v-mix.zip mix.zip
vdj4 full & full mixer.zip vdj4 & mixer.zip
vdj4 video.zip vdj4 video.zip
videovision_3.4_1280x800.zip videovision_3.4_1280x800.zip

Starting with Version 5 changed the way the personal archives of Virtual DJ (language, shortcuts, skins, plugins ...) now they are found in "My Documents \ VirtualDJ" Starting with Version 5 changed the way the personal archives of Virtual DJ (language, shortcuts, skins, plugins ...) They Are now found in "My Documents \ VirtualDJ"

So for you to install the Skins need to copy the files to the folder "My Documents \ VirtualDJ \ Skins" and then go to the configs of Virtual DJ Skins tab and choose Skin you want to use. So for you to install the Skins Need to copy the files to the folder "My Documents \ VirtualDJ \ Skins" and then go to the configs of Virtual DJ Skins Skin tab and choose you want to use.

Download - HERE

Behringer BCD3000/2000 MIDI Controller

2010-08-09T22:54:00.000-07:00

Contrller for bcd 2000/3000

Below is the layout of the Behringer BCD3000 MIDI controller. Further below is a description of each of the controls, and which functions they control in OtsAV. (The BCD3000 and BCD2000 models have the same control layout, but some buttons are labelled differently. The control descriptions below refer to the BCD3000, with the BCD2000 equivalent in brackets.)

1, 2, 3. Various controls
No interaction with OtsAV. Consult your Behringer manual for more information.

4. Ext buttons (BCD2000: Talkover and On-Air)
Ext In A - Toggles AutoDJ on/off.
Ext In B - Toggles ABM on/off.

5, 6, 7, 8. Effect Knobs
Not mapped. These controls can be assigned by the user.

9. On (BCD2000: A)
Used to trigger a video transition from deck B to Deck A when AutoDJ is disabled. If there is no video present on deck A, OtsAV will display Slideshow images (if Slideshow feature enabled).

10. FX (down) (BCD2000: B)
Hide/Show the Video output from Deck A. This can be used quickly hide the video if unsuitable content appears.
- When unlit, video from the deck is set to be shown on the output display.
- When flashing, video from the deck will not be shown on the output display (even if deck is set as video Master).

11. FX (up) (BCD2000: C)
Hide/Show the Video output from Deck B. This can be used quickly hide the video if unsuitable content appears.
- When unlit, video from the deck is set to be shown on the output display.
- When flashing, video from the deck will not be shown on the output display (even if deck is set as video Master).

12. Action (BCD2000: D)
Used to trigger a video transition from deck A to Deck B when AutoDJ is disabled. If there is no video present on deck B deck, OtsAV will display Slideshow images (if Slideshow feature enabled).

13. Cue A and Cue B (BCD2000: Analog Input A and Analog Input B)
- Cue A toggles the Cue button on the OtsAV Mixer for Deck A, and will send audio from Deck A to the designated CUE soundcard channel.
- Cue B toggles the Cue button on the OtsAV Mixer for Deck B, and will send audio from Deck B to the designated CUE soundcard channel.

14. Headphone Jack
Set the ASIO CUE channel in OtsAV to the controller's "ASIO [3/4]" soundcard option to send CUE audio to this output.

15.Phones Volume
Adjust the volume level of the headphone jack.

16. Phones Mix (BCD2000: PFL Mix)
Enables/Disables the CUE button on the Ots Mixer. When moved to the far left, deck A CUE is enabled. When moved to the far right, deck B CUE is enabled. (central position enables CUE buttons for both decks)

17. Key Deck A+B (BCD2000: Phone Split/Master Out)
Toggles between the use of Tempo or Pitch sliders. (LED lit: Tempo, LED unlit: Pitch)

18. Master Volume
No interaction with OtsAV. Increases or Decreases the volume sent to your sound system.

19. Power LED
No interaction with OtsAV. Consult Behringer manual for more information.

20. Crossfader
Controls the OtsAV Mixer crossfader. Allows quick volume adjustment between decks.

21. Gain dials
Increase or decrease the volume level of the Deck.

22. Low, Mid, High EQ and Kill/Cut switches
Knobs can be used to increase or decrease the level of low, mid, and high frequencies. Kill switches allow for instant reduction of low, mid, and high frequencies.

23. Set Cue (BCD2000: Back to Top)
Both buttons act as a "Shift" key, and can add additional features to other controls.
- Pressing both "Shift" buttons at the same time will execute a Mix Now feature and immediately fade to the next song. (same as clicking on the next track button in OtsAV's Toolbar)
- Press and hold the "Shift" key and the Scratch button(27) to toggle between conventional scratching and Zorphing.
- Press and hold the "Shift" key and the Set Loop button(24) to load the next song in the main Playlist to the deck. (fastest way to load the next song from your playlist)
- Hold this button and press Cue(30) to set the cue point while a song is playing.
- Hold this button while pressing Play(29) to force play the currently loaded song. (used when AutoDJ is enabled. If you manually start the song around the same time that AutoDJ would start the song, you don't want to accidentally Pause the song if OtsAV has already started it.)

24. Set Loop
- Not mapped as a stand-alone button. This control can be assigned by the user.
- Press and hold the "Shift" key(23) and the Set Loop button to load the next song in the main Playlist to the deck. (fastest way to load the next song from your playlist)

25. Reloop
Not mapped. This control can be assigned by the user.

26. Sync (BCD2000: Slave)
Matches the BPM of the opposite Deck.

27. Scratch
- When held, scratch using the jog wheel(34).
- When not held, the jog wheel can be used for Pitch/Tempo bending.
- Press and hold one "Shift" key(23) and the Scratch button to toggle between conventional scratching and Zorphing.

28. Volume Sliders
Increase or decrease the volume level of the Deck. (disabled by default, but can be enabled if you prefer to use sliders to adjust volume levels)

29. Play
- Starts or Pauses playback.
- Hold the "Shift" button(23) while pressing Play to "force play" the currently loaded song. (used when AutoDJ is enabled. If you manually start the song around the same time that AutoDJ would start the song, you don't want to accidentally Pause the song if OtsAV has already started it.)

30. CUE
- Returns instantly to cue point if Deck is playing or paused.
- Press and hold to initiate Stutter Play if Deck is already at cue point (great for sampling). Release the Cue button to return to cue point.
- Sets the cue point if in Frame Seek mode, or if pressed while scratching.
- Hold the "Shift" button(23) and press Cue to set the cue point while a song is playing. (eliminates the need to enter Frame Seek or Scratch mode to set the cue point)

31. Pitch Bend buttons
Momentarily increase or decrease the speed of the playing song. Useful for aligning beats while mixing.

32. Pitch/Tempo slider
Adjusts the position of the Pitch and Tempo sliders in OtsAV. (use the Deck A+B button(17) to swap between Pitch and Tempo slider control)

33. Search buttons
Enters Frame Seek Mode. Move backwards and forwards by frame, then press Cue(30) to set cue point.

34. Jog wheel
- Pitch/Tempo Bend the song.
- Scratch the song in the Deck when holding the Scratch button(27). (Zorphing is possible if the Scratch button(27) has been set accordingly)
- Frame Seek when in Frame Seek Mode (see 33)

Download bcd 2000/ 3000 mapper HERE

Download Mapper Virtual DJ BCD2000/3000

2010-08-09T22:18:00.000-07:00

Download bcd 2000/3000 mapper for virtual dj or traktor pro

In this article a Little DJ Kermit account of their history and pass on their knowledge about the BCD2000/3000 and VirtualDJ.

I am a DJ of the "time of the pickup's" hehehehe got 35 years and was sure he had perdita mix completely free with the order of vinyl ...
It rolled for about 10 years (last time I made a mix in life !)... until I tried a Behringer midi controller and I was drooling ...
Alright ... okay ... never used other controllers and thank God I missed them by CDJ's (got to experience the beginning of this wave of CDJ but I found a mess) ... anyway, after seeing various pros and cons between the BCD2000 BCD3000 and I chose to buy a Behringer BCD3000 controller ... cost me about $ 500.00 in Free Market (I know the E-Bay would do well but he knows better account of how he was with the largest fissure bag to get the new toy) and I think it fulfills very well the role that are available.
Alright ... Behringer is (in "my time", CEC was the Behringer DJs - I had a Behringer mixer that was rubbish ... the connections even have armor ... that whistled over tea kettle in the festival in the English countryside ... a drug) given that experience commits the crime of OPEN THE PARENT!
So ... I opened the little thing to know if it was like my old mixer and also because one of the search buttons were a little stuck ... had a sugeirinha underneath.
I remember I read some posts about grounding problems with the BCD3000 and Laptops ... I thought I would find a real mess but to my surprise, the plates were very well organized and with insulated and reasonably grounded (could be a little better but not bad) ...
So I called the pet and tried Traktor LE. Without losing much time talking about the LE, I will summarize by saying that this software is crap. Caught Traktor is an excellent program mix (I prefer Virtual DJ because of the interface) and turned into a shit ... LE in some language should be synonymous with crap.
So I called the pet in Virtual DJ (I'm using the Pro version 5.2 for now) and started to play ... it's a wonder ... I connected my old MK2 conservadíssimas and to see how the BCD3000 worked as a mixer and how would the behavior of the VDJ and then fell into the mixes with MP3 ...
As I saw on several blogs people struggling to set up the BCD3000 VDJ, here's a tip:
Enters CONFIG, select the SOUND SETUP tab and make everything like this:

Imputs: NONE
Outputs: HEADPHONES
Sound Card: ASIO DRIVER
In Asio Driver (which will open after you select the Sound Card): BCD3000 ASIO
I left marked Ultra-Latency ASIO not know what it does but I noticed no difference between select and deselect (great help eh?)
And Output channels: Master Chan 1 & 2 / Headphones Chan 3 & 4
In ASIO Config, I left the default installation of the driver's BCD3000.

BCD2000 know the thing is configured differently ... has a program that is to download MID RULES (it was done by Internet) to make the controller work ...
This is because the BCD2000 is not exactly a MID controller ... The BCD3000 is ... was the least I read them so I do not know if it's true but it seems the BCD2000 only works right with MID RULES that the Behringer was not who did.
Well .. coming back to post ... installed, configured and everything worked extremely well ... clean cuts in soft fade ... good control master volume and gain ... precise controls in volumes A and B. .. buttons EQ Low, Mid and High work as well as their respective buttons kill ... control of the pitch is not "fool" ... has a "weight" just right (not as in MK2, but of course at the right) and his setting is configurable in VDJ.
The Search button is somewhat useless and does not offer great control but I liked the button Bend. For those who do not know, that button that simulates "hasn" which gave the people in the pickup plate to adjust the beats ... in practice, it increases (Bend +) or decreases (Bend -) temporarily the speed of music to fine-tune the timing of the beats between decks A and B.
Incidentally, speaking of timing, the sync button is the greatest softness of new technologies for mixing ... Face ... what we got before adjusting the ear, today we set the little button ... yet you can see the display of track time (blue and red corresponding to the decks A and B) to see if it fit ... and confirm the peak of the curve of equalization (all very graphic) that is on the beat tempo of the music ... if not, we set using the keys + or -... Bend c'mon ... Today, not only DJ who does not want or do not know that a breeze!
Another "soft" keys are CUE and ReLoop ... Today, we mark several points within the song with SET CUE and then return to them with the CUE button ... In the BCD3000 with VDJ, this return only works for the last ... for others, we have to use the mouse.
Already the loops we create easily using the LOOP SET button to mark the beginning and end of the loop and then shook RELOOP to keep the music on that track pre-determined repeated countless times until RELOOP shook again, disabling this feature ... and then the music continues.
I like to push quickly LOOP SET twice in a row to get the time in one or two and adjust to 4, 8 or 16 with the mouse (there's no way ... have to use the same mouse) ... this ensures greater control when it comes to using the loops.
Remember that lousy point of microscopic mixing that had in some songs? A-CA-bou! It has never been so easy to mix! We listen to the snippet of music we want to repeat, we set the loop, we press the little button and Sync it! Happy mix for everyone! Then just make the cut and arrange the music live on ...
Just did not like it (at first) Disc Scratch ... BCD3000 in it is called by the name of small PITCH BEND / CUE SEARCH or as I like to call PIBCUS (hehehehe) at the beginning, with the default installation of VDJ functions PITCH BEND and SCRATCH are very warm ... the dish is barely sensitive and was almost impossible to make a decent Scratch ... at first I was quite disappointed with it ... would be very boring if I only could do with the MK2 Scratch ... resonví the problem by searching the net and downloaded an executable that is a plug-in for VDJ that allows you to configure some more functions and BCD2000 BCD3000 ... This plug-in is VDJ_BCD2000_Mapper_v3.3 the link to download this small program will be the end of this post ... in practice, version 3.3 for the Mapper is done for the BCD2000 chubby but it worked with the BCD3000. I'm waiting for version 3.4 download it on e-mule so I can try ... The program is tiny but the radius of the user that he has never okay to share online. Damn!
Well .. if you did like me and installed Mapper 03.03 then you have to click on EFFECTS VDJ (not the top, but what is above the play-list) and then EXTERNAL DEVICES ... done this, you will see a tiny list the name BCD2000 ... click on that name.
By doing so, it appears the control panel Mapper 3.3 made by Max Mora ... will play with the settings ... in mine, so I left:

CUE MODE: Disabled
SYNC MODE: Enabled
BROWSE MODE: Enabled
MASTER LEVEL 50%: Enabled
LIMITER GAIN: Enabled (that I recommend leaving well ... you get the BCD3000 as a limiter prevents distortion when the music is too loud)
C. FADER ONLY VIDEO: Disabled (if not the Cross Fader not working in mp3! That idea!)
Jogs ON: Enabled
Before anyone asks ... do not know that the Browser Mode nor jogs On. .. saw no difference in operation of VDJ enabling or disabling it ...
In SCRATCH SENSITIVITY left with 136 (more or less in the middle)
Seeks SENSITIVITY with 194 (almost at the end)
BEND SENSITIVITY and with 333 (almost at the beginning)

Made these adjustments, the "plate" of the BCD3000 was excellent!
While testing the settings, some buttons started to work only when you double click on them ... to tell the truth, almost everyone was well but do not panic, just reboot the the controller and the computer that normalizes ... this problem only occurred during testing of settings ... Mexicans think too much ... after you hit the final configuration and restarts all, this effect disappears.
Well .. let the other controls ...
MIC INPUT controls (High, Low and Mic Level) work well and no alarms ...
Keys CUE, CUE KEY-B and DECK A + B are practically useless ... I do not know if it was me who screwed up the configuration but it seems they do not have much function in VDJ with the BCD3000 ... CUE and CUE B only activate the phone in the ear VDJ (sound card) but have no effect on controlling ... and then I installed Mapper 3.3 they stopped working as well as KEY DECK A + B turns on and off before that but did nothing ... after the Mapper or more lights lit (rs).
In FX Control panel that controls the effects of VDJ had two different behaviors AM and DM (Before and After Mapper Mapper).
Before Mapper:
The ON key activating effects of Deck The ACTION key and the effects of Deck B. .. this configuration FX FX Up Down and did nothing ... not lit.
The volume controls and a second adjusted the effects of Deck A and controls 3:04 Deck the B. ..
After Mapper:
The ON key activates the Loop Sampler and Deck The FX button down activates the effects of Deck A. The ACTION button activates the Loop Sampler and FX B Deck Up the effects of Deck B. .. controls 1, 2, 3 and 4 have not changed ...
I liked most of the configuration after the Mapper that before I could not access the Loop Sampler VDJ but I shame not to "navigate" through samplers and effects by controlling ... no way ... have to use the same mouse ... maybe one day some crazy set the CUE and CUE B Deck to access the A and B so we can use Up and FX FX Down to navigate between the effects and samplers ... could switch between them using Key DECK A + B hehehe ... see? Who said no buttons on the BCD3000?
In VDJ downloaded a package with various effects ... I tested all and some hindering the VDJ ... I ended up selecting these:
AutoCut, Backspin, BBK, Break Beat, BeatGrid, Boomerang, Brake, Cueloop, Cut, Fade, Filters, Flanged Loop Out, Flanger, Flippin Doubles, Flippin Doubi (is different from another yes!), Forward Reverse, Flanger Funny V2 Key Charger, Loop Back, Beats Loop, Loop Out, Matrix V1.1, Metal, Overloop, Reverse, ShakerBeat, TK Filter V2, TTS, and XFade + Vocals. At the end of the post, will have a link to download them ... you just desconpacta them and copy everything to the folder Virtual DJ / Plugins / Sound Effect which is located inside My Documents. When you start VDJ effects are automatically loaded ...
Further, controls Phones Phones Mix Vol and are very clean and clear ... there are people who do not like saying that this technique of using a volume control to blend the two channels on the phone is outdated and old ... as I am used to it, I liked!
Before concluding with a final evaluation, I will talk about a problem I had with chatinho BCD3000 time I used it in the notebook ... my note is an Acer Aspire 5920 with 2Gb of memory and 250GB HD ... the processor is a Core 2 Duo .. indeed loaded with a bunch of stuff (I am programmer ... he has an intranet server and database and a program that eats lots of memory) runs the entire VDJ chubby and BCD.
To my surprise, when he connected in the outlet boxes squeaking problem giving it lots of ground to whatever was next (even remembered my Behringer mixer Ruizinho) ... but when left in the battery, it usually funcina ... tried everything and nothing made it work properly ...
For you know, to me is criminal pininho boot the land of computer ... I am computer technician and programmer ... I know the problems this causes ... My house is all grounded.
Solve the problem of squeak by simply placing a notebook adapter into the outlet, so that the pin of the land was not used ... ready to fizzle over! Many people report this problem to the BCD3000 and 2000 but saw no account of how it solves.
Another problem that much of the BCD3000 was told that the sound quality it was less than other devices ... people ... in good ... I did not notice any difference when I turned the set BCD / VDJ on my stereo system ... the mp3 is that it can be bad ... it is solved in another way ...
Just to end this huge post, I can say with all certainty that the controller Behringer BCD3000 was by far the most interesting sound investment I ever made until today ... I tied this very aparelinho that has an honest price and do all that it offers an excellent value for money ... with this post, I think clarifies many questions and unveil some of the things we talked BCD3000 in other places on the net ..
And for those who say that this business of micro controller does not work ... lock all ... can all bite my tongue ... I was 2 days (that's right! days!) with VDJ and BCD working quietly with the sound loops to see if it crashed ... never caught on either my laptop or on my desktop (which is a mere semprom 1.3 with 512 GB of memory) ... both programs loaded ... Had to do this test ... I am a computer technician, right?
Just have a good machine, good quality mp3 files and have not installed malware (viruses, trojans, etc ...) that this pair will give you a very peaceful and enjoyable experience ... free to carry a lot of hindrance (pickups, CDJs, cases for disks and CDs, etc. ...).
Have fun!

Download Mapper Virtual DJ BCD2000/3000 v3.3

Download Mapper Virtual DJ BCD2000/3000 v3.4

Download Manual de Instalação (em português) do Maper 3.4 para Behringer BCD 3000 no VirtualDJ

How to beatmatch using turntable’s pitch slider

2010-08-09T08:20:00.000-07:00

how to beatmatch using only your turntable’s pitch slider

This tutorial is intended as a guide on how to beatmatch using only your turntable’s pitch slider. This guide isn’t ment to be the end all be all of this technique, it simply outlines how I go about mixing in this way. There are countless ways that you can beatmatch, not only using other methods, but even different ways to apply this single method, so don’t take this as gospel. Also, this guide is intended for those who are already comfortable with beatmatching in general. Riding the pitch control, or pitch bending, involves being able to identify whether a track is too fast, or too slow, and then making fluid adjustments. Without that fundamental knowledge, this guide will be of no help and may even make your learning of beatmatching more frustrating.

So, first thing you’ll need is a record playing, so that you have something to mix out of. Having two very simple records that you can practice with helps ease the learning curve. On the other turntable, go ahead and queue up the track in your headphones, with your pitch centered at 0% (if using a turntable with a Quartz Lock, such as the 1200 M3D, be sure the Quartz Lock is NOT enabled). When you’re ready to drop the track in, go ahead and start it, while carefully monitoring the beat in your headphones.

Now, identify as quickly as you can whether the track is going too fast or too slow. If you’re going too fast, immediately decrease the pitch setting, -6% should do the trick (do exactly the opposite of this if the track is too slow, and increase the pitch to +6%). Now listen closely and see if the track begins to correct itself, which with a 6% change in speed, it usually will.

NOTE: From this point on we’ll assume the track was too fast. If the track was too slow, simply “reverse” the instructions.

This is an indication of two factors:

1.) To be beatmatched, this track needs to be slower than where you started out at.

2.) Since you can hear it correcting itself from being too fast, it’s safe to say the track is too slow now. Otherwise it would’ve continued to get further out of sync, or at least stayed at the point of being out of sync when you dropped the pitch to -6%.

Now the hard part: Waiting.

Instead of immediately trying to correct, you should wait until it gets to where the beats sound matched (and they will be, but only momentarily) and then wait just a hair longer for the tracks to “come apart” again. Now you zip that pitch-adjust 3/4 of the way back up towards where you started out. Generally speaking, this will be too fast, but not AS fast as it was before, and you’ll hear the beats go from being too slow to being matched to being too fast. Again, push the fader down 3/4 of the way from where you were at LAST time you adjusted, and listen to see if it’s too slow or too fast. If it’s too fast, just repeat the process as listed above. If it’s too slow, go ahead and slow it down further, but remember that there’s no need to go as slow as you did the previous time, since we know that’s too slow to be properly matched.

At this point, you can keep repeating this over smaller and smaller intervals until you have your beats beautifully matched. Remember, though, that as you get closer and closer to having them matched, the length of time it is going to take before you can hear whether it’s going too fast or too slow is going to get longer, so you’ll need to have a little bit of patience. This is the hardest part of beatmatching using this method, and the most tempting time to just grab the spindle and give it a good hard pinch to immediately correct it to where you want to be, but I find that when I do that, it throws me out of the groove I develop during the beatmatching I’ve already done, and just makes those final 1mm tweaks to the pitch even more difficult.

This is a technique I like to call “pinging the pitch-adjust.” The word “pinging” is in reference to the ping-pong, and repeatedly going back and forth. To aid you in the visualization of this concept I’ve included some ASCII diagrams below to give you a better mental image of what is physically happening in the process I’ve outlined.

To take up less space, I’m going to display your pitch slider sideways, instead of trying to do vertical diagrams. The ‘|’ in the diagrams is the actual position of the pitch slider. The FAST/SLOW is the speed relative to the track playing over the sound system.

-8%……………………|……………………+8% FAST
-8%……|……………………………………+8% SLOW
-8%…………………|………………………+8% FAST
-8%………|…………………………………+8% SLOW
-8%………………|…………………………+8% FAST
-8%…………|………………………………+8% SLOW
-8%……………..|………………………….+8% FAST
-8%…………..|…………………………….+8% SLOW
-8%…………….|…………………………..+8% FAST
-8%……………|……………………………+8% MATCHED

Notice how the adjustments being made get smaller and smaller as you approach the point of having it perfectly beatmatched. Now your tracks are beatmatched. Woo! Once you get the hang of this method, and what you need to be listening for to use it successfully, you’ll find that this process gets faster and faster until you get to where you can have a new track beatmatched in 32 beats (or less!) with very little effort. From this point on, it’s just a matter of KEEPING the tracks beatmatched, but you should have an accurate enough match to start out with, now, that you can do very minor (1mm) corrections and never really need to do them more than a couple of times during a nice, long mix.

written by Jeigh Baldwin

How to Beatmixing or BeatMatching 101

2010-08-09T06:53:00.000-07:00

Learn how to Beatmatching or beat mixing

Beatmatching or beat mixing is the backbone of all DJing. It is essential to get the basics of this skill before attempting anything else. Most people assume that beat matching is simply matching the speed of the beats (beats per minute, or BPM) of two tracks, but it goes a lot further than this. Good DJ’s must also learn to phrase match, which, in other words means to match different parts of a song structure.

Step #1 - Know your records!

The key to proper beat matching and phrase-matching is knowing your records. Learn the structure of the track (e.g. intro, breakdowns, build-ups, outro). Try to differentiate the parts of the track, like when a melody is started, or when the hi-hats enter the tune. Different styles of music will have different structures. Also, be sure to learn the different styles themselves. A hard techno track will have a significantly faster beat than a slower ambient track, and therefore would be hard to mix properly. This will help you pick tracks that will sound good together, as well as help you time your tracks perfectly. The more comfortable you are with your records, the more you will have that extra advantage!

Step 2# - Learn your Phrases!

Basic ‘techno’ or dance style tracks are made up of repetitive beats of a regular tempo. This makes it pretty easy to distinguish between phrases. Most of the time, tracks are made up of riffs containing four beats pr bars. You can listen to a track and count the beats, 1-2-3-4, 1-2-3-4. Phrases can be any multiple of 4 bars (4-8-12-16 etc.) in most typical techno, house and trance tracks. How can you distinguish a phrase? Simple, really! Phrases usually begin with the introduction of a new sound, such as a new or different melody, or the introduction of hi-hats to the track. Not all records are the same though, sometimes you may have to pass through up to 16 or 32 bars before a phrase begins (or ends), so like I said before, knowing your records is key in this department.

Beat Matching

The pitch (or speed) of a track can be altered in one of two ways on a typical turntable. You can either adjust the pitch slider (up or down, +/-) or physically touch the record or platter. At first, it’s best to become familiar with the turntable and touching records.

1.The simplest way to practice manipulating vinyl is to go out and buy two copies of one track (that’s what I did). It’s best to find a track that you not only like, but is simpler in form (e.g. has a standard 4/4 beat, clear, sharp bass, is not super fast, and doesn’t have any complicated melodies). Slap on both records and fire up both decks. Put the pitch at 0% on both. Put the needle down on deck #2 and slide the x-fader over to that channel so deck #2 is playing… Make sure your cue or PFL settings on your mixer are set so that you can ONLY hear deck #1. Now, put the needle from deck #1 at the beginning of the track and rotate the record with your fingers (preferably near the label, or a blank spot on the record, as to not get the grooves dirty…hopefully, you have slipmats which will allow you to rotate the record back and forth without interference with the platter itself. Now, rotate the record slowly until you find the 1st beat or BOOM on the record. Now, practice rotating the record back and forth, getting the needle to pass over this first beat over and over. This is a form or scratching actually and is called ‘cueing’ the record. This is necessary to start the incoming record at the precise time, vital to proper beatmatching.

With deck #2 spinning, listen closely for the phrases. Now scratch over the first beat on deck #1 on every beat while counting in your head, 1-2-3-4, 1-2-3-4, etc. When you feel ready (at the proper phrase) try to release (with a slight push) the record on deck #1 to match the 1st beat of a phrase on deck #2. If done correctly, both records should now be in sync, 1-2-3-4, 1-2-3-4, etc. Practice this until you feel ready to bring in a record in at the right time.

Congratulate yourself, you’ve just conquered cueing!

Now on to round two…beatmatching.

In the real world, the records you’ll be spinning will all be at different BPM’s, and this is where TRUE beatmatching comes into play.

Grab two different records, preferably of the same genre or style, so they’ll be in the same range of BPM’s (you don’t want to mixing fast hard techno with slower funky house). Fire up the decks and play deck #2. Cue up deck #1 and let it play. You’ll notice at first that the two tracks match for a few bars, but then quickly get out of whack. This is, obviously, because their pitches are different. Listen carefully to deck #1. Is it faster or slower than the live track? Let’s just say, in this case, that it is slower. Cue up deck #1 again. Use the pitch slider to add some pitch (+) or speed to the incoming record. Hopefully, both records will be roughly in sync. But you will still notice they’re a little off. Using your fingers, you can speed up the record or slow it down. To speed it up, you can either manually spin the record (closer to the edge will be more noticeable, closer to the spindle will be more subtle) or twist the spindle of the turntable. To slow down, you can press down on the label of the record, or drag your finger along the platter. You can also twist the spindle to slow down the platter. This is good for minor adjustments. Adjust the pitch again until you reach the right pitch. Hopefully, the beats will be in sync, or at least close. Keep adjusting the pitch and using the above methods until you reach a match.

Once a match is made, slide the x-fader over to the incoming record, and voila! you made a mix!

Now let’s cover Advanced Beat Matching (Pitch Bending)

Now that you’ve somewhat mastered the basics of beatmatching (this might take you weeks, even months of practice!), you can move on to pitch-bending. If you’ve ever taken a good look at some of the top DJ’s doing their thing, you’ll notice that the only time the ever touch their records is when cueing them up! This is because they use the pitch bending technique, a technique that only requires the use of the pitch slider. This technique is not for everyone, and might be a little more complicated that the “hands on” version, but it results in a smoother mix.

Fire up the decks, and play deck #2. Cue up deck #1 and listen in your headphones to determine if it needs to be faster or slower. Adjust the pitch to where you think it should be. Now, you’ll notice its time for adjustments. Instead of touching the record, the platter or the spindle, use ONLY the pitch slider to speed up or slow down the platter. If deck #1 is lagging behind deck #2 (lets say, deck #1 needs to be at +5% pitch to be perfectly beat matched, but is now at + 4%), use the pitch slider to speed it up, by slamming it all the way up to + 8% for maybe a second, and bringing it back down to just above where it was before. You should hear in your headphones the beats coming in sync. If, again, the record is still lagging behind a bit, bring up the pitch to speed up the record (but not too much) and then set it ever so slightly above where it was before. OOPS! Now deck #1 is too fast! Well, slam the pitch slider down a couple %, and bring it back up just a touch below where it was originally. You should always keep an eye on where the pitch is before you pitch bend, so you’ll have an idea of where to bring it back. See, essentially what you’re doing is using the pitch slider to speed up or slow down the record, rather than make more noticeable adjustments by touching the record or platter itself. Once you’ve go these techniques down, you are ready to mix!

Please keep in mind that beatmatching takes weeks or months or even years of practice and requires a lot of patience and time. Some people get it right away, yet for others it takes more time (I’ve been spinning for a year and I’m only beginning to perfect my technique now!) Both of these techniques can be used, neither is “right” or “wrong”. Work with whatever feels comfortable for you. And last of all, HAVE FUN!
Now go tear up the decks!

ClubDJ ProVJ 4.4.3.1

2010-08-09T06:27:00.000-07:00

download club dj provj 5

The ALL NEW ClubDJ (ProVJ) is the complete DJ Software application for mixing live Video, Audio and Karaoke. With dynamic video display capabilities, NEW mixing platform, and easy-to-use interface - ProVJ will help you "Rock the House" every night! Powerful features include; NEW dual interactive waveform displays, real-time BMP detection, manual beat-matching, pitch & tempo shifting, on-screen text messaging, MIDI controller support, plus many more power features are all at your finger tips. ClubDJ ProVJ is now fully equipped with a re-engineered Mix Engine and an extensive array of NEW and IMPROVED product features for mixing electrifying live Audio, Video and Karaoke. Plus, ProVJ's development platform offers superior stability and mixing performance you require each and every night.

Features:
» Dual interactive waveforms
» Track progress waveform
» Custom device mapping control
» Album artwork displays
» Cue Point selection display
» Loop display (within the waveform)
» Real-time dynamic BMP detection (Audio/Video)
» Precise playback control: play, pause, position, tempo, pitch, pitch bend (Audio/Video)
» Precise video positioning frame-by-frame, forward and backward
» Dual audio/video/karaoke playback in two independent decks
» Dual video preview displays
» Frame-exact audio and video synchronization
» Audio/video mixing (crossfader) with 6 different video mixing effects
» Dual video output system
» Support for up to 2 live cameras (USB, 1394...) simultaneously with the dual video playback
» Customizable image & logo overlay
» On screen text messaging: scrolling tape, static text
» 40+ Ambient Visualizations!
» Auto Crossfade control
» Aspect-ratio video playback
» External Controller Support: Hercules DJ Consoles (MP3, MKII & MKII), Visiosonic DAC-2
» Dual audio outputs for using an external audio mixer
» Built-in emulated audio mixer with full PFL capabilities
» Playlist editor with auto-mix and auto-fade capability, seamlessly mixing audio, video and karaoke files
» Fade Now! Function for mixing current track with next one at any time
» 8 mixing Sampler decks
» 22 Cue points per deck
» Cue point indicator
» Set Cue points within a fraction of a millisecond
» Custom Looping
» Volume Normalization
» Treeview record case
» Drag and Drop Media Library
» Quick Media Search
» History List
» Save & Load Playlist
» Shuffle playlist feature
» Auto-Crossfading Feature
» 6 different video transition effects
» Acceleration 3D card support
» Custom video performance options (control quality vs performance)
» DRM enabled (Digital Rights Managed)
» +12db/-24db 3-band equalizers automatic gain correction
» Sound Effects
» External video mixer support

Home page - http://www.clubdjpro.com/index.php

Download: 18.18 MB

http://letitbit.net/download/0c3c540b72df5c4/ClubDJ.ProVJ.v4.4.3.1_www.dl4all.com.rar.html

M-Audio Torq Xponent Mapper for Virtual DJ 6

2010-08-09T05:03:00.000-07:00

looping and sampling optimized M-Audio Torq Xponent Mapper for Virtual DJ 6

There is mapper for Virtual DJ version 6 for M-Audio Torq Xponent DJ console. The mapper was created by my experiences with digital DJing. The mapper is optimized for looping and sampling. I Call it Remix mapper :)

There is description of mapper:

Scratch button
usage: on/off
If on jogwheel is used to scratch, jogwheel touch is also working. If off jogwheel is used to pitch bend.
Exit button
usage: instant
If pressed effect backspin is turned on and when effect finishes, deck is stoped
Loop search
usage: on/off
It is only possible to use if loop is active on deck. If on jogwheel moves loop position. It is good if you are e.g. looking for precise start of loop
Effect section
usage: on/off
On/Off and the first knob of various effects, default effects are cut, flanger, djosdelay2, wahwah.
Short skip
usage: instant
Skips 4 beat backwards or forwards, seamless.
CUE section - skipping
usage: instant/holding
Creates or jump to CUE. If you want to create CUE, hold button. If you want skip to CUE press button. Skipping to CUE is configured as seamless. Also if you are in loop and wants to skip to CUE, loop remains.
Loop section - lenght and moving
usage: instant

FWD and RWD moves loop forward or backward of loop/2 beats. This is useful if you would like to jump between two samples. You can do fine effects if you use loops together with CUE skipping.

Plus and Minus resizes loop. Plus multiply loop lenght by 2, minus divide by 2.
Numbered Buttons - loops by length
Creates loop in button number multiplied by 4. it means button number 1 creates 4 beats loop, button 2 creates 8 beats loop etc.
Loop section - standard controls
usage: instant
As on another decks - LOOP OUT, LOOP IN and LOOP button. Last used loop size is used for LOOP and LOOP OUT if no LOOP IN.
Normalize BPM
usage: instant
Sets BPM of song to defaults. Its good if you are slowing song down and then start it again.
Beatgrid effect
usage: instant
Useful effect breaking beats. Effect automatically stops after few beats, synchronized.
CUE
usage: instant
Standard CUE button
PLAY/PAUSE
usage: instant
Standard PLAY/PAUSE button
Long skip
usage: instant
Skips 32 beat backwards or forwards, seamless.
Tempo adjust
usage: knob
Adjust BPM of song

Other buttons works as you would expect. Phones as phones deck switching, kills and EQ knobs. SYNC, syncs only BPM.

Requirements to use this mapper:

I recommend you not to use key sync and beat lock.
Several effects are adressed by this mapper, these effects are available on VDJ web for download. (beatgrid, backspin, cut, flanger, djosdelay2, wahwah)

Installation instructions

Download M-Audio Torq Xponent Mapper for Virtual 6 DJ here
Shutdown VDJ
Extract archive and copy contents to Documents\VirtualDJ\Mappers folder
Start VDJ, enjoy

Tips for the Beginner Mobile DJ

2010-08-09T04:51:00.000-07:00

Some basic tips and tricks for mobile dj's

Let's face it, we all had to start somewhere in our mobile DJ careers, but nobody said that we all had to start at the same place. These tips are sure to give you that headstart you need to get ahead of the game and on your way!

1. Get it in Writing - Put together a contract and have the customer sign it. That way if there are any questions later, both parties can see what was agreed upon. A written contract should detail the date and time of the event, the beginning and ending times of the music, the total cost for the time period, the deposit amount and when it's due, the balance amount and due date, the overtime cost, where the event is located and the full name of the customer and/or organization. Don't forget to bring it to the gig!

2. Holding Dates - It's ok to tell someone that you can pencil them in, but make it clear that you can only hold it for 10 days. If you don't receive the non-refundable deposit and signed contract in that time, you'll have to make it available. You don't want to find yourself in a situation where you're turning away customers because you're "booked" only to never get a committment from the original person. Bottom line...No deposit, no play.

3. Collecting Money - Some DJs will require the balance the night of the event, but you'll be much better off if you make it required three weeks before the engagement. This is not only the norm with other event vendors, but it gives you plenty of time to collect should they miss the deadline. It's also a great time to require any information sheets and request lists.

I can't tell you how many times I've waited around after the gig for someone to find their purse or wallet only to have them tell me an hour later that they didn't bring it and would have to mail it to me.

4. Checklist - Put together a checklist of everything you'll need to bring to the gig so that you don't forget anything. Then, as you're loading up your truck/van/trailer, cross things off the list. Before incorporating a checklist, some of the things I'd forgotten over the years and had to go back for are: headphones, microphone, CDs, requested songs, address, phone number, map, extension cords, clothes, etc...

5. Set List - One of the biggest problems that can come up at a gig is deciding what to play next. One way to get around this is to put together a bunch of music sets a head of time. Now, I'm not talking about pre-mixing your music, but simply coming up with collections of three or four songs that sound really good together. Typically, these would be of the same style (ie: oldies, rock, disco, etc..). That way if you get stuck, you can pull from your set list and keep the party moving.

6. Music Sets - Whether you're playing at a wedding, a party or at your local dance hall, never play more than four songs in a row of the same style (ie: top-40, country, oldies, etc...). This will ensure that you provide a little something for everyone and a make for a well balanced party.

7. Music Transitions - When moving from one completely different music set to another (ie: techno & big band), play a slow song or two in between sets. This will make the music flow seamlessly and give the dancers a minute to catch their breath.

8. Music Lists - Rather than let people look through all your music at a gig, create a music list of your most popular songs broken down by genre. Most people are overwhelmed by a music list that is too many pages and it makes the recognizable songs easier to find. It'll also prevent people from walking off with your music and/or spilling their drinks on your CDs.

9. Locating Songs - The simplist way to make locating songs easier is to categorize your music in a manner that makes sense to you (ie: genre, artist, etc...). Need something more substantial? Get a program to catalogue your music. Then you can print the list or bring a laptop to the gig for onsite searches.

10. Group Participation Activities - Figure out how many activities (hokey pokey, chicken dance, etc...) you want to do at a gig and spread them throught the entire evening. This will give the impression that you're always doing something fun and keep the event lively.

11. Interacting with your Audience - Don't ask open ended questions like, "How are you doing tonight? Ready to have some fun?" Instead, tell them they are going to have fun and why. Questions can prompt negative responses producing the opposite result of what you're looking for.

12. Music Start Times - When working out the details with the customer, always try to schedule the starting time of the music at the beginning of the event. Otherwise, the guests might interpret your arrival as being "late" even if you're right on time.

13. Music Selection - Always keep your audience in mind when deciding what to play. It's their party, so you won't always be able to play music that you like. Keep the music recognizable as it will have more mass appeal.

14. Requests - Take requests from the guests so that they feel they are contributing to the party. They may even surprise you and have an inside track into what the guests like.

15. Read Your Audience - Before the party even gets started, take a look at your audience. Are they wearing cowboy boots? Are they younger? Older? Simple observations before the event can sometimes give you an idea on how you might want to proceed with the music.

16. Cables - Make it a habit to tape down your speaker cables and extension cords. It'll not only look better, but prevent someone from tripping on them and "pulling the plug" on the party.

17. Mailing Address - If you're working out of your home, use a post office box rather than your home address. Many big businesses have a PO Box and people will have no idea that you don't have some big office somewhere. It'll also help you sleep at night knowing that the public doesn't know where you store your gear.

18. Answering Machine/Voice Mail - Make sure that your message greeting can be clearly understood and that it's not distorted. Keep your greeting to 20-30 seconds tops so people don't hang up before leaving a message. Your greeting should also identify the business name, "Hello, you've reached Dave's DJ Service", not "Hi, you've reached the Smith residence...".

19. Tuxedo Dressed DJs - If you DJ weddings, why not take it up a notch and wear a Tuxedo? Many tux shops will sell their rented/used tuxedos at a discount. It's a big selling point and only you and the tux shop will know you didn't spend a fortune.

20. Moving Gear - To keep you speakers and DJ coffin looking their best while moving them from one place to another, always put the back part of the equipment against the handtruck. This will prevent the viewable sides from getting marked up while transporting it. Foam padding on your handtruck will also help.

Numark Cue Professional DJ Software

2010-08-09T03:53:00.000-07:00

Download numark cue dj mixing software

Numark's club tested, professional–level DJ software and a personal computer are all you need to create the ultimate mix. Monitor your mix through headphones and visually on your computer screen. Output your masterpiece to a club's sound and video system. Every DJ can also be a VJ using CUE's built–in video transitions and effects. You can mix, scratch, juggle, interchange and sample audio and video files without expensive, bulky hardware. Cue is a revolutionary software which allows you to mix audio and video right from your
computer. We have designed Cue to be simple and intuitive to use but do not be fooled – there
are many advanced features for you to explore and customize. Features: • Two virtual decks for loading audio and video tracks and clips
• Extensive browsing functions
• Comprehensive mixer with all the features that you would expect from a traditional
mixer (EQ, gain, crossfader)
• Audio and video effects processors
• Sampler for recording and playing back audio clips on the fly
• Looping engine
• Real-time recording of your mixes
• Real-time webcasting of your sessions
In addition, Cue includes many innovative features to help you spend less time with the tedious,
time-consuming aspects of DJing and mixing:
• Automatic beat matching for quick mixing
• Computer Beat Grid for easy visual mixing
• Dynamic Hot Cue points

Copy paste the link in your browser
Download:

http://hotfile.com/dl/47399391/6b4d919/Numark.Cue.Pro.v5.0.rar.html

Understand The Art Of DJ Mixing

2010-08-09T03:02:00.000-07:00

DJ Mixing Art and dj mixer

DJs are quite popular these days, and you'll often find them in wedding parties, clubs, concerts, etc. But even the best DJs have to take good care of their equipments, properly and regularly, in order to perform their best. A DJ mixer can make a DJ, but also break him as well. If you become a DJ and in the midst of a function, you find your equipment malfunctioning, just imagine how humiliating and dreadful that would be. Thus, before you start off your career as a DJ, find the best mixer around and then commence with your mixing stuff.

Now, if you are thinking of getting yourself a DJ mixing kit, then there are a few things you need to be careful about. First, comes your budget, i.e. look at your pocket before you scan the materials. DJ mixers are available in various sizes, and the quality depends on the company and the price of the mixer. If you are just starting your career, then a mixer worth $80 is enough to fulfill your training, but if you go for playing and performing in concerts or ceremonies, then you need better equipment that may cost up to $175. It's better to save your money for the bigger ones though.

Next is the type of platform where you'll be performing. The types of devices you want to keep in your mixer will help you choose the no. of channels you need in your mixer. For e.g. a two-channel mixer usually have two phono inputs along with two line inputs. You may connect two turntables to the phono inputs, and digital platforms to the line inputs.

Two and four channel mixers are more popular these days than the three or five channel variant. Thirdly, you have to decide what type of DJ you want to be. Many DJs are available who have geared themselves for mixing, but there are others whose main talent lies in scratching.

Usually the hip-hop DJs prefer more effects than the house or electronic ones. Now, the types of effects you can produce depend on the quality and versatility of your mixer. The effects include cross fading like hamster, magnetic and assignable cross faders. Other cool effects include mic, looping, tap effects, and touch screen effects. The mixers priced more have more of these features and effects, and thus choosing what you really wish for will narrow down your choice and will help you take the perfect decision.

Thanks to the auther ..Charles Cook

Choosing Best DJ turntables for Djing

2010-08-08T02:38:00.001-07:00

Getting your first set of DJ turntables can be a hard process

This is due to the fact that you can't DJ and therefore can't evaluate turntables for your needs and budget. Turntables are one of the most important pieces of DJ equipment. For a long time (20 years) Technics Turntables have been the safe (but expensive) option. I got a set of Technics turntables when I started and I have never regretted the buy.
However over the last few years there have been a number of quality turntables released from Numark, Vestax and Gemini that not only rival but excede the performance and features of the Technics SL 1200/1210.

This page is for those new to DJing who want some good tips for selecting turntables. I'll take you through what I think are the best turntables on the market for DJing.
Bear in mind that I don't scratch so if you want a guide to what decks are good for scratching you are out of luck my friend.

1. Drive mechanism:
There are two different types of turntables. Expensive direct drive and cheap belt drive. Direct drive is far superior and I won't consider any belt drives here.

2. Torque:
This is the strength of the drive on the platter. More torque is better, it makes your start ups faster and lets you make precise changes in the mix. Manufacturers claim torque figures but do you know what 1.5 Kg/m feels like? Technics turntables have plenty of torque for mixing and the Vestax PDX 2000s have even more. Once you get certain level of torque the limiting factor becomes you skill at mixing.

3. Pitch adjustment:
All the turntables below allow you to adjust the tempo of tracks by adjust the speed of the platter. Some allow you to adjust it more than others. The + or - 8% that Technics turntables have is plenty.

4. Tone arm:
Straight tone arms are apparently better for scratching since the needles will jump less. Jumping needles is a real pain in the ass when your in the mix so I am all for things that reduce it. However, my Technics turnmtables have an "S" shaped arm and they never jump when I have needles in good condition on them.

In next post you will look at the different DJ turntables And Their approx price that are currently available

Setup traktor dj software right way

2010-08-08T02:01:00.000-07:00

How to setup traktor dj software right way

At the top of the interface is a red "setup" button. This takes you to the sound setup and preference page.
The soundcard setup in Traktor is quite advanced. This is because you need two separate outputs in order to beat mix properly. When getting a track in time it is best to have one track playing out through the master while the track you are fiddling with only comes out of your headphones. This makes it possible to compare the two tracks and make changes to one so that the tempos can be matched before you start the mix.

Traktor allows you to have separate outputs if you have two souncards installed, a soundcard with two outputs (e.g. Soundblaster Live!) or you can have each channel mono and separate the channels from your regular stereo output.
I could beat mix with Traktor on my laptop with one output using headphones. One ear would hear the master and one ear would hear the cue channel.
If you understood all that you will now know that Traktor can let you beat mix even if you only have a simple soundcard like the ultra budget one in my aging laptop.
However, if you have a Soundblaster Live you will be able to get the most out of this program.

My conclusion on Traktor Mp3 DJ software:
As you can see from this feature list, Traktor is a complete dance music mixing system. This software will let you listen to dance music how it is supposed to be heard.
If you want to learn how to be a DJ fast then I recommend you get this Mp3 DJ software. It is the cheapest way to learn all the skills you need to be a professional DJ and of course create great sounding mixes:

How Traktor MP3 DJ software works

2010-08-07T07:51:00.000-07:00

Learn how to work with traktor mp3 dj software

Traktor works more like two very advanced DJ CD players than a pair of turntables. There are two Mp3/audio players that you load the tracks into. These media players let you adjust the tempo manually or automatically so that the two tracks have the same BPM (beats per minute).
You can also give the tempo a nudge forward or backwards (when playing) to get the two tracks perfectly synchronized or "in time".

Let's look at the interface for Traktor DJ software:

The Traktor interface is made up of a number of panels (identified in the picture below). You can choose which panels are visible by clicking on the buttons at the top of the main panel.

A = The main panel. To the right of the A are the buttons that allow you to configure the Traktor interface. The record button to the left records a wav file of your mix.

B = This display shows you the what the track looks like and helps you spot breakdowns. The B is also on the controls for setting the tracks tempo.

C = This is the crossfader. You use this to gradually bring in the next track. There are also 'punch in' to the left and right that let you drop the other track in for a short burst effect.

D = This is the cue panel. The big round button sets a cue point in the track. The other buttons allow you to adjust its position and set Traktor to loop between two cue points.

E = This is the playlist. Here you load in individual tracks or directories. You also set the order you want them to play in.

Let's look at what the different panels do in Traktor Mp3 DJ software:
You do not have to have all the panals loaded at once so I'll take you through each panel individually.
Main Panel:

This is the main panel that always loads. It is where you bring up the different panels and record your mix as audio. As you can see there is a master volume and monitor volume and the time remaining for each track. The three buttons in the middle let you set Traktor up to either let you play live, play or record your automated mixes or automatically load and fade tracks in the playlist.The Eq Panels:
One Eq panel is load for each track player.

This button brings up the Eq and filter control panal. Eqs are essential for doing quality mixes. They allow you to cut the bass and make your song transitions much smoother. Filters let you do fun things to the track and are entertaining to play with.The Player Panel:

This button brings up the two Mp3/audio players. In the window an intensity graph comes up that lets you see the individual beats and any upcoming breakdowns. Above the graph is the controls for setting the tempo and nudging the track in time (pitch bend buttons). The players also have a bar for quickly skipping through the track.The Cue Panel:

This brings up the cue panels. These panels (one for each track) allow you to set cue points. Traktor can be set to loop between two cue points or begin a mix. Traktor can therefore be set up to automatically mix tracks with the cue points you have set. The Playlist Panel:

This brings up your paylist. Simply browse your hard disk to add tracks/directories and create the play order.

How to Remove Vocals or beats from a Sount track

2010-08-05T01:17:00.000-07:00

In this tutorial you will learn how to remove vocals and beats from a music/sound track/song.

I've been asked over the years. Probably the most common mis-conception is that there's a mystical way to be able to remove either the vocals from a tune to leave beats, or to remove the beats to leave only the vocals. The truth is that simply removing one element or another is impossible. Yes, there's 'other ways' around this, which can give a similar effect, but you can't take a tune, and strip out the vocal, leaving a pristine version of the original. I'll explain why first, then I'll go into what else you can try.

It's all about lasagne

Think of a tune like a big dish of lasagne. In order to make even the most basic lasange (or a tune) you need certain ingredients:

Mince (Drums)
Tomato (Bass Sounds)
Pasta (Melody/Hook)
Onions (Effects)
Cheese (Vocals)

When each of these ingredients are in their bowls, before you mix them together and cook 'em, you can do whatever you want to them. You can make them bigger, small, spice it up, cool it down, pre-cook the mince, add different kinds of chesse - whatever you want - but the key moment is when you mix the mince, tomato and onions together, layer on the pasta, then layer on the cheese and throw it all in the oven for 40 minutes. Once you've done that - you've made a 'mix' of all the ingredients, and have made something which is a combination of all the parts.
Why does this matter to you? Well, say you have a lasagne in front of you, and you think 'Hmmm, I only like the mince and tomato part of a lasagne - I don't like cheese, pasta or onions' - if you try to go into the pot and remove JUST the mince and tomato, two things will happen - you'll not be able to take out just the mince and tomato - little bits of cheese, pasta and onion will be there too, along with the general taste of those three unwanted items - but also, you'll leave loads of mince and tomato behind, so what you'd have wouldn't be the full amount anyway.
Or, think about just wanting to remove the vocals (cheese) from the lasagne. Sure, you might have made a simple lasagne, and just put one layer of cheese on top of the mince etc, but you won't be able to peel off just the cheese, it's been baked in with the rest of the dish - when you peel it off, you'll leave loads behind, and loads of the rest of the lasagne will come with it - there's no clean way to get just the cheese - and remember, it's been baked too - so it already contains loads of the sounds (tastes) of the rest of the track - so even if you were 100% tidy, and could peel it off cleanly, the rest of the tune is now 'Baked into' the vocals.
That's a hell of an analogy, huh?

There are options

So, hopefully my lasagne analogy has got across how hard it is to remove just the vocals, or just the beats from a tune - but that doesn't mean there's no way you can get around this. Here's a few options.

Editing with software

Depending on what your use for the tune is, and how it's originally been recorded, you may be able to use some audio editing software (like Adobe Audition, NGWave etc) to do a 'patchwork' of the original tune. Not all tunes have vocals running all the way through them - there may be beat intros with just the bass, breakdowns with out the beats and bass drums, outros which are the chorus without vocals over them - or other points in the tune where there aren't already vocals. Each time you find one of these parts, save it to a folder on your hard disk and name what the element is.
You'll need to be sure you're taking the right length of 'chunk' though so you can replicate it enough. If there's 16 bars of beat intro, make sure to take the entire 16 bars, so you can loop them over and over, to create a constant beat if you wish - don't just take 14 bars, and try to loop that, as it'll sound terrible. If the last 4 bars starts to have a vocal intro to it - you might consider only taking 8 bars of beats, and working with that. Just try to make sure to always lift out in multiples of four bars. One bar may be ok if only played from time to time, but be careful if you intend to repeat one bar over and over for 5 minutes.
If you're unsure about what a bar is, and how it's made, either look at the book, or the Beats and Bars page on this website

Removing vocals using the stereo field

Still in the software realm, you can sometimes find a vocal remover effect (Cool Edit had this) which uses stereo information to remove the vocals. The principle is simply that most music is 'panned' left and right to create a stereo sound, but most vocals are left 'centred' so they appear in the middle of your head. The software simple calculates what information has been send independently left and right, and what's been left in the middle - and removes everything in the middle.
This, however, has differing results. If you try it through a whole tune, you'll find some parts are better than others for a start, but you'll also find that it sounds as though it's been recorded underwater. This is simply because lots of the 'ingredients' are still left playing 'centred' in the tune, so they get removed as well (the tomato stuck to the underside of the cheese). Or, as backing vocals are still often panned left and right, though you'll have lost most of the main vocal with this technique, you'll still hear the backing vocals in the stereo field.
So, it comes down to what part of the tune you're trying to remove the vocal from, and more importantly, simply the tune you're using. If you have a program that can do this, try it with several tunes, and you'll see what I mean.

Using EQ's

If you have access to a huge bank of EQ's (not just the Hi, Mid and Low on your DJ mixer) you can often isolate a tiny part of a vocal, and keep it - but you still won't be able to remove the vocal and keep a plain beat. I mention in the book a friend of mine in a band called "Pacifica" who used the vocal sample from Heart of Glass by Blondie. It's simply the "Ooo ooo Aaaah Aaaah" thing she does. In Heart of Glass, there's one bar where she sings it with very little else going on, just drums I think. Well, Donald and the engineer spent a LONG time in the studio with a bank of effects and EQ's trying to filter out all the unwanted sounds to give as clean as possible a version of the sample. In the end, you can still faintly hear the hi-hats from the original tune playing, but as it's over music from the Pacifica tune, that's not too much of a worry.

A capella's and instrumentals

This is probably why you're thinking of this in the first place. You'll have heard either the vocal from a track playing over another tune, or you'll have heard just an instrumental version of the tune. There's no 'skill' involved in this, it's simply that when that tune was being recorded, and they still had access to all of the ingredients that made up the tune (unmixed) - they were able to create an instrumental, or a cappella (only the vocals) version. How often these get made, and whether they ever get a general release, who knows - but it's the easiest, simplest and most common 'way' to get the vocals or music only.
I guess the other option is to get someone to sing the vocal line that sounds exactly the same as the original - but that's pretty unlikely.

Clear?

I hope this cleared up the myth that this is something you can do - in the end, the best option is probably to go for a mixture of remixing just the instrumental/beat parts of a tune (or a remix of it which might be elsewhere on the CD/Vinyl) using software along with using the stereo field removal technique for certain parts, if you REALLY have to use them
Good luck with it all, and if you've got any other tricks on how to do this, please get in touch.

source . . recess.co.uk

Create acapellas phase inversion with virtual dj

2010-08-04T23:01:00.000-07:00

Learn how to create an acapella by using the phase inversion method with Virtual dj

Big thanks to member starsociety for this youTube video tutorial he's done. It shows you how you can create an acapella by using the phase inversion method with Virtual dj if you have the instrumental and the retail track.

Please any comments as i'm sure the author would love to have feedback to his video/method.

Thanks,

Video make Keyboard Shortcuts for virtual dj 6

2010-08-04T02:10:00.000-07:00

Virtual dj tutorial this time is how to create a keyboard shortcut at virtual dj 6. And before I had made his tutorials for virtual dj v.5. But because for how to make different, so I reset again but it's easier for using script code.

Using virtual DJ software without a digital mixer is difficult because we only rely on mouse. when mixing the song become less free because it only uses one hand. especially if you use the laptop without using the controller,such as: Numark total control, bcd 3000,hercules dj console and others you can visit virtualdj.com for more detailed.

Before making keyboard Shortcuts in the virtual dj v.6 we should first think about
what buttons to be created. Below are the buttons on my experience so far as to use it for djing, although sometimes.

Sorry i use screen keyboard windows. You can use another KEY what you like.

Here is the most important for Key.

volume level
equalizer
cross-fader
Effect
Play
Stop
Cue
Sampler
Loop
Beatmatch (sync)
Select deck

===========================
How to create keyboard shortcut for your virtual dj please see this video.

Below details the key and code for keyboard shortcut from video.

DECK 1

volume level : down
Key = g
code:
deck 1 volume -10

Down fast
Key = v
code:
deck 1 volume -100

volume level :Up

Key : y
Code
deck 1 volume +10

UP fast
Key = B
deck 1 volume +100
===========================
DECK 2

volume level :Up

Key : O
Code
deck 1 volume +10

UP fast
Key = n
deck 1 volume +100

volume level : down
Key = k
code:
deck 1 volume -10

Down fast
Key = m
code:
deck 1 volume -100

========================
EQUALIZER

Deck 1
Low
key =Up
code: deck 1 eq_low +1
Down
deck 1 eq_low -1

Deck 2
Key = your key

Up and down
deck 2 eq_low +1
deck 2 eq_low -1

===========================
MID

for deck 1
Key= Up
code
deck 1 eq_mid +1

Down
Key : -
Code
deck 1 eq_mid -1

For deck 2

Down
Key: backspace
code
deck 2 eq_mid -1

Up
Key: \
Code:
deck 2 eq_mid +1
=============================
HIGHT

For deck 1

UP
Key: insert
COde
deck 2 eq_high +1

Down
Key: delete
code
deck 2 eq_high -1

For deck 2
UP
Key: home
COde
deck 2 eq_high +1

Down
Key: end
code
deck 2 eq_high +1
==============================
Effect active

DEck 1
KEY: E

Deck 2
key : R
=====================
Beatmach (sync)
key : shift+spacebar

Select deck
key: Tab
Cue: C
Stop: S
=============================
LOOP in/loop out

key:
1 : one beat
2 : Two beat
4 : Four beat
6 : 8 beat
8 : 16 beat
0 : insert beat

SAMPLER
pres F1 - F10

Don't forget to delete if there are shortcuts keyboard the same, because double Key and not working.
=============================
For others key you can create by your self after see video. I make The Key and code based on what is needed. You can copy paste the Code from here and change it. Remember " + " for increase and " - " for decrease. Now you can deejaying, mixing with technique the keyboard shortcut on your pc or LAPTOP without the mixer digital. But when you have money why not buy the MAPPER controller? I hope help you.

What DJ Equipment to buy

2010-08-04T00:50:00.000-07:00

Equipment

Rather than me telling you what equipment to buy, I will just state a few things about each type of equipment you may need. The reason I wont tell you what equipment to buy is because it will depend on a few factors like: - How much money you have
What style of music you will DJ
What sort of DJ you want to be, Bedroom, Club, Mobile, etc...
When buying equipment try to stay within your budget because it you do then the shop that you buy all your equipment from might and most probably will give you a discount, especially when you pay in cash. A good thing to do is to phone around a few equipment dealers and see what sort of prices they offer and compare them with other dealers. If you say that you have found it cheaper else where, nearly all dealers will lower there price, so then you will get it cheaper. Right then on to equipment.

Decks

Obviously you are going to want the best decks around, which is going to be hard unless you have the money to buy them with. The first set of decks I got where Technics 1210s, which was good because firstly they are direct drive and secondly they are one of the best decks around. I say one because there are just as good decks around and some better ones. The Vestax range is worth looking at if you have the money to buy them, if not, then don't bother. When buying decks try if you can, to buy direct drive turntables because it will help you significantly if you do have them. Firstly they start up nice and quick; also they stop dead when you press Start/Stop. Also they are better for scratching because the deck does'nt move with the record, and when you scratch a belt drive deck it tends to stop the deck, so it has to start up again, and also it wears out the belt. Now though you can pick up a good pair of direct drive decks for cheap, brand-new and second hand.

CD Decks

These are more expensive than normal decks. If you want a good pair you are going to be paying a hell of a lot. Most cd decks don't have the same scratch ability of vinyl decks, but it is being improved. Pioneer has made the best cd decks so far with it being just like a regular deck. It's really up to you what decks you buy. Both have advantages and disadvantages; try them both out see, which you like. But whatever you buy the battle will still remain. Vinyl Vs CD's.

Mixers

Some mixers look very nice, don't they?, with all those nice buttons and knobs, and lights and flashy things. Don't even think about getting the most expensive mixer out there if you are just starting out because you simply wont know what to do. By a nice and easy mixer with not too much on it, you will obviously need, a cross fader, channel faders, channel gains and headphone gains. Also maybe you could get a headphone selector, so you can chose which channel to listen to in the headphones.
Other things about mixers and other things to consider when buying a mixer and explained in the DJing section.

Slipmats

Not really that much to say about slipmats except to buy a decent pair. Get a nice smooth thin pair because it will make a lot of difference when DJing, especially if you are a scratch DJ. Slipmats aren't expensive, so just go out and buy a decent pair.

Speakers & Amps

Well I can't really say too much about this except get a decent pair. For the first pair of speakers you buy, I would imagine you wont get the best pair around, in fact I expect you will blow them like I did. 3 Pairs in a year I wasted until I got my first awesome pair of speakers. Also when buying speakers, buy an amp to. This may sound stupid but people do buy just speakers thinking that the sound comes from the speakers, it doesn't! You have to have an amp to hear anything. Also when buying an amp and speakers make sure the amp is of a lower wattage to the speakers other wise you will overload the speakers and you will blow them. Say you were going to buy 150-watt speakers. An amp of about 100 watt will be enough to not under power the speakers but not enough to overpower the speakers either. Just take care and time when buying speakers.

Styluses and Cartridges

Pretty obvious this one, you wont be DJing with out these on both decks. You can get some fairly decent cheap pairs and some awesome expensive pairs. The pair that seems to get the best rating in magazines is the Ortofon Concord DJ. You can scratch hard with these and it wont skip. Also they have a very good sound.

Headphones

How To Use Them
The two ways to use your headphones:
1: You can mix with both headphones on
2: You can mix with only one headphone on.
1: Mixing with both headphones:
Mixing with both headphones means that you have both headphones on and you can hear both songs playing at the same time through the headphones. This is a good way to mix, because sometimes it can be hard to hear the beat coming out of the speakers if you use only one headphone.
2: Mixing with only one headphone:
Mixing using only one headphone, so only having one headphone on, if also a good way to start because you can hear the beat clearly from some songs, but not every song. When you cant hear the beat from the song coming out of the speakers a good thing to do is either to turn down the song in the headphones or to turn off the bass on the song in the headphones, that way you will be able to hear both.
There's no right way or wrong way to use headphones it just depends on how it feels comfortable on you. I personally DJ with both headphones on because I find it easier to mix with hearing both songs at the same time through the headphones. It just a personal thing, you might prefer to only have one headphone on so that you can hear one song through the headphone and the other out of the speakers.
Be careful on which method you chose because when you become a really good DJ and either upgrade you mixer or DJ in a club, the mixer sometime will not let you listen to both songs through the headphones, that's why it's a good idea to learn both methods of mixing, just in case that is.
Headphones to consider using:

Sennheisser HD 433
A good solid set headphones for when you first start DJing. They are full size headphones, are quite comfortable and can be turned up nice and loud. These were my first set of headphones and are really good value, considering how loud they can go, they are only 20 quid and are worth buying for starter headphones, they aren't really that good for a more experienced DJ, who requires more from the headphones.

Sony MDR-V500 DJ
These are really fantastic headphones, they really are Worthing buying, especially for beginners or maybe even experienced DJ's. These headphones can go louder than the Sennheisser HD 433's and are even more comfortable. They fit nicely over your ears, and you can hear the beats nice and clearly through them. Definitely worth paying 60 quid for them.
Sony MDR-V700DJ

I have also bought a pair of these as well as all the other headphones on this page. I would say that these headphones may look the part but they don't really play it. These headphones are not very good for DJing simply because they are too bassy. Because they have so much bass its hard to hear the beats properly and distinguish between the two songs, so it sounds like you have it right, when really they are just out. I used these headphones for about 7 months and finally changed to another pair, because I found my mixing was going down hill. These are fantastic headphones if you just want to listen to music with them but they aren't so good for DJing. I still occasionally use them, but I prefer to use Sennheisser's HD25SP's, because you can hear the beats nice and clearly.

Sennheisser HD25SP
These are probably the best headphones on the market for the price; I don't think you could get much better ones. They may look small and think but that's one thing that makes them better. The headphones cups are small and block out A LOT of sound from the speakers, which is good because them you can hear what you are doing. They are also light perfect for carrying around. The only problem I have with these it that they seem a bit thin, it seems like they are going to break when you touch them, but they never do! I would have to say that if anyone wants to know what headphones to get I would have to simply say these ones. I don't think you will find a better pair for the price.

Records

This goes without really having to say much except, get lots and lots of records. Never stop updating your records, because you will find that you will go off DJing because you are just mixing the same old records, so always try to buy records, spend every last penny on them.
Extra Equipment To Aid A DJ Or To Improve A Set:
BPM (Beats Per Minute) Counters
This little device has been around for a long time. There are two ways you can use a BPM counter:
1) You can use it to find the BPM of you records so you then know how far to move the pitch when in the mix.
2) You can use it in you mix to help to mix. If you get that. All you have to do is match the BPM's of the two records and there you go. You just have to mix it.
This little DJing aid can make your mixes amazing but then ask yourself, are you really mixing?

FX Units

These pieces of equipment can improve a set loads and loads, they can make you sound different to other DJ's making you a better DJ. But if you don't work the FX's in a good way they can fuck up your set so be careful.
Quite a few FX Units now have a BPM matching system where it matches the FX with the beat so they are in time.
Most FX units have the same sort of FX like Reverb, Flange etc... Others like the Alesis Air FX are completely different in the way that you just have to wave you hand over air to make a sound.
FX units are good for improving sets if you get the right one so just try some out and see which u like.

Cool Tips for Live Djing

2010-08-03T23:57:00.000-07:00

Some cool idea for live djingand learn live set extras

Live Set Extras

Below are a few little pointers for when you are doing your set and you want to spice it up a bit. They are all simple to do so it won’t require you to get wound up.

Backspins
Fairly straight forward. All you have to do is spin the record backwards, making sure it sounds good. When performing a backspin don’t put the needle right at the start of the record because you will not hear anything when you do a backspin. Also make sure you don’t backspin over vocals cause it just sounds shit. All you get is this really high-pitched sound which sounds awful.
A good thing to do is backspin just before something happens. Dance music is usually laid over a 4/4 beat so it’s easy to predict when things happen. At certain intervals, either 4,8,16,32 beats a change in the music will happen. This may only be a tish or a TISH. But the point is you can backspin over or just before these noises. So say something was going to happen at the 32nd beat. You would do a backspin at 30 or 31 depending on how long your backspins are. You get the picture easy huh?

Turning Off The Bass, Treble or Middle
Turning off the bass is better than turning down the middle and treble because it’s harder to get the music to sound good with the treble & middle down.
When turning off the bass do it in time with the music. Don’t do it half way through a beat cause it will sound shit. Do it in between beats and do it either a 2 beats then turn it back on or 4 beats and turn it back on, not an odd number because dance music is set in even numbers. Pretty simple isn’t it? Well have fun with that one cause it’s a good one to use if you don’t use it too often.

Scratching
This is obviously the one people are going to look at straight away. Well tuff luck cause I don’t know anything about scratching cause I am a trance DJ.
All I can say is that the good things to scratch on are beats & vocals. They are the best cause they sound the best within a set. A very good person to learn off, if you are a trance DJ, is EDDIE HALLIWELL. Why? Because he is a trance scratching god. No one comes close to him. If you get a chance to check him out make sure you do.

Accapellering
Basically this is laying vocals over the top of a track making it sound good. This can be tricky but try to get them in time because otherwise it doesn’t sound as good. Also when performing this you can scratch it as well. It sounds very good when you scratch as well so do try it.
Turning Off The Deck

This little beauty is very effective. Especially when you get it right.
I feel it’s most affective when a song is building to the main riff and it’s building your energy etc… What you should then do is cut the power so it slows right down then press start again just as the main riff whacks in. It will sound amazing. It’s a very good trick when used right.
To enhance this little piece of masterful skill. You can cut the lights and turn the power off on the deck so it looks like you have a power cut. Then bam. You whack both the lights on and the record up to full speed. It works a treat. Try it out and see what you think.

Although these little tips will help you to make your sets unique and individual, the main things that will help you do be different is improvisation. Within each set don’t just do the same old things at the same points. Vary your set and thing of new things. Try combining things together, like doing a backspin + scratching at the same time.

The main thing is to try them out and see what you come up with. One tip though, try to remember anything that you do spontaneously because I can almost guarantee you will not be able to do it again

xtra Tips To Help You Mix & Beat Match

2010-08-03T23:38:00.000-07:00

Dj tips on how to beatmach and mixing the track

1) Turning Up The Music
You may find it easier to mix if you turn up the music. I know that I find it a lot easier to mix when the music is loud. Its hard to mix when its quite because you cant hear the beats correctly. Only turn up the music within your limits, don't go disturbing the neighbours or busting a pair of speakers. I bust three pairs within a year, costs a lot of money I can tell ya.

2)Turning Down The Music
This may sound stupid but it can help by turning down the music. Firstly you can damage your hearing so then you cant hear the music very well and secondly you may have the music too loud and you can't hear the music in the headphones. This will then damage the headphones costing you money. Also if you have it too loud, the frequencies can sound weird. It may sound too high-pitched and not very bassy making it hard to beat match etc...

3) Changing The EQ's. Treble, Middle & Bass.
Fairly obvious this one. If you cant hear a sound in the music very well turn either the treble middle or bass up. Also going to other way, if a song is too bassy turn down the bass etc... Simple.

4) Moving Your Headphones
Moving them around your head can sometimes make the beats clearer. Another thing to try is to turn down the bass on one of the songs, it does work, but don't cut off the bass completely.

5)Turning Up The Headphones
When the music is quite it can be hard to hear the beat because you have the speakers too loud. Turn them up to hear the music better but not too loud that it damages your hearing or headphones.

6) Mixing Similar Songs
Easy this one. Mix songs that sound the same or are similar. Simple. Also mix songs with a long intro or songs with just a plain and simple beat. This little tip is very useful if you are just starting out.
Also try mixing the same song because they are exactly the same and should go together nicely.

7)
Moving The Speakers
This tip can be quite hard to do if you don't know what your doing. Basically in a room there are sound acoustics, which can either, enhance sound or do the opposite. If your speakers are in the wrong place the beats with sound our whether or not the beats are in time. This is because the sound is bouncing back off the wall at an odd direction and causing it to sound out of time. The only solution is to move your speakers around till you get a "dead" sound where it basically sounds normal. Also try moving things around in your room like tables etc... because that's what the sounds bounces off, material objects. Just move things around to get the best sound.

8) Staying Off Your Decks.
I bet your all thinking "what the fuck is he on about". Well its simple. If you go on your decks too much you will not only get board of them but frustrated and annoyed because you can't beat match or mix. Just simply take time our to chill and try not to get wound up.